The JSFL will work towards the advancement of the projects within an 8 month work process. JSFL OBLIGATIONS 1. The JSFL will work towards the betterment and the advancement of the selected projects, through first-class international script editors, within a seven-to-eight-month work process. 2. The JSFL will accompany the selected participants and assist them in the process of preparation and training (courtesy of the Shuster Polakoff Foundation) towards the concluding pitching event. 3. The JSFL will work towards the betterment and the advancement of the feasibility of production for the selected projects, via the awarding of production and development grants. 4. Throughout the entire duration of the Jerusalem-based activities, the JSFL will host the participants from across the world and from Israel, and will provide local transportation, lodging, and board (full breakfast; lunch and/or dinner). 5. Due to the current circumstances in Israel, there is a possibility that one of the sessions will take place in Europe instead of Jerusalem. In such a case, during the session, the JSFL will host the participants from across the world and from Israel, and will provide local transportation, lodging, and breakfast. 6. Throughout the period of activities in Jerusalem and/or Europe, the JSFL will make suitable workspaces available for use by the participants and the mentors. 7. The JSFL will act to maintain ongoing contact between the participants and the script editors (mentors) during the in-between session periods. 8. The JSFL will publicize its activities and that of its participants within the international trade media, amongst international film funds, at pitching events throughout the world, and more. At the closing ceremony, the JSFL will produce a digital "Book of Projects" featuring the participants and their projects. 9. The JSFL shall retain no rights whatsoever to the scripts which it develops. However, the participant will be obligated to award proper credit to the JSFL, as further stipulated, a link to the final film, and to authorize educational screenings at the Sam Spiegel School and Labs, with no rights fee. HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS PARTICIPANTS OBLIGATIONS 1. Participants in the JSFL (the "Lab" or "JSFL", "Participant" respectively) are obligated to make themselves fully available for all activities of the Lab for a period of seven to eight months, as detailed in the schedule of activities appearing in Lab's website ("Time Schedule"), or within any reasonable changes made to the said schedule. In this document– the term Participant shall mean a filmmaker which is working on his first feature. The term Producer shall mean a person or an entity who engages with the Participant to produce the said feature. 2. Throughout the entire duration of the Jerusalem based activities, the JSFL will host the participants from across the world and from Israel, and will provide local transportation, lodging, and board (full breakfast; lunch and/or dinner). 3. Due to the current circumstances in Israel, there is a possibility that one of the sessions will take place in Europe instead of Jerusalem. In such a case, during the session, the JSFL will host the participants from across the world and from Israel, and will provide local transportation, lodging, and breakfast. 4. All the Participants must pay all air-travel costs- whether to Israel and/or to Europe. In many countries bursaries and scholarships are available for this kind of training. 5. If objective circumstances (such as security situation or a pandemic, etc.) prevent the Lab to be held physically then the Lab shall be organized and held through interactive measures (i.e. zoom meetings) and participants are obliged to attend all interactive meetings and programs. 6. The Producers of the films are required to attend and participate in the third session which takes place in July including pitch preparation, one-on-one meetings, and the pitching event and in one meeting at each of the first two sessions- via zoom. The Producers must pay all air costs and any other costs. JSFL will cover two nights of lodging for the Producers. 7. Participation fee in the amount of EUR 1,000 will be paid one week after receiving the acceptance letter. The fee will be paid in one installment via bank transfer in net sum free of all bank transfer fees and taxes if applicable. This fee is nonrefundable. 8. JSFL participants understand that the work process in the Lab demands full cooperation with the script editors and the JSFL administration, adherence to the Time Schedule and to these regulations, and a full obligation to strive towards the common process with diligence, depth, and a positive spirit. 9. Participants pledge to refrain from participation in other writing workshops/labs during the work process of the JSFL and the writing of the scripts, unless with the written approval of the Film Lab administration. 10. JSFL participants understand that all activities of the Lab will be carried out in the English language. JSFL participants and Producers are personally responsible for any and all translation expenses incurred in the projects/presentation's material/previous films. 11. Participants will make English-language publicity information available to the JSFL administration, including a curriculum vitae, still photos, and excerpts from previous films. The JSFL reserves the right to use this information in its publications in Israel and abroad. Participants agree to be interviewed on their work, within the framework of the Film Lab. 12. The participants will take part in a wide range of activities of the JSFL work, including but not limited to: masterclasses, feedback on their colleagues' scripts, networking with the Israeli and worldwide film industry, film students from Israel, a tour in Jerusalem and more. 13. Within the frame of the JSFL third session, the participants (directors/writers and Producers) will participate in a pitch training session. 14. For the final session and the pitching event, the filmmaker and Producer will shoot one (3 min.) scene from the film, which is to be screened at the pitching. All expenses incurred will be borne by the filmmaker and the Producer. The rights will be of the Participant, but the Lab will be entitled to use it in any media it chooses to, with no charge. Both the scene and the pitch will be uploaded to the Lab’s website. 15. At the closing ceremony of the Lab, the chairperson of the jury will announce the winning projects. From the day of announcement, the winner of the production prizes donated by The Beracha foundation, project's filmmaker and Producer will have a period of 24 months in which they can request the grant from the Lab. 75% of the grant will be transferred to the personal bank account of the Participant on the first day of filming. The remaining 25% will be transferred to the personal bank account of the Participant after the Participant sends a final cut of the film, including the Lab's credits, according to the provided guidelines. In case the project is Israeli- the director/writer will issue an invoice for the Lab. The Award sum includes VAT. It is hereby clarified that the grant is a personal grant to the Participant and shall not be paid to any third party and/or to any legal entity (i.e company, partnership, etc.) 16. Should the shooting of the film not begin in a period of up to 24 months from the initial announcement, or if the film does not have a specific date to start principal shooting approved by the JFSL director, the JSFL is entitled to cancel the grant and under such cancelation, the Participant will not be entitled to take any legal claim against the Lab or its directors. 17. Notwithstanding the above mentioned, the Lab's director may, in writing, authorize a deferment of up to 6 months in giving the grant. Requests for a deferment of the grant funds will be sent, by the Participant, in writing, no later than 20 months after the initial announcement. 18. Once a film reaches production, participants and Producers commit to grant credit to the JSFL within the body of the film, stating the film was developed at the Sam Spiegel International Film Lab, in the JSFL credit format. Moreover, the production will note the development of the script at the JSFL in all film publicity, including all remakes / spin-off products from the film, should they be created (books, plays, etc.), and in any existing or future media: In the body of the film- Credits annex attached. On the film's poster- JSFL logo Press release- mentioning the fact that the film was developed in the JSFL. Commercial ads- JSFL logo Invitation for premieres- JSFL logo Festival's book- the Lab's name and logo IMDB Lab's credit: Production Company (Development at) 19. The Producer and Participant will be obliged to provide a link to the final film, and to authorize educational screenings at the Sam Spiegel School and Labs, free of rights fee. 20. The administration of the JSFL is authorized at any stage to cease the activities of a participant who does not meet all the conditions, or who was unable for any reason to work within the framework of the Lab, to maintain its scheduled timetable, and/or to advance in the writing of the script and/or to perform in the spirit of the JSFL. 21. A participant and/or a Producer who ceases his participation in the JSFL upon his own decision will be held fully liable for the expenses which were incurred by the Lab as a result of his participation. 22. JSFL and JSFS shall not be liable to any loss and/or expense and/or damage which was occurred to the Participant and/or Producer as a result of his/their participation in the Lab or as a result of their qualification to the Lab. Participant and/or Producer hereby waive any claim if whatsoever merit of claim (including without derogating of the generality of the above negligence) they might have against the Lab and/or JSFS with respect to the Lab. 23. The Program is subject to force majeure such as security issues and pandemics.

Kimerling Kimerling Screenwriter: Marek Rozenbaum Producer/s Marek Rozenbaum , Transfax Productions Language: Hebrew Format: Send PITCHDECK LOGLINE A funny Haredi detective comedy based on the bestseller by Asher Kravitz. Kimerling (37), a Hasidic detective from Mea Shearim, investigates a mysterious case and falls in love with Frumi, the ritual bath attendant. SYNOPSIS WRITER'S STATEMENT ABOUT THE WRITER PRODUCER'S STATEMENT PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Photograph Photograph Ritesh Batra Producer Seher Latif Lab Edition 3 , 2014 SCENE PITCH Production Country India SYNOPSIS A struggling street photographer in Mumbai, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develop a connection that transforms them in ways they could not expect. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Seher Latif PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Update The Update Mor Hanay Producer Kobi Mizrahi Lab Edition 11 , 2023 SCENE PITCH Production KM Productions Country Israel SYNOPSIS In a world where humans can order their ideal cyborg partner, Adam is in a relationship with Alex, who was "created" especially for him. During the annual "update", Adam and Alex will be separated for 48 hours and for the first time in his life Adam will forge a connection with a real woman of flesh and blood who isn't perfect at all, and go on a journey with her during which he will learn to appreciate the beauty in the imperfect. DIRECTOR'S NOTE Imagine you could choose between a custom partner created especially for you, and a human partner with his own needs and desires, what would be your choice? The Update depicts a reality that fulfills our every fantasy, to have a relationship tailored precisely to us. In return, it reveals the dark side of a capitalistic society in which the emphasis on perfecting our external reality distracts us from having to look inwards. The film portrays the price of technological advance on the human spirit. ABOUT THE FILMMAKER Mor holds a bachelor's and masters degree in cinema from Sapir College, Israel. She is a graduate of the Mandel Foundation for Cultural Leadership. Writer and director of the award winning short The Update (2018) and Backyard Camping (2021) which premiered in Torino Film Festival. Mor was the initiator and artistic director of the Beer Sheva Short Film Festival, and currently serves as artistic director of the Cinematheque series at the Performing Arts Center in Beer Sheva. PRODUCER Kobi Mizrahi Kobi Mizrahi, an Oscar nominated producer, alumnus of EAVE, Berlinale Talents, Emerging Producers, Rotterdam Lab and Cannes Producers Network, established KM Productions to focus on creating sustainable relationships with young, innovative directors in order to produce shorts, features, and documentaries. His features include The Road to Eilat (2022): 3 awards including Best Feature at Jerusalem IFF, 11 Israeli Academy nominations; The Dive (2018): 4 awards including Best Feature at Jerusalem IFF, 2 awards at Locarno, screened a.o. at Toronto, AFI Fest.; and Water (2012, Israeli-Palestinian omnibus film): Amnesty International Award, opened Venice Critics' Week. His short films, including White Eye (Oscar-nominated) and Mission Hebron (EFA shortlisted), have been screened at major festivals worldwide such as Cannes, Venice, IDFA, Locarno, Toronto, Telluride, SXSW, and sold to HBO, Canal+ and more PRODUCTION COMPANY PROFILE KM Productions, Tel Aviv kobmiz@walla.com +972-525785388 PRODUCTION BUDGET Estimated Budget: $1083565, Israeli Film Fund development grant: $9000 LANGUAGE Hebrew GENRE SciFi Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Congratulations to Film Lab alumni Tom Nesher, which was selected for Variety's prestigious Directors to Watch list 2025. Nesher participated in the Lab's 9th edition, where she developed the script for "Come Closer", which premiered this year in Tribeca winning the Viewpoints Award. Later this year, the film won 4 Israeli Academy Awards including Best Film, making it Israel's representative in this year's Academy Awards. This is the 28th year that Variety identifies up-and-coming directors, and alongside Nesher, this year the list also includes filmmakers Coralie Fargeat (“The Substance”), Malcolm Washington (“The Piano Lesson”) and Halina Reijn (“Babygirl”). Each filmmaker will be profiled in an upcoming Variety print edition. Congratulations to Film Lab alumni Tom Nesher, which was selected for Variety's prestigious Directors to Watch list 2025. Nesher participated in the Lab's 9th edition, where she developed the script for "Come Closer", which premiered this year in Tribeca winning the Viewpoints Award. Later this year, the film won 4 Israeli Academy Awards including Best Film, making it Israel's representative in this year's Academy Awards. This is the 28th year that Variety identifies up-and-coming directors, and alongside Nesher, this year the list also includes filmmakers Coralie Fargeat (“The Substance”), Malcolm Washington (“The Piano Lesson”) and Halina Reijn (“Babygirl”). Each filmmaker will be profiled in an upcoming Variety print edition. Tom Nesher Selected for Variety's 2025 Directors to Watch List NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

Debts Debts Roni Kuban Producer David Mandil (Movie Plus Productions) Lab Edition 10 , 2022 SCENE PITCH Production Country Israel SYNOPSIS In a Ramat Gan apartment, Jonathan (17) watches as Avi, his father, sinks while he finds his voice for the first time. As Jonathan is about to become the first in his family to penetrate the core of being an Israeli, his immigrant father drags the family into the abyss with dets to the gray market. Within his destructive journey, Avi finds a lifeline with Jonathan and almost costs him his dream which was once his own. “Debts” occurs in the twilight between the suns. The descent of the father happens simultaneously with the raise of the son. DIRECTOR'S NOTE It’s a story about a family crammed together in an enclosed space walking blindly into disaster. Their home is a prison. They’re controlled by the father. In the beginning the outside world is the enemy, but as the movie progresses, the 3 prisoners will come to understand that the danger actually lives among them. The gap between the inside and the outside escalates up to the point where they turn against the man that imprisons them. ABOUT THE FILMMAKER PRODUCER David Mandil (Movie Plus Productions) MoviePlus Productions is an independent production company specializing in full-length feature films, drama series, and documentaries. Established by David Mandil, the company is based in Israel. Over the years, MoviePlus has produced more than two dozen full-length feature films. These include Footnote and Beaufort, both of which were nominated for the Academy Award for Best Foreign Film; A Tale of Love and Darkness, in which Natalie Portman made her directorial debut; Norman by Joseph Cedar, starring Richard Gere, Steve Buscemi, and Charlotte Gainsbourg; and many more. MoviePlus has also produced numerous drama series, which were sold and broadcast worldwide. These include Miguel (HULU, Canal+), two seasons of VIP (FX), Deus, Jerusalem Brew, and many others. Recently, MoviePlus produced the drama series Our Boys for HBO and KI and Embezzlement for yes Studios. PRODUCTION COMPANY PROFILE Producers: David Mandil MoviePlus Productions, Droyanov 5 Tel-Aviv., 03-5164373 PRODUCTION BUDGET Production budget: $1,200,000 LANGUAGE Hebrew GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

A big welcome to our participants from near and far- from Italy, Greece, North Macedonia, Belgium, France, Sweden, Hungary and Israel. We begin our 11th edition with a full work-week in Jerusalem. A big welcome to our participants from near and far- from Italy, Greece, North Macedonia, Belgium, France, Sweden, Hungary and Israel. We begin our 11th edition with a full work-week in Jerusalem. New Year - New Edition! NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

Shtukit PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

L'OR ROUGE (Red Gold) L'OR ROUGE (Red Gold) Mathieu Volpe Producer Delphine Tomson (Les Films du Fleuve) Lab Edition 10 , 2022 SCENE PITCH Production Country Italy/Belgium SYNOPSIS After learning about the death of her son Isaac, Regina (45) travels from Burkina Faso to Southern Italy to arrange the repatriation of his body. Here, she discovers that he lived in “the Ghetto”, a slum where hundreds of immigrant workers are exploited for the harvest of tomatoes. / Our goal is to work with people from the Ghetto, as actors as well as members of the crew, and to shoot on location. By working on the border between documentary and fiction, we hope to stay true to the complexity of this unique place. DIRECTOR'S NOTE Each era has its slaves. That's what I thought when I discovered the Ghetto, a huge slum in the South of Italy, a few kilometres far from my childhood town. In 2015, I spent almost two months there to make my last short film (“Our territory”, Locarno 2019) in order to show the daily life of tomato workers who live in the slum. The Ghetto is a place that we, as Westerners, would rather not see: it is a system that crushes the lives of its workers and sacrifices them for the profit of capitalism. From that moment on, my intention is to keep exploring this reality in order to make it visible. ABOUT THE FILMMAKER PRODUCER Delphine Tomson (Les Films du Fleuve) Directors Jean-Pierre and Luc Dardenne founded Les Films du Fleuve in 1994 with the main goal of developing and financing their feature films. Afterwards, they decided to get involved in the co-production of international films in order to enlarge their catalogue by creating collaborations with renowned authors. Today, Les Films du Fleuve, wish to accompany more closely young authors as a major producer in the development and the realization of feature films with an international ambition. After studying photography, Delphine Tomson joined Les Films du Fleuve in 2002 as a production assistant. Since 2008, she has been working as a producer with Jean-Pierre and Luc Dardenne. PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Production budget (USD) : 2 500 000 USD Confirmed budget (USD) and source : 100 000 USD (writing grant from the "Centre du Cinéma" of the Wallonia-Brussels Federation, development fund from RTBF, own funds) LANGUAGE Bissa, Mooré, French, English, Italian & others GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Throughout the JSFL activities, the participants from across the world and Israel will develop their scripts. 1. Participants in the JSFL (the "Lab" or "JSFL", "Participant" respectively) are obligated to make themselves fully available for all activities of the Lab for a period of seven to eight months, as detailed in the schedule of activities appearing in Lab's website ("Time Schedule"), or within any reasonable changes made to the said schedule. In this document– the term Participant shall mean a filmmaker which is working on his first feature. The term Producer shall mean a person or an entity who engages with the Participant to produce the said feature. 2. Throughout the entire duration of the Jerusalem based activities, the JSFL will host the participants from across the world and from Israel, and will provide local transportation, lodging, and board (full breakfast; lunch and/or dinner). 3. Due to the current circumstances in Israel, there is a possibility that one of the sessions will take place in Europe instead of Jerusalem. In such a case, during the session, the JSFL will host the participants from across the world and from Israel, and will provide local transportation, lodging, and breakfast. 4. All the Participants must pay all air-travel costs- whether to Israel and/or to Europe. In many countries bursaries and scholarships are available for this kind of training. 5. If objective circumstances (such as security situation or a pandemic, etc.) prevent the Lab to be held physically then the Lab shall be organized and held through interactive measures (i.e. zoom meetings) and participants are obliged to attend all interactive meetings and programs. 6. The Producers of the films are required to attend and participate in the third session which takes place in July including pitch preparation, one-on-one meetings, and the pitching event and in one meeting at each of the first two sessions- via zoom. The Producers must pay all air costs and any other costs. JSFL will cover two nights of lodging for the Producers. 7. Participation fee in the amount of EUR 1,000 will be paid one week after receiving the acceptance letter. The fee will be paid in one installment via bank transfer in net sum free of all bank transfer fees and taxes if applicable. This fee is nonrefundable. 8. JSFL participants understand that the work process in the Lab demands full cooperation with the script editors and the JSFL administration, adherence to the Time Schedule and to these regulations, and a full obligation to strive towards the common process with diligence, depth, and a positive spirit. 9. Participants pledge to refrain from participation in other writing workshops/labs during the work process of the JSFL and the writing of the scripts, unless with the written approval of the Film Lab administration. 10. JSFL participants understand that all activities of the Lab will be carried out in the English language. JSFL participants and Producers are personally responsible for any and all translation expenses incurred in the projects/presentation's material/previous films. 11. Participants will make English-language publicity information available to the JSFL administration, including a curriculum vitae, still photos, and excerpts from previous films. The JSFL reserves the right to use this information in its publications in Israel and abroad. Participants agree to be interviewed on their work, within the framework of the Film Lab. 12. The participants will take part in a wide range of activities of the JSFL work, including but not limited to: masterclasses, feedback on their colleagues' scripts, networking with the Israeli and worldwide film industry, film students from Israel, a tour in Jerusalem and more. 13. Within the frame of the JSFL third session, the participants (directors/writers and Producers) will participate in a pitch training session. 14. For the final session and the pitching event, the filmmaker and Producer will shoot one (3 min.) scene from the film, which is to be screened at the pitching. All expenses incurred will be borne by the filmmaker and the Producer. The rights will be of the Participant, but the Lab will be entitled to use it in any media it chooses to, with no charge. Both the scene and the pitch will be uploaded to the Lab’s website. 15. At the closing ceremony of the Lab, the chairperson of the jury will announce the winning projects. From the day of announcement, the winner of the production prizes donated by The Beracha foundation, project's filmmaker and Producer will have a period of 24 months in which they can request the grant from the Lab. 75% of the grant will be transferred to the personal bank account of the Participant on the first day of filming. The remaining 25% will be transferred to the personal bank account of the Participant after the Participant sends a final cut of the film, including the Lab's credits, according to the provided guidelines. In case the project is Israeli- the director/writer will issue an invoice for the Lab. The Award sum includes VAT. It is hereby clarified that the grant is a personal grant to the Participant and shall not be paid to any third party and/or to any legal entity (i.e company, partnership, etc.) 16. Should the shooting of the film not begin in a period of up to 24 months from the initial announcement, or if the film does not have a specific date to start principal shooting approved by the JFSL director, the JSFL is entitled to cancel the grant and under such cancelation, the Participant will not be entitled to take any legal claim against the Lab or its directors. 17. Notwithstanding the above mentioned, the Lab's director may, in writing, authorize a deferment of up to 6 months in giving the grant. Requests for a deferment of the grant funds will be sent, by the Participant, in writing, no later than 20 months after the initial announcement. 18. Once a film reaches production, participants and Producers commit to grant credit to the JSFL within the body of the film, stating the film was developed at the Sam Spiegel International Film Lab, in the JSFL credit format. Moreover, the production will note the development of the script at the JSFL in all film publicity, including all remakes / spin-off products from the film, should they be created (books, plays, etc.), and in any existing or future media: In the body of the film- Credits annex attached. On the film's poster- JSFL logo Press release- mentioning the fact that the film was developed in the JSFL. Commercial ads- JSFL logo Invitation for premieres- JSFL logo Festival's book- the Lab's name and logo IMDB Lab's credit: Production Company (Development at) 19. The Producer and Participant will be obliged to provide a link to the final film, and to authorize educational screenings at the Sam Spiegel School and Labs, free of rights fee. 20. The administration of the JSFL is authorized at any stage to cease the activities of a participant who does not meet all the conditions, or who was unable for any reason to work within the framework of the Lab, to maintain its scheduled timetable, and/or to advance in the writing of the script and/or to perform in the spirit of the JSFL. 21. A participant and/or a Producer who ceases his participation in the JSFL upon his own decision will be held fully liable for the expenses which were incurred by the Lab as a result of his participation. 22. JSFL and JSFS shall not be liable to any loss and/or expense and/or damage which was occurred to the Participant and/or Producer as a result of his/their participation in the Lab or as a result of their qualification to the Lab. Participant and/or Producer hereby waive any claim if whatsoever merit of claim (including without derogating of the generality of the above negligence) they might have against the Lab and/or JSFS with respect to the Lab. 23. The Program is subject to force majeure such as security issues and pandemics. PARTICIPANTS OBLIGATIONS LABS OBLIGATIONS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Life is anywhere else Life is anywhere else Margarita Balaklav Producers Haim Mecklberg, Estee Mecklberg Lab Edition 5 , 2016 SCENE PITCH Production Country Israel SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCERS Haim Mecklberg, Estee Mecklberg PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Congratulations to JSFL alumni who have been selected for L’Atelier- Cannes Film Festival 2022 for promising projects: Ihab Jadallah (edition 9) with his project developed in the lab, Michal Vinik (edition 1), and Levan Koguashvili winner of WIP (edition 8) of the film lab. We are proud of you and wish you the best of luck. Congratulations to JSFL alumni who have been selected for L’Atelier- Cannes Film Festival 2022 for promising projects: Ihab Jadallah (edition 9) with his project developed in the lab, Michal Vinik (edition 1), and Levan Koguashvili winner of WIP (edition 8) of the film lab. We are proud of you and wish you the best of luck. Congratulations to JSFL alumni who have been selected for L’Atelier- Cannes Film Festival 2022 for promising projects: NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS