Myrsini Aristidou Myrsini Aristidou Director: 2021 Year of lab participation: 9 Lab edition: Cyprus Country: Nathalie Dennes Producer: Hold Onto Me It's summer, and 11-year-old Iris is running wild through the streets with her older friend Danae when she learns her estranged father, Aris, is back in town for his own father's funeral. Synopsis Sundance Film Festival 2026 - Audience Award in World Cinema Dramatic Competition Festivals & Awards 2026 Year of release: Trailer IMDb HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Darwin Darwin Oren Adaf Producer Shlomi Elkabez Lab Edition 4 , 2015 SCENE PITCH Production Country Israel SYNOPSIS DIRECTOR'S NOTE LOG LINE ABOUT THE FILMMAKER PRODUCER Shlomi Elkabez PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Nora Martirosyan Nora Martirosyan Director: 2014 Year of lab participation: 3 Lab edition: Armenia Country: Dan Burlac Producer: Should the Wind Drop An engineer must decide whether to reopen the airport in Nagorno Karabakh. Synopsis Toronto International Film Festival 2020 AFI Fest 2020 Tallinn Black Nights Film Festival 2020 - First Feature Special Mention Cannes Film Festival 2021 Jerusalem Film Festival 2021 Festivals & Awards 2020 Year of release: Trailer IMDb HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Safe Harbor Add a Title Add a Title Send Send Yoav Roeh, Aurit Zamir Producers: Yoav Roeh , Asaf Saban Safe Harbor Lab Edition 4 2025 PITCH LOGLINE Two Mossad agents pose as a married couple seeking to foster a nine-year-old Lebanese boy. The child is their gateway to recruit his mother; a woman deeply embedded in Hezbollah's organization. SYNOPSIS Mossad agents Yulia and Ori, late 20’s, are dispatched by their commander Amiram (60), to a peaceful Greek island. Their mission is to pose as a couple and foster Amin (9), a Lebanese survivor of the IDF missile attack which killed his father, an high ranking Hezbollah member. Amin was pulled from the rubble by his mother Salma (29), who then smuggled her traumatized son to a UN refuge in Greece, which promises a safe harbor for children from war zones. Yulia and Ori give Amin a home and gradually develop an emotional bond with him. This helps them gain access to Salma who comes to know and trust them. Unbeknownst to her, she supplies them with crucial information regarding a Hezbollah-planned attack. As the mission deepens, something else begins to shift. Caring for the child forges a genuine bond between Yulia and Ori. What began as sexual tension in their first meeting evolves into intimacy and emotional closeness. They lose the distance and clarity the mission demands, failing to notice that their cover has been compromised. As the operation unravels, Salma discovers the truth about them and is coerced into collaboration when they use a visit with Amin as leverage. When Salma is finally able to come to the island for the much-awaited visit with Amin, a Hezbollah elite unit assassinates her, and abducts Amin. Apparently, they discovered her breach of loyalty. Amin is once again orphaned and the agents are left missing key information regarding the upcoming attack. Haunted by guilt, Yulia and Ori break away from command, choosing to save Amin from his kidnappers. But then they discover a devastating truth- Amin's biological father, a high-ranking terrorist presumed dead—is alive. The couple are now torn between loyalty to their country and their new “family” and must confront the most agonizing question: What truly serves the child's best interest? WRITER'S STATEMENT SAFE HARBOR is led by two strong protagonists who feel a deep sense of belonging and loyalty to their country, who are willing to risk their lives for it. For whom the country is their true family. During the season, despite themselves, they create their own makeshift, improvised family, which starts through deception but develops into true emotion. As the needs of these two “families” conflict, our characters question the truths and ideologies their identities are built on. Through this narrative setup, we are interested in exploring the idea of family, loyalty and betrayal. As Israelis, like our characters, we are familiar with having complex relationships with our national identities. We believe these questions resonate with viewers worldwide today, Character driven and propulsive, SAFE HARBOR will explore the deep, emotional journeys of its characters through a twisty spy plot. The series uses the contrast between the cold, sterile world of espionage and the warm, hopeful moments of the couple's personal journey to visually underscore its themes. The dramatic contrast between the fast-paced tone and the psychological complexities will make this series as thought-provoking as entertaining. PRODUCER'S STATEMENT Shot fully on location in Greece, SAFE HARBOR will allow us to observe the complex reality of our region seemingly from the outside, from the safety of a peaceful Greek island, but in fact while looking deeply from within. The series throws a light on the lives of children in war zones, a topic which has become painfully relevant to us in the past years. Traumatized, orphaned, hurt- children are the most vulnerable victims of their parents’ wars and conflicts. SAFE HARBOR will reveal the cynical mechanisms behind the war machine, in which one child, Amin, is being used as collateral. During the season, our characters will have to face their own experiences as children, address how those shaped them, and lead them to reexamine their loyalties, hopefully giving Amin hope for a different future. Zig-zagging at fast speed between the personal and the national, the show will be as compelling as it will be unsettling, it’s power stemming from viewers connection to the strong characters who will ask themselves- is there a SAFE HARBOR to be found anywhere in this world? Or does that space exist only within their personal identity, within their own family? We look forward to embarking on this project which has a wide international appeal in terms of genre, language as well as tone, while maintaining core values of honest storytelling. LOOKING FOR Sales Agents, Co-producers, Broadcasters, National and/or regional fund Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

The Sam Spiegel Series Lab heads into second edition with Netflix, Joe Peracchio (“The Flash”), Ossi Nishri (“Scenes of a Marriage”) and Dror Mishani (“The Missing File”) joining as mentors. The Lab also added new partnership deals with film & TV production company New Mandate Films, United King Films, The Jerusalem Film and Television Fund and The Jerusalem Municipality. A total of eight Israeli projects out of 100 submissions have been selected for the Lab. All 8 projects are headed by first-time lead writers, and six are female led. Amongst the writers are Orit Fouks Rotem, director of “Cinema Sabaya”, Israel’s entry for best international feature at the Academy Awards; Guy Raz, DOP of the successful feature “Rabies” and the Israeli series broadcast on HBO MAX “On the Spectrum”; and actress Nur Fibak (“Ahed's Knee”). The Sam Spiegel Series Lab heads into second edition with Netflix, Joe Peracchio (“The Flash”), Ossi Nishri (“Scenes of a Marriage”) and Dror Mishani (“The Missing File”) joining as mentors. The Lab also added new partnership deals with film & TV production company New Mandate Films, United King Films, The Jerusalem Film and Television Fund and The Jerusalem Municipality. A total of eight Israeli projects out of 100 submissions have been selected for the Lab. All 8 projects are headed by first-time lead writers, and six are female led. Amongst the writers are Orit Fouks Rotem, director of “Cinema Sabaya”, Israel’s entry for best international feature at the Academy Awards; Guy Raz, DOP of the successful feature “Rabies” and the Israeli series broadcast on HBO MAX “On the Spectrum”; and actress Nur Fibak (“Ahed's Knee”). Series Lab second edition kicks off NEWS ITEM HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB SERIES LAB TEAM NEWS

Moshe Rosenthal Moshe Rosenthal Director: 2018 Year of lab participation: 7 Lab edition: Israel Country: Alona Refua Producer: Tell Me Everything In the 1980s, as pop music soars and AIDS spreads, 12-year-old Boaz discovers a shattering truth about his beloved father. Over years, he struggles to mend their fractured relationship and restore their lost connection. Synopsis Sundance Film Festival 2026 Festivals & Awards 2026 Year of release: Trailer IMDb HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Shtukit Add a Title Add a Title Send Send Liat Revaya Producers: , Merav Hadas Haddad Shtukit Lab Edition 4 2025 PITCH LOGLINE Only two things stand between Bat-Or and her new life: God, and her father. One of them has to die and it won't be God. SYNOPSIS According to Jewish law, a "Shtukit" is a woman who doesn't know her father's identity and is suspected of being illegitimate, therefore forbidden to marry. Bat-Or is thirty, newly religious, and she keeps getting set up with men who aren't even close to her level. In the religious world, family background matters and hers is a disaster. Her mother's a former inmate with a weakness for weed and losers, living in a border town Bat-Or left behind. The man she thought was her father walked out when she was a kid. Even her aunt, a respectable nurse and the woman who actually raised her, doesn't help her case. Neither does her job teaching inmates. When she gets the chance to sell her grandmother's house and take all the money, suddenly, her stock goes up. In matchmaking, money talks louder than problematic family. For the first time, the matchmaker sets her up with Avihai, from a wealthy, respectable family, devout and kind. They meet, and it clicks instantly. In their world, to avoid living in sin, they need to marry within months. There's just one problem: Bat-Or doesn't know "Dad" wasn't her real father. And the secret is about to come out. WRITER'S STATEMENT I grew up in a border town in northern Israel, the youngest of seven in a complex family. I served five years as a detective before moving into documentary filmmaking. Today, I work as a documentary researcher and director at Keshet 12 and teach civics and motivation to lifers. The prison, the border town, the characters in Shtukit, these are places and people I know. Bat-Or, like me, wants a new life and a new family, but the past doesn't let go. Shtukit is an edgy dark comedy filled with human warmth. The humor and crime emerge naturally from who these characters are: ex-cons, hustlers, religious seekers living messy, complicated lives. The language is raw, the stakes are real. Visually, the series is realistic, unglamorous, unforgiving. War-worn exhaustion, prison grit, grandma's house with peeling paint. A border town, a prison, an old house, settings that create a stark contrast between what the characters dream of and the gritty reality they're trapped in. At its core, Shtukit is about the search for home: physical, emotional, stable. About what people are willing to do for a fresh start, even when the past refuses to stay buried. PRODUCER'S STATEMENT From the first moment we first read Shtukit, we immediately recognized a truly exceptional project—one unlike anything we had seen before. We all fell in love with the story, the writing, and with Meirav herself. For a long while now, we have been accompanying Meirav through the development and writing of her unique story. As we progress, we realize just how important this narrative is. It is a rare opportunity to bring a distinct female story to the forefront, balanced with a healthy dose of self-deprecating humor. At Tedy Productions, a company led by a team of strong proffesional women, we feel that creating with strong women carries a potent power that isn’t always heard. In Shtukit, we clearly identified the powerful female voice that Meirav brings—a voice we haven’t encountered in other projects. We believe in her unique perspective and are convinced that this is a powerful story that simply must reach the screen. LOOKING FOR Co-producers, Platforms, National and/or regional fund Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

We are proud and happy to announce that "Children of the Monkey" by Tommaso Landucci and Damiano Femfert, graduates of our 11th edition, will take part in the Orizzonti competition at the upcoming prestigious Venice Film Festival. Congratulations to Tommaso and Damiano on this wonderful achievement. We are proud and happy to announce that "Children of the Monkey" by Tommaso Landucci and Damiano Femfert, graduates of our 11th edition, will take part in the Orizzonti competition at the upcoming prestigious Venice Film Festival. Congratulations to Tommaso and Damiano on this wonderful achievement. "Children of the Monkey" World Premiere at the Venice Film Festival NEWS ITEM HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB SERIES LAB TEAM NEWS

Oasis Add a Title Add a Title Send Send Orly Arbel Producers: Nur Fibak , Mae Palty Oasis Lab Edition 2 2023 PITCH LOGLINE When the daughter of a passionate park ranger discovers her father died in an explosion in the middle of the desert, she leaves her hectic city life and returns to her hometown to uncover the real cause of his death. SYNOPSIS Maya Shushan (35) is a talented, cool journalist who wrote an article three years ago that was so powerful it was picked up by the New York Times. However, since then, her journalistic career seemed to dry up. She is burned out, her boss threatens to fire her, and her life, in general, is not really as she planned. But then, she gets informed that her father, a passionate Park Ranger, had died in an explosion in the middle of the desert. She leaves her hectic city life and returns to her deserted hometown, even though she really doesn't want to confront her past. When she gets there, it appears that police are spouting nothing but nonsense and lies about her father’s death. She discovers that shady investors with sharp snake boots are starting to build a fancy spa hotel around the beautiful Oasis of the "Ein Devora" reserve, the iconic magical reserve her father protected his entire life. Her instincts awaken: something doesn't feel right. Maya realizes that she needs to stay there a little longer before returning to her dying career in the city. There, in the heart of the desert, alongside her post-traumatic little brother and her long-time high school sweetheart, she tries to come to terms with her mother—a religious and terrifying woman by all accounts. She will do anything to investigate the real cause of her father's death. Soon, Maya finds herself taking up her father's fight in a conflict that is as old as time, the war over one small piece of land. Humanity against nature. Disparate groups fight for control— The hotel investors, the police, the nearby military base, the religious Jewish community, the desert Bedouins, and even the Nature and Parks Authorities. Maya discovers that her sense of purpose, extinguished by city life, has been reignited. After years in Tel Aviv, she discovers that her father's death brings her back to life. WRITER'S STATEMENT PRODUCER'S STATEMENT Our mission at SIPUR is first and foremost to lead great productions with global appeal, and as Israel’s biggest private investor in content, we are always looking for exciting new creators with new stories to tell. From the very first read, "Oasis" immediately caught our attention. Nur and Mae’s unique voice and fresh perspective stood out from the pack, and we’ve been thrilled to support their journey over the last year. "Oasis" is a project that blends personal experience with imaginative storytelling, all presented in a way that we believe will captivate viewers around the world and even inspire local adaptations. With "Oasis" at the front of our slate, we’re excited to continue pushing forward and leaving our mark on the industry. Together with Nur, Mae, and other amazing young voices, we’re poised to back content that will be seen by audiences everywhere. LOOKING FOR Sipur, the production company and studio behind the project, has financing capabilities and is looking for partners that are interested in sharing the risk in this project, which has big international potential both as a tape sale and as a remake play. Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

Good Girls Go To Hell Good Girls Go To Hell Screenwriters: Bar Cohen, Tohar Sherman-Friedman Producer: Shlomit Arviv , Dori Media Group Language: Hebrew Format: 10 Episodes x 30 Minutes Send PITCHDECK LOGLINE Tohar (17), the youngest daughter of the chief rabbi in a small West Bank settlement, decides to end her most significant relationship, and break up with God. SYNOPSIS In a West Bank settlement, Tohar (17), the chief rabbi's daughter, decides to break up with God after her mother's Parkinson's diagnosis. She embarks on a 10-step liberation journey, breaking the fourth wall to address the Almighty directly. Navigating her Orthodox community, all-girls school, family expectations, and first love, Tohar challenges everything she's known. In a place where every decision is judged by both Heaven and Earth, can Tohar find her true self without losing it all? WRITER'S STATEMENT "Good Girls Go to Hell" is inspired by Tohar's upbringing in a settlement. This adaptation of her graphic novel follows 17-year-old Tohar as she navigates the clash between tradition and independence. With raw honesty and sharp humor, we witness her struggle against family expectations and community norms while grappling with her evolving beliefs. It's a love letter to every misfit and doubter who's felt trapped by circumstances. Imagine "Fleabag" in a settlement or "Derry Girls" with a kippa - a story as contradictory, messy, and beautifully human as life itself. ABOUT THE WRITERS Bar Cohen A screenwriter, Cohen’s debut feature, CLOUDS OF DUST, is an Israel-France co-production currently in production. An honors graduate of The Sam Spiegel Film School, her projects have been featured in the Jerusalem Film & Television Fund Series Lab and NFCT Docu Lab and more. Tohar Sherman-Friedman An author, illustrator, tattoo artist, and comic book creator. Friedman's first graphic novel, ""Good Girls Go to Hell"", was published and translated into various languages. The sequel, ""Angel of Sabotage"", was released last March in France. She is a graduate of the visual communication studies and the illustration department at Shenkar College. PRODUCER'S STATEMENT From the moment I encountered "Good Girls Go to Hell" by emerging talents Bar and Tohar, I was captivated. The playful title belies a profound coming-of-age story set in a world seemingly distant from my own—a large religious family on the fringes of Israeli society. Yet, Tohar's original dialogue with her "imaginary friend" God resonated deeply. This series promises to be a groundbreaking exploration of faith, family, and identity, told with wit and warmth. Bar and Tohar's authentic voices shine through, creating a story that's both uniquely local and globally relatable. Their fresh perspective offers a bold take on universal themes. PRODUCER PROFILE Dori Media Group is an international media company with offices in Israel, Switzerland, Argentina, Spain, and India. We produce and distribute TV and New Media content, broadcast channels, and operate video-content websites. Our catalog includes 7,500 TV hours, 7,500 short clips, 120 webisodes, and 556 cellular episodes. We offer series, reality shows, and children's programming. Our content reaches audiences in over 100 countries, making us a global leader in media production and distribution. PRODUCTION CONTACT DETAILS shlomit.a@dorimedia.com +97236478185 Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

14TH EDITION CATALOGUE 14TH EDITION PROJECTS MENTORS JURY LAB FILMS TEAM Director: Adriano Valerio 2015 Year of lab participation: 4 Lab edition: Country: Italy Producer: Mario Mazzarotto Banat Two Italians looking for work and happiness abroad. Lab edition: Venice Film Festival 2015 Warsaw Film Festival 2015 Tirana International Film Festival, AL 2015 - Best Cinematography Palm Springs International Film Festival 2016 Synopsis 2015 Year of release: PITCH Trailer HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

Under the Shadow of the Sun Under the Shadow of the Sun Shalom Hagar Producer Yael Abecassis Lab Edition 4 , 2015 SCENE PITCH Production Country Israel SYNOPSIS Matko (42) is released from prison 15 years after murdering his wife. He sets out to find his only son Mesgenaw who was 2 at the time of the murder. After a long and arduous journey, he discovers what his son underwent over the years. DIRECTOR'S NOTE LOG LINE Matko (42) is released from prison 15 years after murdering his wife. He sets out to find his only son Mesgenaw who was 2 at the time of the murder. After a long and arduous journey, he discovers what his son underwent over the years. ABOUT THE FILMMAKER PRODUCER Yael Abecassis PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ