Water Level Water Level Screenwriter: Eitan Mansuri Producer/s Eitan Mansuri , Spiro Films Language: Hebrew Format: Send PITCHDECK LOGLINE Water Level” is a dark, intense psychological-thriller taking place in the single location of the SUFA (“Storm”), an Israeli Navy missile boat. The show follows the SUFA combatants as they sail out for a secret mission, to an unknown destination, a journey which will spiral out of control and catapult the combatants to a slow drift out in the ocean, towards an abyss of madness, caught in the inevitable trajectory of collision - with each other. SYNOPSIS OMER (19), a poet in the body of a hoodlum, fresh out of his grunt-work training at the Navy training camp, arrives at the SUFA missile boat, the most combat-oriented boat of the “Flotilla 3” Squadron - and his home for the next two years. Omer is a highly motivated soldier, intent on making his mark during his combat service and proving that he’s just as good of a soldier as his father was. SHUSHAN (21), the senior Electronic Warfare Controller, and the ship's “prom king”, oversees Omer’s induction process. Omer is supposed to eventually replace Shushan, who’s expecting to go on his end-of-service leave upon returning from the secret operation they’re about to ship out to this coming Saturday. No one knows much about the operation, but the rumor going around is that it’s an operation of unprecedented magnitude; even battle seasoned Shushan seems excited about it, and about the fact that it’s the last sail of his army service. Omer and Shushan discover that they’re more alike than they initially thought, and a true friendship develops between them; Shushan helps Omer acclimate and he guides him through the naval “jungle” of the ship, while Omer enables Shushan to express, for the first time, his more artistic sides, and imagine his life after he’s released from the army. However, during his first days on the ship, Omer realizes that things don't exactly work there the way he imagined they did. Except for his friendship with Shushan, Omer’s first week in the ship is a relentless claustrophobic hell, plagued by loneliness, never ending tasks, humiliations, starvation, lack of sleep and harsh adjustment to the social power dynamics reminiscent of the hierarchy structures of maximum-security prisons. But Omer has no complaints, for even though he’s going through the “fresh-meat grind”, he sees how other fresh-meat soldiers who were not lucky enough to have been taken under Shushan’s wing, like “radar” AVRIAN, have to endure constant harassment, both physical and psychological, doled out by GERBI, the most senior soldier on the bow, and the one who terrorizes the young newcomers, who are caught between his abuse and the abuse of GARDUSH (23), the sadistic DNC Officer (Discovery, Navigation, and Communication) and the Lieutenant Captain of the ship who makes it his mission in life to discipline and police the young newcomers. After these first few nightmarish days, in which Omer is pushed to the limit - it finally happens - the SUFA ships out to sea. Omer watches the combatants work together for the first time, in complete coordination and harmony, and feels like he has a chance. However, during the night shift, while Omer and Shushan man their stations, Gardush decides to give Shushan a hard time for nodding-off over the Electrical Warfare system. Gardush yells at him, humiliates him - but Shushan retaliates, with vengeance, and yells back at him: without the stripes on his shoulders, he’s nothing but a privileged spoiled brat everyone would bitch-slap around. Gardush is shocked. He slowly approaches Shushan, while only Omer and “radar” Aviran are watching, and SMACKS HIM ACROSS THE FACE. Shushan loses control, and pounces on Gardush, PUNCHING him in the face and BREAKING HIS NOSE. Omer and his friends can hardly pull them off each other. Gardush promises Shushan: When I'm finished with you, you'll never get out of the army. That very night, BOROCHOVITZ (35), the gung-ho Captain of the ship, court-martials Shushan. Gardush doesn’t let anyone else make their case. He lies and says that Shushan attacked him first. No one says anything to challenge Gardush. Shushan’s stunned. He looks at Omer, his last hope, waiting for him to say something, but to no avail. Omer’s scared of speaking up. He freezes. Shushan is accused of assaulting an officer. He’s sentenced to three months in military prison to be served upon their return, and his army release is delayed by 90 days. Shushan, the most beloved man on the ship, can’t believe that in the moment of truth none of his friends stood up for him. After the trial concludes, Omer tries to apologize to Shushan, who, in return, pushes him aside, refusing to listen to his apology. Night; and the SUFA is slowly sailing toward the Eden Bay. The ship is in cruise mode, the soldiers are sleeping, but Omer can’t fall asleep. He volunteers to take over for one of his fellow combatants and performs a sailors-count in his stead; makes sure no one has fallen off the boat. Following protocol, he counts one soldier at a time, going through all the ship’s sections — but when he reaches the stern, he’s surprised to find that Shushan’s not in his bed. He continues on to the steering room, and slowly pushes opens the heavy iron door. In there, right above the steering wheels in the back, he’s suddenly horror-struck to discover Shushan HANGING from the ceiling, his lifeless body swaying lightly. Stunned by the hideous discovery, Omer reports the incident to Borochovitz, the ship’s captain. But Borochovitz can’t afford to let this complication jeopardize the operation, for his promotion depends on its success. He orders Omer to store the body in the ship’s cooling room (where the food is kept and where bodies are supposed to be stored according to protocol) and informs his soldiers that due to the ship’s strategic location (which might be exposed if they contact headquarters) and due to the rare window of opportunity they have before them - Navy boat SUFA will proceed as planned. Omer, however, cannot just move on. He’s haunted by guilt. Something about Shushan’s sudden suicide doesn’t feel right to him. He decides to try and get to the bottom of what led Shushan to end his life in such a tragic way. He finds Shushan’s smartphone, which Shushan smuggled into the boat against the rules, and starts looking for clues in the video clips Shushan filmed just before his death. He discovers a clip on the phone which exposes an affair between Gerbi and ALMOG (20), the gay and affable CC (command & control) monitor. Omer suspects that the fact that Shushan exposed the affair led Gerbi to hurt him. Furthermore, during Shushan’s funeral, Omer notices that the blue life-belt that Gerbi’s wearing is actually Shushan’s, and the life-belt from which he found Shushan hanging -- is Gerbi’s. Now Omer’s suspicions are reinforced and he realizes that Gerbi is somehow connected to Shushan’s death. But as he digs deeper, he discovers that things are more complicated than he imagined, and that it's possible that Gardush is also involved in Shushan’s death. He learns that Gardush and Shushan had some very troubling altercations in the past, and that in fact Gerbi is acting on Gardush’s behalf. With every day that goes by, Omer becomes more ostracized and isolated in the ship, but he won’t give up, for with every new detail that he uncovers, he becomes more and more convinced that Shushan did not commit suicide, but was in fact MURDERED in cold blood. He tries to raise his concerns before Borochovitz, explain his suspicions, but Borochovitz defends Gardush and warns Omer not to spread dangerous conspiracy theories which he can’t prove. Meanwhile, Gerbi and Gardush are trying to get their hands on Shushan’s smartphone, to dispose of the volatile footage it holds. Omer starts feeling that his life is in real danger. He tries to turn to the only people he trusts on the ship for help: GROSS, his only friend from the bow, RON, Shushan’s best friend, and SHAI (23), the Weapons Officer and the only woman on board. He walks them through his murder theory, step by step; Omer suspects that Gardush and Gerbi collaborated to weaken Shushan and get back at him during the last days of his service before his release. During the confrontation between the three soldiers, things got out of hand, and Shushan was fatally injured and, to evade punishment, Gardush and Gerbi faked his suicide. The evidence Omer presents to Ron, Gross and Shai leave them aghast. They decide to lead a takeover of the ship, to turn it back to Haifa harbor and launch and immediate investigation. But as the mutiny of the low-rank soldiers begins, all hell breaks loose. The anger and frustration that the combatants accumulated throughout the years erupts with hellish rage, unleashed and aimed at the officers. Omer realizes that it’s going to be near impossible to put out the fire he just started. Meanwhile, a new piece of evidence surfaces and reveals to Omer and Shai the truth about Shushan’s death: the person who killed Shushan was not Gerbi, nor was it Gardush, as they first suspected, it was none other than “radar” Aviran! The most degraded soldier on board, and the one who was there all along the way. Now Omer and Shai, his new ally, we’ll have to find a way to stop the takeover before it reaches the point of no return, and at the same time try and stop “radar” Aviran, who realizes he has nothing to lose anymore, and is tight-rope walking the fine line between life and death… WRITER'S STATEMENT ABOUT THE WRITER PRODUCER'S STATEMENT PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Virgines Virgines Keren Ben Rafael Producer Caroline Bonmarchand Lab Edition 4 , 2015 SCENE PITCH Production Country Israel SYNOPSIS In Kiryat Yam, small town on the north coast of Israel, everything seems to have stopped. Lana, a rebellious teenager, vowed to fight against resignation and immobilism. She couldn't imagine that the rumor of a mermaid off the coast would wake up her town from its torpidity and give her the possibility to finally live. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Caroline Bonmarchand PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Soft Hours Soft Hours Anna Gyimesi Producer Barbara Janišová Feglová Lab Edition 13 , 2025 SCENE PITCH Production Hitchhiker Cinema Country Slovakia, Hungary SYNOPSIS “Soft Hours" is a drama about Ilona, a woman in her fifties whose adult son, Tóbiás, died during a family trip to Slovakia. Overwhelmed by her loss, she hires Leon, a young prostitute, to fill the void by replacing him. As Leon seeks a mother figure, they develop a suffocating mother-son intimacy that ultimately fails to resolve their elemental needs. The encounter finally forces Ilona to confront her own guilt and imperfection as a mother, allowing herself to grieve. DIRECTOR'S NOTE “Soft Hours” explores the taboos of motherhood in a deeply personal way, stemming from my own grappling with societal expectations, particularly women's roles and the cult of perfection. Though I may not be a mother, this story became urgently compelling as I confronted my own perceived imperfections of my life path. “Soft Hours” tackles not only the stigma of motherly grieving, but also the emotional journey of letting go of idealizations, and finding a new self beyond rigid societal constructs. ABOUT THE FILMMAKER Anna Gyimesi (b. 1985, Budapest) turned from medicine to filmmaking, graduating as a director from the University of Theater and Film Arts Budapest (2019) and Docnomads (2021). Her films explore taboo social issues focusing on motherhood, womanhood, and marginalization. These themes are already visible in her shorts “Affricate” and "Falling”, with the latter winning the Heart of Sarajevo (2023). She's also a doctoral researcher on fiction and documentary boundaries. Soft Hours is her debut feature. PRODUCER Barbara Janišová Feglová Barbara Janišová Feglová is a Slovak producer and founder of HITCHHIKER Cinema, a boutique company dedicated to auteur-driven films with strong social and political resonance. She has produced award-winning creative documentaries such as “A Hole in the Head”, “Lines”, and “Ms. President”. With a background in documentary cinema, she is now shifting her focus to fiction, championing bold, female-led storytelling. Her current slate includes “Soft Hours” by Anna Gyimesi, “This Room is Impossible to Eat" by Barbora Berezňáková, and the series “Child on Fire”. She also teaches at the Documentary Department of the Academy of Performing Arts in Bratislava. PRODUCTION COMPANY PROFILE ○ HITCHHIKER Cinema, Bratislava / Slovakia ○ +421 905 858 808 ○ boruska@hitchhikercinema.sk PRODUCTION BUDGET ○ Total budget: 1,110,000 USD ○ Confirmed budget and source: 30,000 USD (KULTMINOR, Slovakia) LANGUAGE Hungarian, Slovak, English GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The moving first session of our 12th edition has ended, after an exciting week with so many creative moments, with an inspiring masterclass with academy award winner Edward Berger who generously took us into his working process; A fascinating lecture about storytellers meeting AI given be Dr. Michal Ben David; A peaceful morning meditation by Ginger Castillo; and, of course, intensive work done each day with our amazing mentors. The first session, held online, was a meaningful and fruitful first week with our newest edition of the lab. We're already missing the participants! The moving first session of our 12th edition has ended, after an exciting week with so many creative moments, with an inspiring masterclass with academy award winner Edward Berger who generously took us into his working process; A fascinating lecture about storytellers meeting AI given be Dr. Michal Ben David; A peaceful morning meditation by Ginger Castillo; and, of course, intensive work done each day with our amazing mentors. The first session, held online, was a meaningful and fruitful first week with our newest edition of the lab. We're already missing the participants! The First Session of Edition 12 Concludes NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

Not Your Fault PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Bad Blood Add a Title Add a Title Send Send Osnat Saraga Producers: , Or Levy Berger Bad Blood Lab Edition 4 2025 PITCH LOGLINE Ellie swore she’d never go back to Haifa. But when her ex-bestie Zohar reopens the murder case that shook their senior year, Ellie has no choice but to play Watson in Zohar’s unofficial investigation—because if there’s one thing worse than returning home, it’s having her secret exposed: Ellie is the killer. SYNOPSIS WRITER'S STATEMENT PRODUCER'S STATEMENT LOOKING FOR Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Bad Blood PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Michal Vinik 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Michal Vinik 2012 Year of lab participation: 1 Lab edition: Country: Israel Producer: Amir Harel & Ayelet Kait Barash (Blush) Trying to escape her tumultuous home life, Naama, 17, indulges in alcohol and drugs, but everything changes when she meets a sexy, free-spirited new girl at school and the two become more than fast friends. Lab edition: San Sebastian Film Festival 2015 Haifa International Film Festival 2015 - Best Screenplay, Best Actor, Best Actress Warsaw Film Festival 2015 Karlovy Vary Film Festival 2016 Chéries-Chéris 2016 - Jury Prize Milan International Lesbian and Gay Film Festival 2016 - Best Film Grand Jury Award Synopsis 2015 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Good luck to the eight Israeli projects who are embarking on their journey to develop their scripts in the third edition of the Series Lab! Aleeza Chanowitz; Boaz Frankel; Tomer Shushan; Adi Adwan; Bar Cohen and Tohar Sherman-Friedman; Aurit Zamir and Shiri Nevo Fridental; Marc Grey and Nitai Gat; and Rita Borodiyanski. Out of 100 submissions these eight projects were selected to take part in the Series Lab and to work on the development of their series in the local and international market under the guidance of leading industry professionals including Noah Stollman; Keren Margalit; Ossi Nishri; Gal Zaid as well as former HBO drama head David Levine and producer Joe Peracchio. The Lab is generously supported by production company New Mandate Films, producer Gideon Tadmor, The Jerusalem Municipality and The Sam Spiegel Estate Good luck to the eight Israeli projects who are embarking on their journey to develop their scripts in the third edition of the Series Lab! Aleeza Chanowitz; Boaz Frankel; Tomer Shushan; Adi Adwan; Bar Cohen and Tohar Sherman-Friedman; Aurit Zamir and Shiri Nevo Fridental; Marc Grey and Nitai Gat; and Rita Borodiyanski. Out of 100 submissions these eight projects were selected to take part in the Series Lab and to work on the development of their series in the local and international market under the guidance of leading industry professionals including Noah Stollman; Keren Margalit; Ossi Nishri; Gal Zaid as well as former HBO drama head David Levine and producer Joe Peracchio. The Lab is generously supported by production company New Mandate Films, producer Gideon Tadmor, The Jerusalem Municipality and The Sam Spiegel Estate The Third Edition of the Series Lab Launches NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

Safe Harbor Safe Harbor Screenwriters: Yoav Roeh, Aurit Zamir Producer/s Yoav Roeh, Aurit Zamir , Gum Films Language: Hebrew Format: Send PITCHDECK LOGLINE After a Mossad mission results in a child's death, two agents must confront guilt, loyalty, and the question of whether to bring new life into a dangerous world. SYNOPSIS WRITER'S STATEMENT ABOUT THE WRITERS PRODUCER'S STATEMENT PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Yehonatan Indursky Yehonatan Indursky Director: 2013 Year of lab participation: 2 Lab edition: Israel Country: Osnat Handelsman-Keren & Talia Kleinhendler Producer: Driver A 'Driver' in the oltra orthodox community takes his daughter on his nightly journey, exposing her to the more questionable members of this pious society in the dark alleys of Bnei Barak they each find, even if for a short moment, their lost childhoods. Synopsis Israeli Film Academy Awards 2017 - Best Costume Design Nominee Festivals & Awards 2017 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Tsivia Barkai 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Tsivia Barkai 2012 Year of lab participation: 1 Lab edition: Country: Israel Producer: Ronen Ben-Tal Red Cow Red Cow is a coming-of-age film that takes place in the days leading up to the assassination of Rabin and depicts the life of Benny, 16, orphaned from mother at birth and the only child of Joshua - a religious, right-wing extremist, in those critical junctures when she is forming her sexual, religious and political awareness. Lab edition: Tallinn Black Nights Film Festival 2018 Transilvania International Film Festival 2018 Poitiers Film Festival 2018 Monte Carlo International Film Festival 2019 Romanian Union of Filmmakers 2019 - Best Screenplay Synopsis 2018 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS