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Liat Revaya

Producers:

,

Merav Hadas Haddad

Shtukit

Lab Edition

4

2025

LOGLINE

Only two things stand between Bat-Or and her new life: God, and her father. One of them has to die and it won't be God.

SYNOPSIS

According to Jewish law, a "Shtukit" is a woman who doesn't know her father's identity and is suspected of being illegitimate, therefore forbidden to marry.

Bat-Or is thirty, newly religious, and she keeps getting set up with men who aren't even close to her level. In the religious world, family background matters and hers is a disaster. Her mother's a former inmate with a weakness for weed and losers, living in a border town Bat-Or left behind. The man she thought was her father walked out when she was a kid. Even her aunt, a respectable nurse and the woman who actually raised her, doesn't help her case. Neither does her job teaching inmates.
When she gets the chance to sell her grandmother's house and take all the money, suddenly, her stock goes up. In matchmaking, money talks louder than problematic family.

For the first time, the matchmaker sets her up with Avihai, from a wealthy, respectable family, devout and kind. They meet, and it clicks instantly.
In their world, to avoid living in sin, they need to marry within months. There's just one problem: Bat-Or doesn't know "Dad" wasn't her real father. And the secret is about to come out.

WRITER'S STATEMENT

I grew up in a border town in northern Israel, the youngest of seven in a complex family. I served five years as a detective before moving into documentary filmmaking. Today, I work as a documentary researcher and director at Keshet 12 and teach civics and motivation to lifers.

The prison, the border town, the characters in Shtukit, these are places and people I know. Bat-Or, like me, wants a new life and a new family, but the past doesn't let go.

Shtukit is an edgy dark comedy filled with human warmth. The humor and crime emerge naturally from who these characters are: ex-cons, hustlers, religious seekers living messy, complicated lives. The language is raw, the stakes are real.

Visually, the series is realistic, unglamorous, unforgiving. War-worn exhaustion, prison grit, grandma's house with peeling paint. A border town, a prison, an old house, settings that create a stark contrast between what the characters dream of and the gritty reality they're trapped in.

At its core, Shtukit is about the search for home: physical, emotional, stable. About what people are willing to do for a fresh start, even when the past refuses to stay buried.

PRODUCER'S STATEMENT

From the first moment we first read Shtukit, we immediately recognized a truly exceptional project—one unlike anything we had seen before. We all fell in love with the story, the writing, and with Meirav herself.
For a long while now, we have been accompanying Meirav through the development and writing of her unique story. As we progress, we realize just how important this narrative is. It is a rare opportunity to bring a distinct female story to the forefront, balanced with a healthy dose of self-deprecating humor.
At Tedy Productions, a company led by a team of strong proffesional women, we feel that creating with strong women carries a potent power that isn’t always heard. In Shtukit, we clearly identified the powerful female voice that Meirav brings—a voice we haven’t encountered in other projects.
We believe in her unique perspective and are convinced that this is a powerful story that simply must reach the screen.

LOOKING FOR

Co-producers, Platforms, National and/or regional fund

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