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  • Fig Tree

    Alamork Marsha Davidian Director: 2014 Year of lab participation: 3 Lab edition: Israel Country: Naomi Levari & Saar Yogev Producer: Fig Tree 16 year old Jewish Mina, is trying to navigate between a surreal routine dictated by the civil war in Ethiopia and her last days of youth with her Christian boyfriend Eli. When she discovers that her family is planning to immigrate to Israel and escape the war, she weaves an alternate plan in order to save Eli. But in times of war, plans tend to go wrong. Marsha's coming of age film debut film is based on her childhood memories of a civil-war-torn Ethiopia. Synopsis Haifa International Film Festival 2018 - Best Cinematography Toronto International Film Festival 2018 - Eurimages Audentia Award Israeli Film Academy Awards 2018 - Best Cinematography (Daniel Miller) Atlanta Jewish Film Festival 2019 - Emerging Filmmaker Jerusalem Sam Spiegel Film Lab 2014 - 1st Prize Winner Festivals & Awards 2018 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • The Story of A Summer Love

    Paul Negoescu Director: 2015 Year of lab participation: 4 Lab edition: Romania Country: Radu Stancu Producer: The story of a summer Love Petru is a professor of mathematics at the Polytechnic University of Bucharest and leads a carefree life. He's in an open relationship with Irina, who overlooks that he sleeps with other women from time to time. But once Irina gets pregnant, Petru is forced to change his lifestyle and grow up, even he's 42. One of his friends, who was always there for him, decides to write a book about his story. Synopsis Romanian Union of Filmmakers 2019, Best Screenplay. Festivals & Awards 2018 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • Virgines

    LANGUAGE ​ ​ GENRE ​ ​PRODUCTION BUDGET ​ ​ ​PRODUCTION COMPANY PROFILE ​ DIRECTOR'S NOTE SYNOPSIS In Kiryat Yam, small town on the north coast of Israel, everything seems to have stopped. Lana, a rebellious teenager, vowed to fight against resignation and immobilism. She couldn't imagine that the rumor of a mermaid off the coast would wake up her town from its torpidity and give her the possibility to finally live. ​ Caroline Bonmarchand SCENE PITCH Caroline Bonmarchand Producer: ​ & Keren Ben Rafael Virgines 4 Lab Edition: , Year 2015 Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • The Black Forest (La helada negra)

    LANGUAGE ​ ​ GENRE ​ ​PRODUCTION BUDGET ​ ​ ​PRODUCTION COMPANY PROFILE ​ DIRECTOR'S NOTE SYNOPSIS A young woman arrives at a farm threatened by a plague. The bewildered farmers yield to her interventions and the immediate neighborhood come to think of Alejandra as their great hope and she starts to be revered like a saint. ​ Barbara Francisco & Delfina Montecchia SCENE PITCH Barbara Francisco & Delfina Montecchia Producer: ​ & Maximiliano Schonfeld The Black Forest (La helada negra) 2 Lab Edition: , Year 2013 Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • Shira Porat

    Add a Title Add a Title Send Send Lee Shira Producers: ​ , Shira Porat Moods Lab Edition 2 ​ PITCH LOGLINE A "Dancing with the Stars" choreographer discovers her mom is homeless, forcing her to blend her glitzy world with messy reality. SYNOPSIS When Daniela, who distanced herself from her mother for the sake of her sanity, discovers she is now homeless, she faces the choice of inviting chaos back into her life. A few years after Daniela (30) deliberately cut ties with her uncontrollable mother Ramona (60), to pursue her dreams as a successful choreographer, her carefully crafted life takes an unexpected turn. On the night of Mickey's marriage proposal, Daniela's doorbell rings, revealing a police officer and the long-lost Ramona. Having lost everything, sold the house and savings, homeless and in dire straits, Ramona has nowhere else to turn. Daniela is forced to bring her into her and Mickey's apartment - to help her rebuild her life. She finds her a job, opens her a bank account, tries to understand what happened to her in the months she was on the street and how she got there. Daniela allows her chaotic mother into her life, disrupting the stability she worked so hard to achieve. As Daniela juggles wedding plans, demanding celebrities from ""Dancing with the stars"" production, and caring for her helpless mother, her once-stable life crumbles. The bond with Mickey weakens, and her dream job teeters on the brink. Surprisingly, her mother's return sparks Daniela's dormant passions and emotions. Daniela finds herself doing things she never dreamt of: Stealing from stores and chasing wild boars in the middle of the night half-naked because her mother can't sleep. She breaks into her childhood home, chases after robbers or innocent people whom her mother suspects have touched her things. She breaks into a random wedding she wasn't invited to and is almost swept away in a stormy affair that will destroy her relationship , supported by her own mother. Through a shared journey, they rediscover each other. Two girls. One of them is a mother and the other a daughter. But it is not clear who is who and when. WRITER'S STATEMENT Ten years ago, I discovered that my mother was living on the streets. For three months, she navigated the challenges of homelessness, showering in beach facilities and sleeping on rooftops, all while keeping this reality hidden from me due to shame and lack of courage. Growing up in an affluent neighborhood with friends from the top decile, the harsh economic truth was unfamiliar and embarrassing. During that year, I learned that my mother had a diagnosed borderline personality structure, revealing that her struggles were not merely perceived subjectively. This revelation led me to view her with greater sympathy. What initially seemed an overwhelming challenge became a pivotal moment that positively shaped my character. Navigating the financial struggles to support my mother fostered independence. Taking charge of her life compelled me to take control of my own. Through this process, my self-esteem strengthened, and I embraced responsibility. Similar to an inexperienced parent faced with caring for a newborn, I found myself with a 65-year-old ""baby"" who wore a coat in August and resisted wearing underwear. My mother is a complex character—unexpected, original, truthful, deceptive, humorous, and at times, challenging. Despite her quirks, she possesses the most generous heart and the keenest mind. I am writing this series with immense love, aiming to touch the hearts of those who watch it. I hope it elicits laughter, evokes emotions, and encourages viewers to approach others with greater understanding. My goal is to challenge preconceived notions of normalcy and insanity, parenting and love. PRODUCER'S STATEMENT An 8-episode romantic comedy providing a different, witty, funny, and touching perspective on a between mother-daughter relationship which has been severed due to the mother's mental illness. Mental illness is a common phenomenon that turns families upside down, and we believe that anyone whose family has been challenged, will relate to this human story led by two strong women – a universal story that will draw an international crowd of viewers. This is my 3rd collaboration with the creator Shira Porat, after Embezzlement (for "yes") which sold worldwide, and Motobank which is in development in Reshet and "yes". I think Shira is one of the most talented creators in our industry. She has a fresh and innovative voice, she is dedicated and versatile and I believe this series will be a big success. LOOKING FOR We are seeking financing partners who share our passion for innovative storytelling and understand the value of investing in globally resonant content. We are looking for broadcasters, co-producers, and investors to collaborate and contribute both financial resources and strategic guidance to help us bring our vision to life. Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

  • Tehila Peter-Dansker and Omri van Essen

    PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

  • Submissions to the first Sam Spiegel Series Lab have ended

    Submissions to the first Sam Spiegel Series Lab have ended, and we were overwhelmed by the response and the amount of submissions that bring the multifaceted stories of Israeli reality to the fore. Submitted projects included once-in-a-lifetime characters and fascinating stories that put the Conflict, the fears and the dreams of those who live here right on the table. The numbers seem to suggest that men and women submitted equally representing a true parity in our industry. Now our selection committee will have the hard work of selecting just 8 projects for this very first round. Do not despair - if it does not work out for your project this year, we will be back next year for more! Make sure to follow us to stay up to date about the next submissions. Good luck to the candidates! Submissions to the first Sam Spiegel Series Lab have ended NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

  • Imperial Dreams

    Malik Vitthal Director: 2012 Year of lab participation: 1 Lab edition: USA Country: Katherine Fairfax Wright Producer: Imperial Dreams A 21-year-old reformed gangster's devotion to his family and his future is put to the test when he is released from prison and returns to his old stomping grounds in Watts, Los Angeles. Synopsis Sundance Film Festival 2014 New Orleans Film Festival 2014 - Best Narrative Feature Mill Valley Film Festival 2014 - US Cinema Indie Gold Award Los Angeles Pan African Film Festival 2015 - Audience Award for Best Narrative Feature, Special Jury Recognition for Feature Narrative Florida Film Festival 2015 - Grand Jury Award for Best Narrative Feature, Audience Award for Best Narrative Feature Ashland Independent Film Festival 2015 - Best Feature, Varsity Audience Award for Narrative Feature Festivals & Awards 2014 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • The 10th edition of the Lab met for the first time!

    Even though we are online again and it was only a virtual toast, it’s great to see the new faces that will bring to the world some amazing stories! Good luck to all of the directors and producers! The 10th edition features 12 projects from countries including Malta, Belgium, Albania, Finland, Germany and Israel. Our mentors this year are the terrific team of Clare Downs, Thomas Hailer, Jacques Akchoti and Eran Riklis. The 10th edition of the Lab met for the first time! NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

  • "Girls Will Be Girls" Wins Awards at Sundance

    Great news! Two Sundance prizes went to our 9th edition alumni Shuchi Talati, for her film "Girls Will Be Girls". The film won the Audience Award for World Cinema Dramatic Competition, and actress Preeti Panigrahi won the World Cinema Dramatic Special Jury Award for Acting. We are very excited and happy with Shuchi. "Girls Will Be Girls" Wins Awards at Sundance NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

  • Iris

    LANGUAGE Greek Drama GENRE Production Budget $1,177M Secured funds $555.582 Cypriot Ministry of Culture; $70.613 ERT (Greek Public Television) ​PRODUCTION BUDGET Production company profile The Living is a Paris-based production company founded in 2017 by Nathalie Dennes to produce directors of her generation and projects combining delicate aesthetics with worldwide appeal, with a focus on women. The company‘s slate currently includes shorts and features from French and foreign directors awarded in major international film festivals. Dennes partnered with 3B Productions on The Truth by Hirokazu Kore-Eda that premiered in 2019 Venice Film Festival. Production Company The Living, Paris, France ndennes@theliving.fr +33 6 74 39 02 71 Producer profile Nathalie Dennes, Producer France Producer, France Nathalie Dennes started her career within the Acquisitions department of Studiocanal in Paris before joining 3B Productions, mk2 and contributing to the launching of CG Cinéma where she managed within four years the production of a dozen critically acclaimed films such as Clouds of Sils Maria by Olivier Assayas, Mustang by Deniz Gamze Ergüven or Things to Come by Mia Hansen-Løve. ​PRODUCTION COMPANY PROFILE Director’s Note A police siren shakes us into alert just like an anxiously barking dog. A wave crashes on the decadent shipyard’s shore, just as a horse races to the finish line. Distressed fences, a forced eviction, henchmen and lawyers, petty-theft and quick cash, blood smears, and an estranged father beside the drifting dust, permeate the world of this film; all before the adolescent eyes of defiant Iris. The parallel drawn across the absence of a father, and the lack of boundaries for young Iris thereof, is the primal drive of the story, just as it was for me at that age. Daringly crossing the threshold of physical and emotional boundaries, to merely understand the fragility that holds them together, Iris oscillates through chaos and order as a way of understanding where exactly she stands in this world. Since my early childhood, I couldn’t help but wonder how different my upbringing would be if I had my father around. This feeling of negligence, ambiguously led to my independent seeking self, an explosive temperament ceaselessly challenging the righteousness of authority. A deep-rooted curiosity to traverse things until the end with an innate desire to hold on tight to the reins. My exaggerated self-determination often led to adrenaline highs, full blown chaos, where I thrusted myself to the verge to merely feel something; anything. It was in my adolescent years that I began to know my father, and the acceptance of our bond, even if flawed, has made all the difference. Forever in the breath of my heroine, highlighting her visceral impulsiveness and delicate naiveté, I seek to portray her precarious journey from determination to defeat and finally acceptance; just as this delicate relationship with her father unveils. DIRECTOR'S NOTE SYNOPSIS Synopsis Limassol, Cyprus. Young and defiant IRIS (13), certainly knows her way around the decadent shipyard. She works a part-time summer job at a traditional fish tavern with her friend DANAE (17) and frequently hides out at her beloved SALOME’s (75) place after pulling petty-thefts, in exchange of running her errands. When Iris discovers that Salome is being forcibly evicted from her home for the development of a real estate project in the neighborhood, she takes matters into her own hands and attacks the landlord’s dangerous henchman, winding up at the local police station. With her hard working mother STELLA (35) not answering the phone, Iris is left waiting in a drab room for a while before her estranged father ARIS (38) unexpectedly shows up. Aris at first denies all responsibility, explaining that the kid is not his problem. Unwilling to leave with him, Iris finally does, and is quickly impressed by his trick to make some easy cash out of the situation. Aware of her usefulness in the scam, she threatens to expose him if he doesn’t give her a cut from the earnings. Determined to pay a lawyer who might help with Salome’s eviction case, Iris returns to her father and artfully imposes herself into his life and work. The two begin to form an unlikely bond, with Iris ultimately forced to take a precarious step towards adulthood. Young and defiant, Iris, 13, certainly knows her way around the Limassol shipyard. She frequently engages in petty-theft, then hiding in her elderly friend Salome’s house. When Iris discovers that Salome is being forcibly evicted, she is determined to change this verdict. Iris turns to her estranged father and artfully imposes herself into his life and work. The two form an unlikely bond, through which Iris finds new powers. ​ Nathalie Dennes SCENE PITCH Nathalie Dennes Producer: ​ & Myrsini Aristidou Iris 9 Lab Edition: , Year 2021 Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • Plaza Catedral

    LANGUAGE ​ ​ GENRE ​ ​PRODUCTION BUDGET ​ ​ ​PRODUCTION COMPANY PROFILE ​ DIRECTOR'S NOTE SYNOPSIS The 42-year-old Alicia is a grief-stricken woman, a grief that has caused her to be estranged from society. Her world is turned upside down when a 14-year-old boy who looks after people's cars, stumbles into her house, bleeding. ​ Matthias Ehrenberg SCENE PITCH Matthias Ehrenberg Producer: ​ & Abner Benaim Plaza Catedral 7 Lab Edition: , Year 2018 Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

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