BAGARRES / FIST FIGHTS BAGARRES / FIST FIGHTS Catherine Cosme Producer Julie Esparbes (Hélicotronc) Lab Edition 10 , 2022 SCENE PITCH Production Country Belgium SYNOPSIS Gloria is raising her autistic son Antoine (15 years old) alone. She strives to make her son's life as 'normal' as possible. During the weekly school swimming class, Antoine almost drowns Lucie (13 years old). This incident affects not only Gloria's life but also that of Ajar, Lucie's mother. Despite their hostile feelings, Gloria and Ajar must find a way to get along. As an unexpected friendship develops between them, each mother will experience a new dimension of what it means to be a parent. DIRECTOR'S NOTE With "Bagarres", I want to pay tribute to mothers like Gloria, to their tenacity in this world where taking care of autistic children remains an everyday struggle, given the inadequacy of  institutions. “Bagarre” is about those who are invisible, the ones society rejects. I wanted a film that moves towards enlightenment, encourages breaking down barriers and - through the meeting of Gloria and Ajar - towards sorority, as an invitation from society to the possibility of not being perfectly "normal". LOG LINE An immersion into the life of Gloria, a former professional boxer who is raising her autistic son alone. When Antoine is expelled from school, the fragile balance of their lives is shaken. Gloria will have to open up to others and above all accept her son's autism. ABOUT THE FILMMAKER PRODUCER Julie Esparbes (Hélicotronc) Hélicotronc is a production company created in 2002. The company has produced nearly a hundred films, including shorts and features, fictions, documentaries and series. Most of these films have been widely presented in festivals and on television, some in the most prestigious ones: Cannes, Berlin, Venice or Toronto. In the most recent titles of the company: the feature film “Madly in life”, by Ann Sirot and Raphaël Balboni, winner of 7 Magritte in 2022, and notably the Magritte of the Best Film; the series “Good Pepole”, coproduced by RTBF and Arte France, which premiered at Series Mania 2022 and the feature film “Dalva”, by Emmanuelle Nicot, which was presented at La Semaine de la Critique 2022 and won 3 awards there (Prix de la Révélation, Rail d’Or, and Prix Fipresci). PRODUCTION COMPANY PROFILE HELICOTRONC 16 rue de Suisse 1060 Brussels – Belgium info@helicotronc.com Julie@helicotronc.com +32.2.539.23.57 PRODUCTION BUDGET Production budget: 2,2 M€ LANGUAGE French Drama GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Prizes totaling $70,000 were awarded to promising new talents from around the world , as part of the closing session of the 13th Edition of the Sam Spiegel International Film Lab, at the Venice Production Bridge. 10 projects were pitched in front of an international jury including chief of staff of the Berlin International Film Festival- Florian Weghorn, The FFF Bayern co-head of funding- Judith Erber and Austrian producer Arash T. Riahi, who awarded prizes in the amount of $70,000. The Sam Spiegel International Film Lab $50,000 Grand Prize, donated by the Beracha Foundation was awarded to “Don’t be a Stranger” by Fillipe Fernandes. Producer - Dora Amorim. The jury statement read: “Intimacy pervades this project at every take: with its strong characters caught between longing and loss; in the profound depiction of life and love; and even in the portrayal of the everyday working life of someone who is, in the true sense of the word, a deeply caring person. All these elements come together in a film project of the utmost urgency for the director and the team, for the societies in which diversity is increasingly at threat - and hopefully, also with this award, very soon for a worldwide audience”. The Sam Spiegel International Film Lab Emerging Filmmaker Award in the amount of $20,000 was granted to “Thei night will be White” by Nir Guilat, Producer- Eviatar Moncaz. The jury statement read: “We decided to award the second prize to a film that not only has a great premise but also promises a celebration of child-like innocence within a society full of pain and trauma. A film that makes us laugh and cry at the same time, a film that embraces the beauty of going after our dreams no matter how banal they might seem for other people. A film that surprises us again and again. A film that brings light to the darkness of the night”. A special mention from the jury was given to a third project- “Milah”, by Amos Holtzman. Producer Talia Bernstein. The jury statement read: “The quality of all projects was so high that we would have loved to award all of you. However after careful discussions we decided to make an exception and announce a special mention to a story that represents the best of Israeli filmmaking. A film that dares to talk about taboos in the society with complexity and still allow us to laugh about those traumas, even if it’s a trauma about a piece of a penis. Through its human approach Milah has a huge potential to generate and fire up discussions about who owns our bodies: tradition or our own will”. For the first time in its 13-year history, the Sam Spiegel International Film Lab held its final pitching event as part of the Venice Production Bridge during the 82nd Venice International Film Festival. Dana Blankstein Cohen, executive director of the Sam Spiegel School: "In these horrific times, our moral compass compels us to voice the urgent need to end the war immediately. Holding the Lab’s pitching event in Venice underscores the importance of film havens worldwide - safe, creative spaces where filmmakers gather, exchange, and launch films that envision a more compassionate and secure world for all. We carry a creative responsibility to empower Palestinian and Israeli students and filmmakers, to protect freedom of speech, and to preserve the collaborative work of film between creators from diverse backgrounds". Mor Eldar, Director of the Sam Spiegel Labs adds: “10 Projects from all over the world and from various religions- Christians, Muslims and Jews, shared 8 months of thorough development process together, which culminated in one of the world’s most important film festivals. While working on their first or second films they demonstrated again the power of film to connect people, behind the scenes and in front of the camera”. Prizes totaling $70,000 were awarded to promising new talents from around the world , as part of the closing session of the 13th Edition of the Sam Spiegel International Film Lab, at the Venice Production Bridge. 10 projects were pitched in front of an international jury including chief of staff of the Berlin International Film Festival- Florian Weghorn, The FFF Bayern co-head of funding- Judith Erber and Austrian producer Arash T. Riahi, who awarded prizes in the amount of $70,000. The Sam Spiegel International Film Lab $50,000 Grand Prize, donated by the Beracha Foundation was awarded to “Don’t be a Stranger” by Fillipe Fernandes. Producer - Dora Amorim. The jury statement read: “Intimacy pervades this project at every take: with its strong characters caught between longing and loss; in the profound depiction of life and love; and even in the portrayal of the everyday working life of someone who is, in the true sense of the word, a deeply caring person. All these elements come together in a film project of the utmost urgency for the director and the team, for the societies in which diversity is increasingly at threat - and hopefully, also with this award, very soon for a worldwide audience”. The Sam Spiegel International Film Lab Emerging Filmmaker Award in the amount of $20,000 was granted to “Thei night will be White” by Nir Guilat, Producer- Eviatar Moncaz. The jury statement read: “We decided to award the second prize to a film that not only has a great premise but also promises a celebration of child-like innocence within a society full of pain and trauma. A film that makes us laugh and cry at the same time, a film that embraces the beauty of going after our dreams no matter how banal they might seem for other people. A film that surprises us again and again. A film that brings light to the darkness of the night”. A special mention from the jury was given to a third project- “Milah”, by Amos Holtzman. Producer Talia Bernstein. The jury statement read: “The quality of all projects was so high that we would have loved to award all of you. However after careful discussions we decided to make an exception and announce a special mention to a story that represents the best of Israeli filmmaking. A film that dares to talk about taboos in the society with complexity and still allow us to laugh about those traumas, even if it’s a trauma about a piece of a penis. Through its human approach Milah has a huge potential to generate and fire up discussions about who owns our bodies: tradition or our own will”. For the first time in its 13-year history, the Sam Spiegel International Film Lab held its final pitching event as part of the Venice Production Bridge during the 82nd Venice International Film Festival. Dana Blankstein Cohen, executive director of the Sam Spiegel School: "In these horrific times, our moral compass compels us to voice the urgent need to end the war immediately. Holding the Lab’s pitching event in Venice underscores the importance of film havens worldwide - safe, creative spaces where filmmakers gather, exchange, and launch films that envision a more compassionate and secure world for all. We carry a creative responsibility to empower Palestinian and Israeli students and filmmakers, to protect freedom of speech, and to preserve the collaborative work of film between creators from diverse backgrounds". Mor Eldar, Director of the Sam Spiegel Labs adds: “10 Projects from all over the world and from various religions- Christians, Muslims and Jews, shared 8 months of thorough development process together, which culminated in one of the world’s most important film festivals. While working on their first or second films they demonstrated again the power of film to connect people, behind the scenes and in front of the camera”. The 13th Edition of the Sam Spiegel International Film Lab Concludes - and the Winners are... NEWS ITEM HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB SERIES LAB TEAM NEWS

Tell Me Everything Tell Me Everything Moshe Rosenthal Producer Alona Refua Lab Edition 7 , 2018 SCENE PITCH Production Country Israel SYNOPSIS In the 1980s, as pop music soars and AIDS spreads, 12-year-old Boaz discovers a shattering truth about his beloved father. Over years, he struggles to mend their fractured relationship and restore their lost connection. DIRECTOR'S NOTE LOG LINE In the 1980s, as pop music soars and AIDS spreads, 12-year-old Boaz discovers a shattering truth about his beloved father. Over years, he struggles to mend their fractured relationship and restore their lost connection. ABOUT THE FILMMAKER PRODUCER Alona Refua PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

3rd Generation HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

The Mouth The Mouth Screenwriters: Yoav Roeh Producer/s Yoav Roeh , Gum Films Language: English, Spanish, Yiddish Format: 8 Episodes x 50 Minutes Genre Crime Drama Send PITCHDECK LOGLINE The story of two Jewish women, forced into sex work in early 20th century Buenos Aires by the Jewish criminal organization “Zwi Migdal”, inspired by the true story of the woman who brought it down. SYNOPSIS Leah, 28, and Mimi, 19, were both trafficked by "Zwi Migdal" into prostitution in Buenos Aires, far from their homeland and families. Each woman forges her own path to survival: Leah teams up with the only decent cop in the city, working undercover in the brothel to bring down the ruthless organization, while Mimi claws her way up in the male-dominated world of trafficking. Leah and Mimi’s relationship evolves and transforms, as one woman's mission risks everything the other has worked for. WRITER'S STATEMENT A hundred years have passed since Raquel Lieberman brought down “Zwi Migdal”, the feminist revolution has changed the world, yet sex trafficking continues. By turning the lens to the past, we ask to look at the present. As feminist creators in 2024 we are committed to the stories of the victims of “Zwi Migdal”. The use of a compelling true story, with the stylistic tone of a mob/crime series, will create the necessary distance for viewers to meet this painful topic. But most importantly, with all its darkness, “The Mouth” will remind us individuals can, in fact, change history. ABOUT THE WRITERS Aurit Zamir is an award-winning writer and producer. She wrote and created the series THE TRUTH with Dafna Levine (Euphoria) which sold to Canal+, AMC and more. She wrote and directed the short film BABYSITTER, which won Best Short Film at the Haifa Film Festival and Best Director at Oscar qualifying RIFF. She is currently developing the feature film BITCH with the support of the Israel Film Fund. Shiri Nevo Fridental is a writer, director and former criminal lawyer at the district attorney’s office. Her debut feature film ALL I CAN DO premiered at the Jerusalem Film Festival 2022 and participated in film festivals in Europe, USA and Canada, after being developed at the 2019 Sam Spiegel Lab. Shiri’s passion for pre WW2 Jewish culture is apparent in THE LAST KLEZMERS feature film in development. She lectures on film at Minshar for Art and is a script adviser at the Israel Film Fund. PRODUCER'S STATEMENT The Mouth is a character based, propulsive crime drama with the potential to move and excite audiences internationally, while raising questions about the world we live in. It’s a series that pushes the boundaries of the genre in which it operates, an ambitious co production, universal in story as well as theme, which can have a meaningful impact worldwide. As a producer, as well as a viewer, this is the television I’m passionate about. PRODUCER PROFILE Gum Films is a Tel Aviv based production house owned by Yoav Roeh & Aurit Zamir. Their slate includes the award-winning films: THE FUTURE (Tribeca FF 2023). DELEGATION (Berlin FF 2023). ASIA (Tribeca FF-Nora Ephron Award, Best Actress & Best Cinematography, 9 Ophir awards including Best Film). THE TESTAMENT (Venice FF, Haifa FF- Best Film) OFF WHITE LIES (Berlinale FF, Palm Springs FF) and the series: THE MISSING FILE 2 seasons for Kan 11 and Keshet International. FOR GOD'S SAKE (Berlin TV Festival) for Kan 11. PRODUCTION CONTACT DETAILS yoav@gumfilms.com +972-523365572 Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

We congratulate the Lab alumnus winning prizes at the Jerusalem Film Festival 2025: "Oxygen" by Netalie Braun (developed in the 9th edition of the Lab) - awarded Best Israeli Feature Film "Dead Language" by Mihal Brezis and Oded Binnun (developed in the 4th edition of the Lab) - awarded Best Script "The Sea" by Shai Carmeli Pollak (developed in the 5th edition of the Lab) - awarded Special Mention and Best Ensemble Cast We congratulate the Lab alumnus winning prizes at the Jerusalem Film Festival 2025: "Oxygen" by Netalie Braun (developed in the 9th edition of the Lab) - awarded Best Israeli Feature Film "Dead Language" by Mihal Brezis and Oded Binnun (developed in the 4th edition of the Lab) - awarded Best Script "The Sea" by Shai Carmeli Pollak (developed in the 5th edition of the Lab) - awarded Special Mention and Best Ensemble Cast Prizes for "Oxygen", "Dead Language" and "The Sea" at the Jerusalem Film Festival NEWS ITEM HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB SERIES LAB TEAM NEWS

Apprentice Apprentice Junfeng Boo Producer Raymond Phathanavirangoon Lab Edition 2 , 2013 SCENE PITCH Production Country Singapore SYNOPSIS Inevitably, a transfer to a maximum security prison will eventually challenge the integrity and ethics of a young correctional officer on his way to become a chief executioner. DIRECTOR'S NOTE LOG LINE Inevitably, a transfer to a maximum security prison will eventually challenge the integrity and ethics of a young correctional officer on his way to become a chief executioner. ABOUT THE FILMMAKER PRODUCER Raymond Phathanavirangoon PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Safe Harbor Safe Harbor Screenwriters: Yoav Roeh, Aurit Zamir Producer/s Yoav Roeh, Aurit Zamir , Gum Films Language: Hebrew Format: 8 Episodes x 40 Minutes Genre Drama, Thriller Send PITCHDECK LOGLINE Two Mossad agents pose as a married couple seeking to foster a nine-year-old Lebanese boy. The child is their gateway to recruit his mother; a woman deeply embedded in Hezbollah's organization. SYNOPSIS Mossad agents Yulia and Ori, late 20’s, are dispatched by their commander Amiram (60), to a peaceful Greek island. Their mission is to pose as a couple and foster Amin (9), a Lebanese survivor of the IDF missile attack which killed his father, an high ranking Hezbollah member. Amin was pulled from the rubble by his mother Salma (29), who then smuggled her traumatized son to a UN refuge in Greece, which promises a safe harbor for children from war zones. Yulia and Ori give Amin a home and gradually develop an emotional bond with him. This helps them gain access to Salma who comes to know and trust them. Unbeknownst to her, she supplies them with crucial information regarding a Hezbollah-planned attack. As the mission deepens, something else begins to shift. Caring for the child forges a genuine bond between Yulia and Ori. What began as sexual tension in their first meeting evolves into intimacy and emotional closeness. They lose the distance and clarity the mission demands, failing to notice that their cover has been compromised. As the operation unravels, Salma discovers the truth about them and is coerced into collaboration when they use a visit with Amin as leverage. When Salma is finally able to come to the island for the much-awaited visit with Amin, a Hezbollah elite unit assassinates her, and abducts Amin. Apparently, they discovered her breach of loyalty. Amin is once again orphaned and the agents are left missing key information regarding the upcoming attack. Haunted by guilt, Yulia and Ori break away from command, choosing to save Amin from his kidnappers. But then they discover a devastating truth- Amin's biological father, a high-ranking terrorist presumed dead—is alive. The couple are now torn between loyalty to their country and their new “family” and must confront the most agonizing question: What truly serves the child's best interest? WRITER'S STATEMENT SAFE HARBOR is led by two strong protagonists who feel a deep sense of belonging and loyalty to their country, who are willing to risk their lives for it. For whom the country is their true family. During the season, despite themselves, they create their own makeshift, improvised family, which starts through deception but develops into true emotion. As the needs of these two “families” conflict, our characters question the truths and ideologies their identities are built on. Through this narrative setup, we are interested in exploring the idea of family, loyalty and betrayal. As Israelis, like our characters, we are familiar with having complex relationships with our national identities. We believe these questions resonate with viewers worldwide today, Character driven and propulsive, SAFE HARBOR will explore the deep, emotional journeys of its characters through a twisty spy plot. The series uses the contrast between the cold, sterile world of espionage and the warm, hopeful moments of the couple's personal journey to visually underscore its themes. The dramatic contrast between the fast-paced tone and the psychological complexities will make this series as thought-provoking as entertaining. ABOUT THE WRITERS Asaf Saban is one of Israel’s most distinctive and compelling filmmakers. Ambiguity, his new drama series as director, will premiere on KAN11, Israel’s national broadcaster, in March 2026. His latest feature, Delegation, an Israeli-Polish-German co-production, premiered at the Berlinale 2023, to critical acclaim. His first feature Outdoors, released in 2017, was a box-office hit, and his graduation film On Leave screened at AFI, San Sebastian, Telluride winnning Best Film at Milano FF & Tel Aviv FF. Yoav Roeh is a graduate of The Sam Spiegel Film and Television School. In 2008 he founded the boutique production company - Gum Films, with partner Aurit Zamir. He has been active as a creative producer across narrative and documentary films and TV series. His award-winning projects provide thought-provoking cinematic journeys for international audiences, with a daring, bold tone. Among them the films The Future by Noam Kaplan (Tribeca FF 2023), The Governor by Danel Elpeleg (Best Doc, Jerusalem FF 2024) and the series Tell Me Everything (KAN11 2024). PRODUCER'S STATEMENT Shot fully on location in Greece, SAFE HARBOR will allow us to observe the complex reality of our region seemingly from the outside, from the safety of a peaceful Greek island, but in fact while looking deeply from within. The series throws a light on the lives of children in war zones, a topic which has become painfully relevant to us in the past years. Traumatized, orphaned, hurt- children are the most vulnerable victims of their parents’ wars and conflicts. SAFE HARBOR will reveal the cynical mechanisms behind the war machine, in which one child, Amin, is being used as collateral. During the season, our characters will have to face their own experiences as children, address how those shaped them, and lead them to reexamine their loyalties, hopefully giving Amin hope for a different future. Zig-zagging at fast speed between the personal and the national, the show will be as compelling as it will be unsettling, it’s power stemming from viewers connection to the strong characters who will ask themselves- is there a SAFE HARBOR to be found anywhere in this world? Or does that space exist only within their personal identity, within their own family? We look forward to embarking on this project which has a wide international appeal in terms of genre, language as well as tone, while maintaining core values of honest storytelling. PRODUCER PROFILE Gum Films is a Tel- Aviv based production company, consistently creating critically acclaimed content for local and international audiences. Their TV slate includes The Accursed by Hagai Levi, The Missing File (remade in France), For God's Sake, Tell Me Everything (US sales). Feature films include dramas Asia (Tribeca FF - Best Director, Best Cinematography. 2020 Israeli Academy Awards - Best Film, and 7 others. Jerusalem FF -Best Debut). The Testament (Venice FF, Haifa FF- Best Film, Beijing FF- Best Script) among others. Their documentaries screened at DocAviv, Tokyo FF, FIPA, Visions Du Reel, Dok Leipzig, IDFA & dare turn a critical lens at burning issues. Among them The Lab, The Governor, Two Kids a Day, Tangled Roots. Gum Films has extensive experience in international co-productions, collaborating with partners in France, Germany, Poland, Belgium, Canada, Finland, and Austria. PRODUCTION CONTACT DETAILS aurit@gumfilms.com Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Not Your Fault HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Water Level Water Level Screenwriter: Eitan Mansuri Producer/s Eitan Mansuri , Spiro Films Language: Hebrew Format: Genre Send PITCHDECK LOGLINE Water Level” is a dark, intense psychological-thriller taking place in the single location of the SUFA (“Storm”), an Israeli Navy missile boat. The show follows the SUFA combatants as they sail out for a secret mission, to an unknown destination, a journey which will spiral out of control and catapult the combatants to a slow drift out in the ocean, towards an abyss of madness, caught in the inevitable trajectory of collision - with each other. SYNOPSIS OMER (19), a poet in the body of a hoodlum, fresh out of his grunt-work training at the Navy training camp, arrives at the SUFA missile boat, the most combat-oriented boat of the “Flotilla 3” Squadron - and his home for the next two years. Omer is a highly motivated soldier, intent on making his mark during his combat service and proving that he’s just as good of a soldier as his father was. SHUSHAN (21), the senior Electronic Warfare Controller, and the ship's “prom king”, oversees Omer’s induction process. Omer is supposed to eventually replace Shushan, who’s expecting to go on his end-of-service leave upon returning from the secret operation they’re about to ship out to this coming Saturday. No one knows much about the operation, but the rumor going around is that it’s an operation of unprecedented magnitude; even battle seasoned Shushan seems excited about it, and about the fact that it’s the last sail of his army service. Omer and Shushan discover that they’re more alike than they initially thought, and a true friendship develops between them; Shushan helps Omer acclimate and he guides him through the naval “jungle” of the ship, while Omer enables Shushan to express, for the first time, his more artistic sides, and imagine his life after he’s released from the army. However, during his first days on the ship, Omer realizes that things don't exactly work there the way he imagined they did. Except for his friendship with Shushan, Omer’s first week in the ship is a relentless claustrophobic hell, plagued by loneliness, never ending tasks, humiliations, starvation, lack of sleep and harsh adjustment to the social power dynamics reminiscent of the hierarchy structures of maximum-security prisons. But Omer has no complaints, for even though he’s going through the “fresh-meat grind”, he sees how other fresh-meat soldiers who were not lucky enough to have been taken under Shushan’s wing, like “radar” AVRIAN, have to endure constant harassment, both physical and psychological, doled out by GERBI, the most senior soldier on the bow, and the one who terrorizes the young newcomers, who are caught between his abuse and the abuse of GARDUSH (23), the sadistic DNC Officer (Discovery, Navigation, and Communication) and the Lieutenant Captain of the ship who makes it his mission in life to discipline and police the young newcomers. After these first few nightmarish days, in which Omer is pushed to the limit - it finally happens - the SUFA ships out to sea. Omer watches the combatants work together for the first time, in complete coordination and harmony, and feels like he has a chance. However, during the night shift, while Omer and Shushan man their stations, Gardush decides to give Shushan a hard time for nodding-off over the Electrical Warfare system. Gardush yells at him, humiliates him - but Shushan retaliates, with vengeance, and yells back at him: without the stripes on his shoulders, he’s nothing but a privileged spoiled brat everyone would bitch-slap around. Gardush is shocked. He slowly approaches Shushan, while only Omer and “radar” Aviran are watching, and SMACKS HIM ACROSS THE FACE. Shushan loses control, and pounces on Gardush, PUNCHING him in the face and BREAKING HIS NOSE. Omer and his friends can hardly pull them off each other. Gardush promises Shushan: When I'm finished with you, you'll never get out of the army. That very night, BOROCHOVITZ (35), the gung-ho Captain of the ship, court-martials Shushan. Gardush doesn’t let anyone else make their case. He lies and says that Shushan attacked him first. No one says anything to challenge Gardush. Shushan’s stunned. He looks at Omer, his last hope, waiting for him to say something, but to no avail. Omer’s scared of speaking up. He freezes. Shushan is accused of assaulting an officer. He’s sentenced to three months in military prison to be served upon their return, and his army release is delayed by 90 days. Shushan, the most beloved man on the ship, can’t believe that in the moment of truth none of his friends stood up for him. After the trial concludes, Omer tries to apologize to Shushan, who, in return, pushes him aside, refusing to listen to his apology. Night; and the SUFA is slowly sailing toward the Eden Bay. The ship is in cruise mode, the soldiers are sleeping, but Omer can’t fall asleep. He volunteers to take over for one of his fellow combatants and performs a sailors-count in his stead; makes sure no one has fallen off the boat. Following protocol, he counts one soldier at a time, going through all the ship’s sections — but when he reaches the stern, he’s surprised to find that Shushan’s not in his bed. He continues on to the steering room, and slowly pushes opens the heavy iron door. In there, right above the steering wheels in the back, he’s suddenly horror-struck to discover Shushan HANGING from the ceiling, his lifeless body swaying lightly. Stunned by the hideous discovery, Omer reports the incident to Borochovitz, the ship’s captain. But Borochovitz can’t afford to let this complication jeopardize the operation, for his promotion depends on its success. He orders Omer to store the body in the ship’s cooling room (where the food is kept and where bodies are supposed to be stored according to protocol) and informs his soldiers that due to the ship’s strategic location (which might be exposed if they contact headquarters) and due to the rare window of opportunity they have before them - Navy boat SUFA will proceed as planned. Omer, however, cannot just move on. He’s haunted by guilt. Something about Shushan’s sudden suicide doesn’t feel right to him. He decides to try and get to the bottom of what led Shushan to end his life in such a tragic way. He finds Shushan’s smartphone, which Shushan smuggled into the boat against the rules, and starts looking for clues in the video clips Shushan filmed just before his death. He discovers a clip on the phone which exposes an affair between Gerbi and ALMOG (20), the gay and affable CC (command & control) monitor. Omer suspects that the fact that Shushan exposed the affair led Gerbi to hurt him. Furthermore, during Shushan’s funeral, Omer notices that the blue life-belt that Gerbi’s wearing is actually Shushan’s, and the life-belt from which he found Shushan hanging -- is Gerbi’s. Now Omer’s suspicions are reinforced and he realizes that Gerbi is somehow connected to Shushan’s death. But as he digs deeper, he discovers that things are more complicated than he imagined, and that it's possible that Gardush is also involved in Shushan’s death. He learns that Gardush and Shushan had some very troubling altercations in the past, and that in fact Gerbi is acting on Gardush’s behalf. With every day that goes by, Omer becomes more ostracized and isolated in the ship, but he won’t give up, for with every new detail that he uncovers, he becomes more and more convinced that Shushan did not commit suicide, but was in fact MURDERED in cold blood. He tries to raise his concerns before Borochovitz, explain his suspicions, but Borochovitz defends Gardush and warns Omer not to spread dangerous conspiracy theories which he can’t prove. Meanwhile, Gerbi and Gardush are trying to get their hands on Shushan’s smartphone, to dispose of the volatile footage it holds. Omer starts feeling that his life is in real danger. He tries to turn to the only people he trusts on the ship for help: GROSS, his only friend from the bow, RON, Shushan’s best friend, and SHAI (23), the Weapons Officer and the only woman on board. He walks them through his murder theory, step by step; Omer suspects that Gardush and Gerbi collaborated to weaken Shushan and get back at him during the last days of his service before his release. During the confrontation between the three soldiers, things got out of hand, and Shushan was fatally injured and, to evade punishment, Gardush and Gerbi faked his suicide. The evidence Omer presents to Ron, Gross and Shai leave them aghast. They decide to lead a takeover of the ship, to turn it back to Haifa harbor and launch and immediate investigation. But as the mutiny of the low-rank soldiers begins, all hell breaks loose. The anger and frustration that the combatants accumulated throughout the years erupts with hellish rage, unleashed and aimed at the officers. Omer realizes that it’s going to be near impossible to put out the fire he just started. Meanwhile, a new piece of evidence surfaces and reveals to Omer and Shai the truth about Shushan’s death: the person who killed Shushan was not Gerbi, nor was it Gardush, as they first suspected, it was none other than “radar” Aviran! The most degraded soldier on board, and the one who was there all along the way. Now Omer and Shai, his new ally, we’ll have to find a way to stop the takeover before it reaches the point of no return, and at the same time try and stop “radar” Aviran, who realizes he has nothing to lose anymore, and is tight-rope walking the fine line between life and death… WRITER'S STATEMENT ABOUT THE WRITER PRODUCER'S STATEMENT PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Bad Blood HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Virgines Virgines Keren Ben Rafael Producer Caroline Bonmarchand Lab Edition 4 , 2015 SCENE PITCH Production Country Israel SYNOPSIS In Kiryat Yam, small town on the north coast of Israel, everything seems to have stopped. Lana, a rebellious teenager, vowed to fight against resignation and immobilism. She couldn't imagine that the rumor of a mermaid off the coast would wake up her town from its torpidity and give her the possibility to finally live. DIRECTOR'S NOTE LOG LINE In Kiryat Yam, small town on the north coast of Israel, everything seems to have stopped. Lana, a rebellious teenager, vowed to fight against resignation and immobilism. She couldn't imagine that the rumor of a mermaid off the coast would wake up her town from its torpidity and give her the possibility to finally live. ABOUT THE FILMMAKER PRODUCER Caroline Bonmarchand PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ