The Handball Coach The Handball Coach Filmmakers: Sivan Noam Shimon Producer Benny Fredman Production Company: Red Films LTD SCENE PITCH Country: Israel Language: Hebrew Genre: Drama Lab Edition: 12 , 2024 LOG LINE A former European handball champion, is determined to return to the court. Her knee is shattered, and even her partner no longer believes in her. Only one of her trainees still admires her as before. SYNOPSIS The moment when Yael "the Bulldozer" Cherni (32) scored the winning goal in the European Handball Championship defined the peak of her career. But it also crushed her knee and left her with excruciating pain and the nickname. The doctors say her career is over, her partner Nofar (30) pleads her to move on, but Yael feels belittled. The only one who believes in her is Sari (17), a troubled goalkeeper in the youth team Yael coaches. Around her, Yael feels strong, worthy, and admired once again. The relationship between the two takes an unexpected dimension. DIRECTOR'S NOTE I was an athlete and the feeling of "I'm a badass" became a key part of my being. Thus, I set out to write a story of a woman who doesn't know who she is without her strength and will do anything to stay on the court. I chose handball, not such a popular sport, and the peripheral town Or-Yehuda, to express the perception that women’s sports are marginal. Hence, many female athletes don't get the appreciation or financial support like their male counterparts. For people who come from marginalized populations, sports can be life changing, if not as a career, then in a "I'm a badass" state of mind. ABOUT THE FILMMAKER Sivan Noam Shimon is a writer, director and actress, graduate from Steve Tisch School of Film and Television at Tel-Aviv University. Her short film Wake Up Call won several film festivals around the world. She won the Best Actress award at Haifa international Film Festival for her leading role in the film Blush. She acted in the American film Ma Belle, My Beauty, which won the Audience award at Sundance Film Festival. Shimon was a programmer at TLVFest and teaches screenwriting at Minshar Art College. Currently, Shimon is developing her first feature film. PRODUCER Benny Fredman Benny Fredman studied film at Camera Obscura. His works include Netflix's "Suicide", the TV series "Suspect", Ophir Award-winning film "Home" and the documentary films "Poogy-Tales" and "Moving the Embassy". PRODUCTION COMPANY PROFILE ○ Red Films LTD, Jerusalem ○ +972-543474448 ○ benif123@gmail.com PRODUCTION BUDGET ○ Total budget: 1,100,000 USD ○ Confirmed budget and source: 175,000 USD by Amir Gedalya productions LTD Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Children of the Monkey Children of the Monkey Filmmakers: Tommaso Landucci Producer Andrea Calbucci Production Company: Lungta Film, Italy; Moderato, France SCENE PITCH Country: Italy Language: Italian Genre: Drama Lab Edition: 11 , 2023 LOG LINE Dario, the father of a disabled child, forges a stronger bond with his nephew and discovers he prefers him to his own son. SYNOPSIS Dario and his brother Roberto are both parents, but Enrico, Dario's son, is severely disabled. On the contrary, Roberto's son Giacomo is an athletic teenage boy to whom Dario feels drawn to. In the nephew he finds the son he would have liked to have had and takes the role of the father he could have been. A family drama focused on the exaltation of small, habitual moments through a warm and sweet tone, without the fear of showing the emotions of the characters. DIRECTOR'S NOTE I believe that in parenthood there is a contrasting duality between generosity and selfishness. Within it, I would like to explore the distinction between a "child" and an "heir". That is why I choose to talk about disability. All the parents of a disabled child know this: before the pain of the child born in adverse conditions takes over, for a moment they feel the pain of loss. They mourn "the other child", the one they imagined having during the pregnancy. The question I asked myself is: what happens when that other child materializes? ABOUT THE FILMMAKER Tommaso Landucci was born in Italy in 1989 and he graduated in directing from the Italian National School of Cinema. After working as personal assistant for Luca Guadagnino, he directed the feature documentary Caveman -The Hidden Giant, which premiered at the 78th Venice Film Festival, and was a finalist of Nastri D'Argento 2022. Currently he is working on his debut feature film Children of the Monkey, written with Damiano Femfert and produced by Lungta Film. It was awarded the Premio Solinas 2021, the most prestigious award in Italy for best screenplay. PRODUCER Andrea Calbucci Experienced producer Andrea Calbucci joined Lungta Film in 2014. He takes care of every artistic aspect of Lungta Films projects, from the choice of subjects, to editing, and the preparation of the actors. Lungta is a film, television and theater production company which has produced Whitout Pity (2014), a debut feature by Michele Alhaique, If Life Gives You Lemons (2018), a debut feature by Ciro D'Emilio and Padrenostro (2020) by Claudio Noce. All premiered at Venice Film Festival and they have gained international awards such as: Coppa Volpi for best actor to Pierfrancesco Favino in Padrenostro and Nastro d'Argento to Anna Foglietta for If Life Give You Lemons. In 2022 Lungta produced Ciro D'Emilio's second feature, Per niente al mondo, and in 2023 Lorenzo Tiberia's debut feature Gli Attassati. PRODUCTION COMPANY PROFILE Lungta Film (Rome, Italy), Moderato (Paris, France) lungtafilm@gmail.com +39 3288398538 PRODUCTION BUDGET Budget (USD): 1.864.663 Confirmed budget (USD) and source: 60.000 (USD), Ministry of Culture's Funds Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Current Love of My Life The Current Love of My Life Filmmakers: Talya Lavie Producer Eitan Mansuri Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 3 , 2014 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Eitan Mansuri PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Ode to Joy Ode to Joy Filmmakers: Gabriel Tzafka Producer Jan Hammer Production Company: SCENE PITCH Country: Denmark Language: Genre: Lab Edition: 7 , 2018 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Jan Hammer PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Beginning Beginning Filmmakers: Dea Kulumbegashvili Producer Rati Oneli Production Company: SCENE PITCH Country: Gorgia Language: Genre: Lab Edition: 6 , 2017 LOG LINE In a sleepy provincial town, a Jehovah's Witness community is attacked by an extremist group. In the midst of this conflict, the familiar world of Yana, the wife of the community leader, slowly crumbles. Yana's inner discontent grows as she struggles to make sense of her desires. SYNOPSIS In a sleepy provincial town, a Jehovah's Witness community is attacked by an extremist group. In the midst of this conflict, the familiar world of Yana, the wife of the community leader, slowly crumbles. Yana's inner discontent grows as she struggles to make sense of her desires. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Rati Oneli PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Plasticians The Plasticians Screenwriter: Eitan Mansuri Producer/s: Eitan Mansuri , Spiro Films Language: Hebrew Format: Genre: Send PITCHDECK LOGLINE An illegal plastic surgery clinic, binds the fate of a mother and daughter, who are dragged into running the business from their crumbling living room. As they rise as successful business-women, their harsh reality creeps back in, facing them with the realisation that their empowerment is a mere façade. SYNOPSIS An ambitious secretary, an immigrant from the USSR, wants to become a successful life coach. Unfortunately, she can't get out from under the burden of the symbiotic relationship with her mother, a surgeon from Moscow who has become a taxi driver since immigrating to Israel. In order to finally leave the house and jumpstart her career, she has to find a way for her mom to function without her. She decides to set up a makeshift surgical clinic at home, so her mother can regain the dignity and sense of purpose she lost. While she waits for the medical license to be approved, the underground clinic begins to grow. The daughter is tempted to give up on her own dreams and live forever alongside this happier and stronger version of her mother, the mother she always wanted. The two form a surprising camaraderie through their complicity in crime, and drag each other deeper into the underworld. WRITER'S STATEMENT I was born in St. Petersburg and grew up in an immigrant home in Israel, alongside two educated parents who managed to always take care of the family's financial security, but never found professional fulfilment. I am a daily witness to the dissonance between the successful professionals my parents once were, and the life of survival and compromise brought forth by immigration. The trauma of immigration naturally passed onto the next generation. The parent-child relationship was turned on its head, and the children often functioned as the responsible adults in the family. As someone who grew up this way, I have always had an impossible dream: to restore my parent’s dignity and see them strong and full of confidence. However, my parents and their friends chose to embrace life and live it to the fullest. They write plays for birthdays, record songs for each other, dance, drink and soothe their pain with a passion for life and love, trying above all else to forget the instability and uncertainty of life. The massive addiction to plastic surgery is in fact an attempt at controlling the uncontrollable, a human desire to look good, or simply be seen. In the unique clinic which our series creates, both the immigrant staff and their clients, are driven by the same human nature to survive. Plastic surgery has become even more popular and accessible in recent years. Still, it is a medical procedure, surgery, positioning the patients seeking treatment as 'ill,' not good-looking or young enough; consequently, the notion of 'healing' through a plastic surgery is very limited. In many cases, dealing with eternal appearance is caused by psychological problems that are neglected and even exacerbated. In this series, I hope to present the other side of the beauty industry's enticing brochures, and focusing on the mental motivations for seeking an external solution. ABOUT THE WRITER PRODUCER'S STATEMENT In 1990, the dissolution of the Soviet Union sparked a significant wave of Russian immigration worldwide. Among these migrations, the influx of Jewish Russians to Israel stands as the nation's largest ever witnessed, with one million individuals making the journey. While many managed to integrate successfully, others faced challenges. "The Plasticians" delves into the narratives of those who struggled to integrate fully into society but nonetheless, never gave up on their joy of life, their culture and definitely not on their dreams. This series raises relevant, global questions about immigration, belonging, and the coexistence of cultures within a nation. It offers a fresh perspective on Russian immigrants who abandoned their previous lives, professions, and sometimes families in pursuit of a new home. Hila Royzenman introduced the project at the Series Mania writer's campus 2022, showcasing her promise as a young director with a distinct voice and deep understanding of these characters' worlds. The series is multilingual, featuring dialogue in Hebrew, Russian, and English, indicating its potential to transcend borders. PRODUCER PROFILE PRODUCTION CONTACT DETAILS Spiro Films Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Don't Be A Stranger Don't Be A Stranger Filmmakers: Fellipe Fernandes Producers Dora Amorim, Julia Machado Production Company: Zebra Films SCENE PITCH Country: Brazil Language: Portuguese Genre: Thriller Drama Lab Edition: 13 , 2025 LOG LINE A former-addict male nurse, searches for his ex-boyfriend, fearing he may have become the latest victim in a string of murders haunting the queer community of a coastal city. Confronting the shadow of death, he navigates the line between fear and desire, in a journey of self-discovery and growth. SYNOPSIS Frightened by a series of murders in the queer community of a coastal city, the ex-addicted nurse Luca, 29, worries when his ex-boyfriend goes missing and decides to search for him. Gradually, he develops a dangerous attraction to risk: despite all warnings, he continues using dating apps. The possibility that one of his matches might be a killer both terrifies and excites him. In contrast to the tenderness he offers his patients, the brutality of his sexual experiences begins to blur the line between fear and desire. DIRECTOR'S NOTE I feel that facing death's mysteries is unavoidable for people like me, LGBTQ Brazilians from underprivileged backgrounds. Fear and desire dance together in the construction of dissonant sexualities and we must learn to live by blurring the boundaries of the margins. I'm really interested in how Luca gradually pushes his physical and moral boundaries in this journey, until he learns that to really feel alive it's necessary to face the mirror honestly and never become a stranger to oneself. ABOUT THE FILMMAKER Raised in the outskirts of Recife, Fellipe Fernandes premiered his first film, “Delusion is Redemption to Those in Distress”, at 2016 Cannes Film Festival’s Critic’s Week. After his second short, “Tempestade” (2019), he launched his first feature film, “Rio Doce” (2021), at the Olhar de Cinema – Curitiba International Film Festival, where it was awarded Best Film and Best Brazilian Feature. It also received the grand prize at the Rio Film Festival’s New Directions and the FIPRESCI award at the Toulouse Latin American Film Festival. PRODUCERS Dora Amorim, Julia Machado Dora Amorim is a partner at Zebra Filmes, working as an audiovisual producer since 2010. Her films have been shown at over 100 festivals, including Cannes Critics' Week and Rotterdam IFF. She collaborated with Emilie Lesclaux and Kleber Mendonça Filho at Cinemascópio Produções, and was the executive producer of “O agente secreto”. Dora is part of Berlinale Talents, Eave+, and the Paradiso Talent Network, and was recognized by LatAm Cinema as one of the five standout Latin American producers at Cannes 2025. Júlia Machado is a partner at Zebra Filmes, studied Audiovisual and Public Relations. An audiovisual producer since 2009, she was part of the team for the feature films “Bacurau” and “O Agente Secreto”, directed by Kleber Mendonça Filho. Recently she produced the features "Salomé" and "Ainda não é amanhã" Júlia has participated in BRLab and CineMundi and her films have been exhibited in many national and international festivals, including Cannes Critics' Week. Zebra Filmes was founded in 2024 by Dora Amorim and Júlia Machado, independent producers with extensive experience in the industry. They are currently developing projects by Fellipe Fernandes, Milena Times, André Antonio, Nathália Tereza, and other filmmakers. PRODUCTION COMPANY PROFILE ○ Zebra Films / Recife, Brazil ○ +55 81 7901-7700, +55 81 8561-4805 ○ dora@zebrafilmesbr.com , julia@zebrafilmesbr.com PRODUCTION BUDGET ○ Total budget: 1,069,000 USD ○ Confirmed budget and source: 66,000 USD (Brazilian Copruduction - development) Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Nowhere Man Nowhere Man Filmmakers: Benjamin Freidenberg Producer Haim Mecklberg Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 2 , 2013 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Haim Mecklberg PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Empty House The Empty House Filmmakers: Rati Tsiteladze Producer Nino Varsimashvili Production Company: SCENE PITCH Country: Georgia Language: Genre: Lab Edition: 8 , 2019 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Nino Varsimashvili PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Lignite Lignite Filmmakers: Gregory Rentis Producer Maria Tsigka Production Company: SCENE PITCH Country: Greece Language: Genre: Lab Edition: 3 , 2014 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Maria Tsigka PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Life is anywhere else Life is anywhere else Filmmakers: Margarita Balaklav Producers Haim Mecklberg, Estee Mecklberg Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 5 , 2016 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCERS Haim Mecklberg, Estee Mecklberg PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

One Week and a Day One Week and a Day Filmmakers: Asaph Polonsky Producer Naomi Levari Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 1 , 2012 LOG LINE As Eyal finishes the traditional Jewish week of mourning for his late son, his wife Vicky urges him to return to their routine -- but just because the shiva has ended doesn't mean it's life as usual. SYNOPSIS As Eyal finishes the traditional Jewish week of mourning for his late son, his wife Vicky urges him to return to their routine -- but just because the shiva has ended doesn't mean it's life as usual. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Naomi Levari PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ