Each year, a jury consisting of worldwide film professionals chooses the awarded projects that will win production and development grants. As Head of Film Fund and Funding Executive at the FFF Bayern since 2019, Judith Erber is responsible for feature film productions, international co-productions, distribution and sales. She graduated from Munich Filmschool HFF with a degree in Production and Media Management after several years in the film industry. She subsequently worked as producer and production consultant. From 2012 to 2019, she was part of the LfA team as a specialist in film funding and film financing before joining the FFF. Judith Erber has served on the IDM committee and as a jury member at the Vienna Business Agency, is a guest lecturer at the HFF and a board member of the Friends of the HFF Munich. Judith Erber Florian Weghorn is the Chief of Staff of the Berlinale and works closely with Tricia Tuttle and the team on the strategic development of the festival. He joined the Berlinale in 2002, initially starting at the Generation section. From 2008 to 2014, he was the section’s Co-Director and a curator of its around 60 short and feature films screened each year. Between 2012 and 2019, he was also a member of the Berlinale Competition selection committee. From 2014 to 2024, Florian served as the Programme Manager of Berlinale Talents and further expanded the talent development initiative into a year-round community with nowadays more than 10,000 alumni. Florian Weghorn Arash T. Riahi is an Austrian director, producer and dramatic advisor of Iranian origin. He co-founded Golden Girls Filmproduktion in 2007. Co-president of the Austrian Academy of Film. His body of work as a director and producer won more than 200 awards. His first fiction film 'For a Moment Freedom' was Austria's candidate for the Academy Awards in 2010. The last films as a producer were “How to be Normal” (Berlinale Perspectives 2025), “Perla” (Rotterdam Film Festival Tiger Competition 2025),“The Witness” (Winner of Venice Filmfestival, Orizzonti Extra 2024), “Eismayer" (2022, winner of Venice Critics week), "Born in Evin" (2020, Winner of Berlinale Documentary award), "Once upon a time in Venezuela" (2020 Sundance) and “Solo" (2019, Cannes Acid). Arash T. Riahi JURY 2025 HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

4 acclaimed script editors mentor the JSFL participants: Clare Downs, Jacques Akchoti, Thomas Hailer and Sari Azoulay Turgeman. One of Israel’s leading film and television writers. His feature films include “Someone to Run With” and “The Human Resource Manager”, that were featured in numerous international film festivals and won nine Israeli Academy Awards, including Best Film and Best Screenplay. Stollman’s work for television includes the 2009 original mystery series “Pillars of Smoke” which he co-created and wrote. The series became a cult hit in Israel. Noah was co-creator and executive producer of HBO’S 2019 drama “Our Boys” and was head writer for the third and fourth seasons of the Netflix action-drama hit series “Fauda”. Lately, Noah co-created and co-wrote the supernatural suspense drama “The Malevolent Bride”, an Israeli-US collaboration. Noah Stollman Graduate of Tel Aviv University majoring in Psychology and Cinematic Studies (script-writing track). From 2009-2016 she served as a development manager at July August Productions. Nishri worked as script editor for Israeli television series such as “Yellow Peppers” by Keren Margalit (that was made into a BBC series), “Sirens” by Shachar Magen, and “Sleeping Bears” by Keren Margalit. Nishri took part in Biennale College Cinema, TFL extend, EAVE and Torino Film Lab as script consultant. Nishri’s content company, Quiddity, served as associate producer for canal+ tv series “Possessions”, and for Hagai Levi’s series “Scenes from a Marriage” made for HBO. Ossi Nishri Keren Margalit is an award-winning screenwriter and director, and a leading Israeli television creator. A graduate of the Jerusalem Sam Spiegel Film School (1998), her graduation film won Best Script Award at the Munich Student Film Festival. Margalit’s 2002 debut film, All I’ve Got, was purchased by Paramount Pictures for remake. Her first series as director-writer, Yellow Peppers (2010) won the 2011 Israeli Television Academy Award and was purchased for remake in the UK (The A-Word). It was screened at the UN as part of autism awareness day in 2011. Sleeping Bears, her most recent series, premiered at the Berlinale 2018 to rave local and international reviews. Keren Margalit Gal Zaid is a creator, director and actor with over 20 years of experience in Israeli television. As head of scripted television at EndemolShine Israel, Zaid’s role is to develop fresh shows and unique talent into material with global appeal. Previously, Zaid was the head of drama both at Keshet and at Channel 10. He script-edited and starred in the world-renowned series, “Prisoners of War”, which was remade for Showtime as the Emmy Award winning international hit “Homeland”. He developed “Traffic Light”, the most successful comedy series in Israel to this day, which won an International Emmy Award for Best Comedy and was later sold to FOX. Gal Zaid MENTORS 2024 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PAST MENTORS Acclaimed creator and writer of several award-winning drama series and documentaries, including "The Girl from Oslo" for Netflix, the documentary series "Portrait", and Israel's most watched series "A Touch Away”. Weiss-Berkowitz is an experienced book editor, having worked closely with renowned Israeli authors. Weiss-Berkowitz is an active mentor in various programs, such as the Seriesmakers for international film directors transitioning to TV series; International series development workshop at HFF Munich; and the France-Israel residency for co-writing drama. She teaches TV writing at Tel Aviv University and SDSU California. Ronit Weiss-Berkowitz Best-selling Israeli crime writer, screenwriter, and literary scholar, specializing in the history of crime fiction, and head of the creative writing program in Tel Aviv University. His novels were translated into more than 20 languages and won numerous international prizes, including the prestigious Martin Beck award for best crime novel translated to Swedish, and Prix Mystere de la Critique in France. His first novel, “Black Tide” was adapted into film by French director Eric Zonca in 2018, and an eight-episodes TV drama based on his novels was made by Keshet Studios in Israel (“The Missing File”, 2019). In 2017, CBS produced “Wisdom of the Crowd”, an American crime drama based on an original idea by Mishani, who served as executive producer for the show. Dror Mishani Levin is an award-winning director and screenwriter who has worked on numerous TV shows, including the hit Israeli series, In Treatment, that sold to HBO, for which she won two Israeli TV Academy Awards. She wrote and directed the TV drama Three Fingers, nominated for Best TV Drama and she co-created Euphoria which was made into a hit by HBO. Daphna Levin

4 acclaimed script editors mentor the JSFL participants: Clare Downs, Jacques Akchoti, Thomas Hailer and Sari Azoulay Turgeman. Managing Director, ARD Degeto Film GmbH Thomas Schreiber ARD Degeto Film GmbH Producer, Haut et Court Clarence de Fontenay Haut et Court Producer, Netflix Kane Sultan Netflix JURY 2025 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

4 acclaimed script editors mentor the JSFL participants: Clare Downs, Jacques Akchoti, Thomas Hailer and Sari Azoulay Turgeman. Founding member of the script analysis team of the Creative Europe Producer Training Programme, EAVE, Clare has been with the JSFL since its inception in 2011 and in that context she mentored JSFL films such as The Kindergarten Teacher (Critics Week, Cannes 2014); The Accused (Venice, Toronto 2018); Murina (Camera d’Or, Directors’ Fortnight 2021); Cinema Sabaya (Israel’s Oscar submission 2022). She was Director of the Association of Independent Producers (1978-1980); Director of International Creative Affairs for The Ladd Company (1981-83); Producer of award-winning films - The Dress (1985) BAFTA best short; the feature High Season (1987) San Sebastian, Best Screenplay. A much sought-after consultant to various film funds and many international script workshops. Clare Downs UK Screenwriter and script consultant, Jacques has been an integral part of the Sam Spiegel International Film Lab since its inception in 2011. A graduate of NYU, he has worked with directors such as Bresson and Von Trier. He was involved with the development of award-winning films, many of which premiered at Cannes: A Screaming Man (Jury Prize, 2010 Cannes); Girls of the Sun (Cannes 2018); Raw (Cannes Critics Week 2016). A teacher of writing and directing at La Femis since 1988, Jacques has facilitated many international screenwriting and development workshops. Jacques Akchoti France Thomas Hailer is the Artistic Director of the Nordic Film Days, Lübeck. From 2008 to 2019 he was responsible for the program of the International Competition as Berlinale curator alongside the festival director. He has been working as a dramaturg and script consultant since 1995. As a freelance dramaturg, he supervised, among others, the film adaptation of A.S. Neill‘s classic children‘s book The Green Cloud as well as Bernd Sahling‘s German Film Award-winning feature film The Duds. His current projects include script consulting for Barbara Kronenberg‘s directorial debut Mission Ulja Funk which premiered at the Berlinale 2021. Thomas Hailer Germany Sari Azoulay Turgeman is a director, screenwriter and script doctor, born in Cannes, France. Her first feature film “Wait For Me״ had its world premiere in competition 1-2, at the 2022 Warsaw Film Festival. It won the Best International Film prize at the Colluseum International Film Festival, and at the Film Festival One Country One Film. In 2008, she founded her own company for script consulting services (Scriptlight.com) and developed her own screenwriting method, which she teaches in professional workshops and masterclasses. Sari works as an artistic consultant for the Israeli Film Funds and as a mentor in workshops worldwide. She developed, script edited and screen wrote series such as Fauda (seasons 2, 3 4, 5) . She script edited the films “The Cousin” and “The Testimony”, which both took part in the Venice film festival and more. Lately she began work on her next feature film. Sari Azoulay Turgeman Israel MENTORS 2024 PITCH TRAINER In 2012, after more than 20 years in distribution, Dominique Welinski founded DW, a production and consulting company. Since then, she curates and produces the Factory program at Director’s Fortnight in Cannes. She has produced or co-produced among others: Sanjeewa Pushpakumara Burning Birds; Alireza Khatami’s Oblivion Verses; Midi Z Road to Mandalay; John Tengrove The Wound; Suba Sivakumaran House of My Fathers and Yona Rozenkier The Dive and The Road to Eilat. DW is currently developing films in Sri Lanka, Israel, India and Greece. The pitch training is in courtesy of the Shuster Polakoff foundation. Dominique Welinski France PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS GUEST Omri Marcus is an experienced content creator and creative director who specializes in harnessing the powers of groundbreaking technology. Tasked with leading Gitam-BBDO, the largest media conglomerate in Israel, into the era of artificial intelligence, Omri manages multifaceted projects that span creativity, technology, business, and strategy. Following the events of October 7th, Omri was also tasked with overseeing the company's Creative War Room, producing a wide array of videos and images aimed at conveying Israel's perspective to specific audiences. Marcus has extensive experience in all aspects of content creation, from developing a popular dating show in China, through creating innovative mobile apps in India to leading a successful political campaign in Israel. With over 20 years of experience generating award-winning content worldwide, Omri thrives on driving new ideas from concept to launch and seeing them through high growth to meet business objectives. During his time in a multi-year development contract with Red-Arrow Entertainment and in his work as creative director at companies such as Viacom and Screenz, Omri delivered content that pushed boundaries while still meeting audience engagement, retention, and market share KPIs. As a comedy writer, Omri has earned three Israeli TV Academy awards for his work as part of the writing staff of "Eretz Nehederet" (What a Wonderful Country), one of Israel's most successful comedy shows. Omri is the founder of Comedy for a Change - an international community of comedy writers dedicated to leveraging the power of comedy for driving social change. He also received a distinguished grant from Europe’s Format Academy for Entertainment, Television & New Media (EMC), an accolade reserved for those shaping the future of media. Omri also contributes to various publications, sharing his insights on technology, content, and contemporary issues. Omri Marcus Craig Emanuel is practicing as an attorney for more than 40 years. Most recently Craig was a partner in Paul Hastings’s Century City office and was previously the chair of the Firm’s Global Entertainment and Media Group. Starting in November 2023, Craig is currently working full time with his client of nearly 30 years, Ryan Murphy ("Nip/Tuck", "Eat, Pray, Love"). Regularly named among the most influential in Hollywood, Craig has been recognized in The Hollywood Reporter’s “Power Lawyers Top 100” list and Variety’s “Dealmakers Impact Report” and “Variety500” list, among other leading publications. He is ranked in Chambers USA in Media & Entertainment, where clients appreciate his “‘great sense of the business and what's happening in the industry’” . Craig Emanuel

4 acclaimed script editors mentor the JSFL participants: Clare Downs, Jacques Akchoti, Thomas Hailer and Sari Azoulay Turgeman. Denis Leroy Born in Lebanon, Denis Leroy lived in several European countries before moving to France to pursue a Marketing degree at ESC Toulouse (TBS) and then Film Studies at the Sorbonne Nouvelle (Paris 3). His career spanned various production roles, from production management of documentaries to English-language series and co-productions (Alliance Films - Canada), HIT (UK), and Gaumont TV, where he became Head of TV Production and Executive Producer until 2001. He then joined Warner Bros. TV as VP European Production based at its European headquarters in London. There, he oversaw the development of Scripted formats from the Warner Bros. catalog, including adaptations of lead titles from Jerry Bruckheimer Television, and served as production executive for WB TV (outside North America), including pilot productions. He joined the Banijay Group, now the leading European based Studio, in 2017. He is currently Senior Director of the Group's Central Scripted Team, led by J.Jensen and Matthews and Director of Scripted Formats & Literary Rights. Banijay's Central Scripted Team works to facilitate the development of scripted series and the circulation of projects and intellectual property across 60 fiction labels. Present in 22 territories, Banijay producers delivered more than 110 titles and series / year on average in 2024. Joe Peracchio Producer and screenwriter Joe Peracchio has written for Deception and The Flash. He was a writer and actor for the Emmy nominated Fences on PBS for two seasons and has worked as a writer and producer on over 60 episodes of primetime network TV. He currently serves as Consulting Producer on several drama series in development with Netflix International. Joe is a professor of TV drama writing and screenwriting at USC. Elad Sonego Elad Sonego, Senior Vice President at Paramount and Chief Creative Officer of Paramount’s Tel-Aviv based Ananey Studios. Also a lecturer and studio instructor at the Design Faculties of Shenkar College and the Holon Technological Institute. A Veteran of the Israeli Music Industry, and Veteran of the IDF, Gay, an Activist and a father of two twin boys. Elad specializes in bringing the best of Israeli storytelling to broadcasters and streamers from all around the world, including Paramount+, HBO Max, Netflix, Nickelodeon and others. His unique aesthetic approach and global networking skills has brought together many partnerships that made shows happen. Elad has been and still is working closely with Israel’s most successful and prominent writers. Among them: Noah Stollman, Dafna Levin, Ron Leshem, Amir Mann, Giora Chamizer, Omer Goldman, Shachar Magen and others. Also working on documentaries by Israel’s leading directors. Among them: Iris Zaki, Yossi Bloch, Paz Swartz, Ari Pines and more. Merav Shacham Merav Shacham is a Designer, animator, and director who owns a studio specializing in design and animation for television, screen, and music. She teaches courses in Motion design at the Visual Communication Department at Shenkar College of Engineering, Design and Art. In 2021, she completed a Master's program in Visual Communication M.Des at the Bezalel Academy of Arts and Design in Jerusalem. PROFESSIONAL GUESTS 2025 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Each year, a jury consisting of worldwide film professionals chooses the awarded projects that will win production and development grants. PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS As Head of Film Fund and Funding Executive at the FFF Bayern since 2019, Judith Erber is responsible for feature film productions, international co-productions, distribution and sales. She graduated from Munich Filmschool HFF with a degree in Production and Media Management after several years in the film industry. She subsequently worked as producer and production consultant. From 2012 to 2019, she was part of the LfA team as a specialist in film funding and film financing before joining the FFF. Judith Erber has served on the IDM committee and as a jury member at the Vienna Business Agency, is a guest lecturer at the HFF and a board member of the Friends of the HFF Munich. Judith Erber Florian Weghorn is the Chief of Staff of the Berlinale and works closely with Tricia Tuttle and the team on the strategic development of the festival. He joined the Berlinale in 2002, initially starting at the Generation section. From 2008 to 2014, he was the section’s Co-Director and a curator of its around 60 short and feature films screened each year. Between 2012 and 2019, he was also a member of the Berlinale Competition selection committee. From 2014 to 2024, Florian served as the Programme Manager of Berlinale Talents and further expanded the talent development initiative into a year-round community with nowadays more than 10,000 alumni. Florian Weghorn Arash T. Riahi is an Austrian director, producer and dramatic advisor of Iranian origin. He co-founded Golden Girls Filmproduktion in 2007. Co-president of the Austrian Academy of Film. His body of work as a director and producer won more than 200 awards. His first fiction film 'For a Moment Freedom' was Austria's candidate for the Academy Awards in 2010. The last films as a producer were “How to be Normal” (Berlinale Perspectives 2025), “Perla” (Rotterdam Film Festival Tiger Competition 2025),“The Witness” (Winner of Venice Filmfestival, Orizzonti Extra 2024), “Eismayer" (2022, winner of Venice Critics week), "Born in Evin" (2020, Winner of Berlinale Documentary award), "Once upon a time in Venezuela" (2020 Sundance) and “Solo" (2019, Cannes Acid). Arash T. Riahi JURY 2025

Holy Socks PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

LOAD MORE עותק של IMG_8304.jpg עותק של IMG_7567.jpg עותק של IMG_7647.jpg 18.03_PHOTOCALL_RESIDENCES_ALEXANDRE_MAROUZE__6100251_HD.jpg 348276032_1012398803315497_8525382273717154949_n.jpg עותק של עותק של delouyarafi 15.09 (315).JPG 348346966_1012396256649085_3930009691120342676_n.jpg WhatsApp Image 2023-09-04 at 14.35.11 (2).jpeg עותק של עותק של delouyarafi 15.09 (245).JPG עותק של עותק של IMG_4446.jpg עותק של עותק של IMG_4561.jpg עותק של IMG_8304.jpg עותק של IMG_7567.jpg עותק של IMG_7647.jpg 18.03_PHOTOCALL_RESIDENCES_ALEXANDRE_MAROUZE__6100251_HD.jpg 348276032_1012398803315497_8525382273717154949_n.jpg עותק של עותק של delouyarafi 15.09 (315).JPG 348346966_1012396256649085_3930009691120342676_n.jpg WhatsApp Image 2023-09-04 at 14.35.11 (2).jpeg עותק של עותק של delouyarafi 15.09 (245).JPG עותק של עותק של IMG_4446.jpg עותק של עותק של IMG_4561.jpg Select Name of project Select Screenwriter Select Lab # Or Levy Berger Screenwriter : Production company: Paramount Israel (Ananey Studios) Osnat Saraga Production: Ellie swore she’d never return to her hometown. But when her ex-bestie reopens the murder case that shattered their lives, she has to join the investigation. Because after all, Ellie is the killer. READ MORE PITCH DECK Bad Blood Lab edition 4 Ori Ravid, Amir Lin, Gal Lin Screenwriter : Production company: Abot Hameiri Barkai Dikla Barkai Production: 4 soldiers—3 men and a woman—face the impossible surrealism of the Gaza war. READ MORE PITCH DECK Borderlines Lab edition 4 Feigi Kozlovski, Ron Ninio Screenwriter : Production company: Daroma Productions Hagai Arad, Aharon Peer, Elad Peleg Production: A Hasidic woman, carrying a dark secret, and a stubborn secular kibbutznik, form an unlikely partnership to create the perfect pantyhose, unraveling the threads holding their worlds together. READ MORE PITCH DECK Holy Socks Lab edition 4 Sharon Bar Ziv Screenwriter : Production company: Transfax Productions Marek Rozenbaum Production: An ultra-orthodox detective, is sent by his rabbi to solve a crime far beyond his reach - only to discover it is part of a much larger conspiracy that threatens his community and his life. READ MORE PITCH DECK Kimerling Lab edition 4 Sharon Maymon, Erez Tadmor Screenwriter : Production company: United Channels Movies (UCM) Chilik Michaeli Production: Four women from a run-down suburb rebel against sexism and the dictatorship of thinness, by forming a women’s sumo team, rocking their conservative town and redefining love and self-worth. READ MORE PITCH DECK Plus Size Lab edition 4 Asaf Saban, Yoav Roeh Screenwriter : Production company: Gum Films Yoav Roeh, Aurit Zamir Production: Two Mossad agents pose as a married couple seeking to foster a nine-year-old Lebanese boy. The child is their gateway to recruit his mother; a woman deeply embedded in Hezbollah's organization. READ MORE PITCH DECK Safe Harbor Lab edition 4 Merav Haddad Screenwriter : Production company: Tedy Productions Liat Revaya Production: Only two things stand between Bat-Or and her new life: God, and her father. One of them has to die and it won't be God. READ MORE PITCH DECK Shtukit Lab edition 4 Hillel Rate Screenwriter : Production company: Great Productions Einat Zilber-Damari Production: After losing custody of her son, Ivriya infiltrates a religious settlement to expose the men who framed her mother for deadly arson, forcing her to break the cycle of violence-or she loses him forever. READ MORE PITCH DECK Terra Nullius Lab edition 4 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Holy Socks PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Holy Socks Holy Socks Screenwriters: Hagai Arad, Aharon Peer, Elad Peleg Producer/s Hagai Arad, Aharon Peer, Elad Peleg , Daroma Productions Language: Hebrew, Yiddish Format: 8 Episodes x 30 Minutes Genre Drama, Comedy Send PITCHDECK LOGLINE A Hasidic woman, carrying a dark secret, and a stubborn secular kibbutznik, form an unlikely partnership to create the perfect pantyhose, unraveling the threads holding their worlds together. SYNOPSIS Holy Socks follows Shprintze (30), a Hasidic woman from Jerusalem, and Edna (65), a secular Kibbutznik from northern Israel -- two women from communities where collective principles outweigh individual needs, yet worlds apart in religion and culture. Shprintze carries an unresolved childhood trauma -- sexual abuse silenced by her community -- buried beneath an obsession with the runs in her pantyhose. When a disastrous job interview ends with yet another ruined pair of premium stockings, she travels to the kibbutz that manufactured them, where she meets Edna, a stubborn retiree who once managed the kibbutz hosiery factory. Despite their explosive first encounter, a bond forms. To her husband Shimshon's horror, they embark on a joint mission to create the perfect pantyhose that will never tear. Against a backdrop of barking dogs and flying falafel balls, they navigate family opposition and institutional obstacles. As their startup advances, Shprintze's buried trauma resurfaces. She reveals her secret to Edna, deepening their bond into a soul friendship. Together they produce a prototype, file a patent, and secure funding. But when they travel to Sri Lanka for manufacturing, money runs out and their conflicting natures ignite battles over control. Edna abandons the project in fury. Shimshon seizes the opportunity to distance Shprintze from Edna, arranging new funding. Shprintze launches the Golden Pantyhose alone to meteoric success -- until she discovers the truth behind the money. The revelation detonates her marriage in ways neither expected. Until Edna knocks on Shprintze's door. Because the triple-threaded pantyhose will never be torn apart. Told in a dark comedic Jerusalemite tone with pure sarcasm, the series has no reasonable logic -- but it has a vision to fix the world. And that's what matters. WRITER'S STATEMENT There is a well-known conflict between the world of religion and science: how many years has the world existed? On the other hand, there is broad consensus that since the dawn of time, this planet has been ruled by men who shape the world to their liking. If you survey the map of figures ruling the political and economic world, you can make a sweeping statement: if you are a man, white and rich, you can be infantile, talk nonsense at the level of a three-year-old, and still be seen as a genius. I am an ultra-Orthodox creator, COVID-fired, ambitious and strange, who went to study screenwriting at a relatively late age. I don't think in political correctness -- I filter my thoughts through a filter as thick as 70-denier pantyhose. Why? Because I am a woman, and I know that a woman is expected to be nice and keep quiet. A Haredi woman is expected to be holy and modest. I have felt since childhood that the expectation is for me to accept having no representation in the public sphere. I walk on eggshells so my children will have schools and matchmaking proposals -- and above all, not to annoy the zealots near my husband's business in Haredi Geula. To voice my opinion, which refuses to remain as voices in my head, I wrote the story of Shprintze and her imaginary friends. I am skeptical, but she is more obsessive than me and endlessly convinces me that one day she will fix the world. Intact stockings are a product we all need, much like a story with dark Jewish humor. I believe in this story and its ability to touch the delicate heartstrings of all of us -- and truly change worlds. ABOUT THE WRITERS Faigy Kozlovsky is an ultra-Orthodox screenwriter and graduate of the Ma'aleh School of Film in Jerusalem. In 2024, she directed her first short film, Tamar, as part of the "A Kitser" incubator for ultra-Orthodox women creators. The film screened at the Jerusalem Women's Film Festival and subsequently at the UK Jewish Film Festival. Additionally, the film is shown at ultra-Orthodox women's screening events that Faigy produces independently. Currently, Faigy serves as a Script Reader for one of Israel's film funds, while dedicating her time to developing and writing various film projects that have gained recognition from multiple Israeli funds—most notably the series Holy Socks, which she first conceived during her studies. Alongside the series development, Faigy is writing a personal book and delivers lectures and workshops on meaning and self-motivation. Faigy is the sixth of ten children, married, mother of four sons, and a grandmother. Ron Ninio is an award-winning Israeli director and showrunner. He co-created and directed Your Honor (2 seasons), winner of the Grand Prix at Series Mania and the world's most successful scripted format since 2020, remade in over 12 countries including the U.S. (Showtime), Germany, France, India, and South Korea. Other series include Arab Labour (Best Drama, Haifa and Jerusalem Film Festivals), A Touch Away (Israeli Academy Award, Best Drama Series and Best Director), and Catching the Sky (Ophir Award winner). His latest feature Farewell Column premiered at Warsaw Film Festival 2024. PRODUCER'S STATEMENT At Daroma Productions, we have built our reputation on giving voice to unheard stories and bringing Israel's peripheral communities to the center of the screen. Holy Socks represents exactly the kind of bold, original storytelling that has defined our mission since 2010. This project draws on themes we have explored across our filmography of over 40 films -- the tension between individual desire and collective pressure, the collision of different Israeli worlds, and the power of dark humor to illuminate serious social issues. From A Whore Like Me (Ophir Award winner) which tackled human trafficking, to This City (Warsaw IFF, Chelsea Film Festival triple winner) which reimagined Israeli urban culture through hip-hop noir, we have consistently proven that challenging content can find both critical acclaim and wide audiences. Holy Socks has the potential to be a breakout international series. The satirical comedy wrapped around a trauma narrative speaks a universal language -- the struggle for self-expression against oppressive systems exists in every culture. The unique Israeli setting, combining ultra-Orthodox Jerusalem with Kibbutz life, offers international audiences a fresh, visually rich world they have not seen before. We envision the series as an 8-episode series, each 30 minutes, perfectly suited for premium platform distribution. The dark comedy tone places it alongside internationally successful shows that balance humor with social commentary. With our extensive experience in international co-productions -- currently developing projects with partners in India, France, Germany, and the USA -- we are well positioned to bring Holy Socks to a global audience while maintaining the authentic Israeli voice that makes it special. We are seeking co-production partners, broadcasters, and platforms who share our passion for distinctive, character-driven storytelling that challenges conventions while entertaining audiences worldwide. PRODUCER PROFILE Founded in 2010, Daroma Productions is an award-winning Israeli company with over 40 productions -- features, documentaries, and series -- premiering at Berlinale, Busan, Tallinn, Warsaw, and DOC NYC, earning multiple Ophir Awards (Israel's Oscar equivalent). Daroma's series work includes Don't Care to Share (2021), an 8-episode web series that won Best Web Series at NYFA, Paris Play, and Black Swan festivals, with a nomination at the Indie Series Awards in Los Angeles. The company is developing a strong series slate: Holy Socks, a satirical dark comedy; Roots in Sand, a 6-part Bedouin crime drama; and Spies R Us, an international action-comedy. With co-production experience spanning India, France, Germany, and Portugal, Daroma is positioned to bring distinctive Israeli stories to global audiences through series partnerships. PRODUCTION CONTACT DETAILS va.elad@gmail.com Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Holy Socks Add a Title Add a Title Send Send Hagai Arad, Aharon Peer, Elad Peleg Producers: Ron Ninio , Feigi Kozlovski Holy Socks Lab Edition 4 2025 PITCH LOGLINE A Hasidic woman, carrying a dark secret, and a stubborn secular kibbutznik, form an unlikely partnership to create the perfect pantyhose, unraveling the threads holding their worlds together. SYNOPSIS Holy Socks follows Shprintze (30), a Hasidic woman from Jerusalem, and Edna (65), a secular Kibbutznik from northern Israel -- two women from communities where collective principles outweigh individual needs, yet worlds apart in religion and culture. Shprintze carries an unresolved childhood trauma -- sexual abuse silenced by her community -- buried beneath an obsession with the runs in her pantyhose. When a disastrous job interview ends with yet another ruined pair of premium stockings, she travels to the kibbutz that manufactured them, where she meets Edna, a stubborn retiree who once managed the kibbutz hosiery factory. Despite their explosive first encounter, a bond forms. To her husband Shimshon's horror, they embark on a joint mission to create the perfect pantyhose that will never tear. Against a backdrop of barking dogs and flying falafel balls, they navigate family opposition and institutional obstacles. As their startup advances, Shprintze's buried trauma resurfaces. She reveals her secret to Edna, deepening their bond into a soul friendship. Together they produce a prototype, file a patent, and secure funding. But when they travel to Sri Lanka for manufacturing, money runs out and their conflicting natures ignite battles over control. Edna abandons the project in fury. Shimshon seizes the opportunity to distance Shprintze from Edna, arranging new funding. Shprintze launches the Golden Pantyhose alone to meteoric success -- until she discovers the truth behind the money. The revelation detonates her marriage in ways neither expected. Until Edna knocks on Shprintze's door. Because the triple-threaded pantyhose will never be torn apart. Told in a dark comedic Jerusalemite tone with pure sarcasm, the series has no reasonable logic -- but it has a vision to fix the world. And that's what matters. WRITER'S STATEMENT There is a well-known conflict between the world of religion and science: how many years has the world existed? On the other hand, there is broad consensus that since the dawn of time, this planet has been ruled by men who shape the world to their liking. If you survey the map of figures ruling the political and economic world, you can make a sweeping statement: if you are a man, white and rich, you can be infantile, talk nonsense at the level of a three-year-old, and still be seen as a genius. I am an ultra-Orthodox creator, COVID-fired, ambitious and strange, who went to study screenwriting at a relatively late age. I don't think in political correctness -- I filter my thoughts through a filter as thick as 70-denier pantyhose. Why? Because I am a woman, and I know that a woman is expected to be nice and keep quiet. A Haredi woman is expected to be holy and modest. I have felt since childhood that the expectation is for me to accept having no representation in the public sphere. I walk on eggshells so my children will have schools and matchmaking proposals -- and above all, not to annoy the zealots near my husband's business in Haredi Geula. To voice my opinion, which refuses to remain as voices in my head, I wrote the story of Shprintze and her imaginary friends. I am skeptical, but she is more obsessive than me and endlessly convinces me that one day she will fix the world. Intact stockings are a product we all need, much like a story with dark Jewish humor. I believe in this story and its ability to touch the delicate heartstrings of all of us -- and truly change worlds. PRODUCER'S STATEMENT At Daroma Productions, we have built our reputation on giving voice to unheard stories and bringing Israel's peripheral communities to the center of the screen. Holy Socks represents exactly the kind of bold, original storytelling that has defined our mission since 2010. This project draws on themes we have explored across our filmography of over 40 films -- the tension between individual desire and collective pressure, the collision of different Israeli worlds, and the power of dark humor to illuminate serious social issues. From A Whore Like Me (Ophir Award winner) which tackled human trafficking, to This City (Warsaw IFF, Chelsea Film Festival triple winner) which reimagined Israeli urban culture through hip-hop noir, we have consistently proven that challenging content can find both critical acclaim and wide audiences. Holy Socks has the potential to be a breakout international series. The satirical comedy wrapped around a trauma narrative speaks a universal language -- the struggle for self-expression against oppressive systems exists in every culture. The unique Israeli setting, combining ultra-Orthodox Jerusalem with Kibbutz life, offers international audiences a fresh, visually rich world they have not seen before. We envision the series as an 8-episode series, each 30 minutes, perfectly suited for premium platform distribution. The dark comedy tone places it alongside internationally successful shows that balance humor with social commentary. With our extensive experience in international co-productions -- currently developing projects with partners in India, France, Germany, and the USA -- we are well positioned to bring Holy Socks to a global audience while maintaining the authentic Israeli voice that makes it special. We are seeking co-production partners, broadcasters, and platforms who share our passion for distinctive, character-driven storytelling that challenges conventions while entertaining audiences worldwide. LOOKING FOR International Distributors, Sales Agents, Co-producers, Broadcasters, Platforms Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Holy Socks Holy Socks Screenwriters: Feigi Kozlovski, Ron Ninio Producer: Hagai Arad, Aharon Peer, Elad Peleg , Daroma Productions Language: Hebrew, Yiddish Format: 8 Episodes x 30 Minutes Send PITCHDECK LOGLINE A Hasidic woman, carrying a dark secret, and a stubborn secular kibbutznik, form an unlikely partnership to create the perfect pantyhose, unraveling the threads holding their worlds together. SYNOPSIS Holy Socks follows Shprintze (30), a Hasidic woman from Jerusalem, and Edna (65), a secular Kibbutznik from northern Israel -- two women from communities where collective principles outweigh individual needs, yet worlds apart in religion and culture. Shprintze carries an unresolved childhood trauma -- sexual abuse silenced by her community -- buried beneath an obsession with the runs in her pantyhose. When a disastrous job interview ends with yet another ruined pair of premium stockings, she travels to the kibbutz that manufactured them, where she meets Edna, a stubborn retiree who once managed the kibbutz hosiery factory. Despite their explosive first encounter, a bond forms. To her husband Shimshon's horror, they embark on a joint mission to create the perfect pantyhose that will never tear. Against a backdrop of barking dogs and flying falafel balls, they navigate family opposition and institutional obstacles. As their startup advances, Shprintze's buried trauma resurfaces. She reveals her secret to Edna, deepening their bond into a soul friendship. Together they produce a prototype, file a patent, and secure funding. But when they travel to Sri Lanka for manufacturing, money runs out and their conflicting natures ignite battles over control. Edna abandons the project in fury. Shimshon seizes the opportunity to distance Shprintze from Edna, arranging new funding. Shprintze launches the Golden Pantyhose alone to meteoric success -- until she discovers the truth behind the money. The revelation detonates her marriage in ways neither expected. Until Edna knocks on Shprintze's door. Because the triple-threaded pantyhose will never be torn apart. Told in a dark comedic Jerusalemite tone with pure sarcasm, the series has no reasonable logic -- but it has a vision to fix the world. And that's what matters. WRITER'S STATEMENT There is a well-known conflict between the world of religion and science: how many years has the world existed? On the other hand, there is broad consensus that since the dawn of time, this planet has been ruled by men who shape the world to their liking. If you survey the map of figures ruling the political and economic world, you can make a sweeping statement: if you are a man, white and rich, you can be infantile, talk nonsense at the level of a three-year-old, and still be seen as a genius. I am an ultra-Orthodox creator, COVID-fired, ambitious and strange, who went to study screenwriting at a relatively late age. I don't think in political correctness -- I filter my thoughts through a filter as thick as 70-denier pantyhose. Why? Because I am a woman, and I know that a woman is expected to be nice and keep quiet. A Haredi woman is expected to be holy and modest. I have felt since childhood that the expectation is for me to accept having no representation in the public sphere. I walk on eggshells so my children will have schools and matchmaking proposals -- and above all, not to annoy the zealots near my husband's business in Haredi Geula. To voice my opinion, which refuses to remain as voices in my head, I wrote the story of Shprintze and her imaginary friends. I am skeptical, but she is more obsessive than me and endlessly convinces me that one day she will fix the world. Intact stockings are a product we all need, much like a story with dark Jewish humor. I believe in this story and its ability to touch the delicate heartstrings of all of us -- and truly change worlds. ABOUT THE WRITERS Faigy Kozlovsky is an ultra-Orthodox screenwriter and graduate of the Ma'aleh School of Film in Jerusalem. In 2024, she directed her first short film, Tamar, as part of the "A Kitser" incubator for ultra-Orthodox women creators. The film screened at the Jerusalem Women's Film Festival and subsequently at the UK Jewish Film Festival. Additionally, the film is shown at ultra-Orthodox women's screening events that Faigy produces independently. Currently, Faigy serves as a Script Reader for one of Israel's film funds, while dedicating her time to developing and writing various film projects that have gained recognition from multiple Israeli funds—most notably the series Holy Socks, which she first conceived during her studies. Alongside the series development, Faigy is writing a personal book and delivers lectures and workshops on meaning and self-motivation. Faigy is the sixth of ten children, married, mother of four sons, and a grandmother. Ron Ninio is an award-winning Israeli director and showrunner. He co-created and directed Your Honor (2 seasons), winner of the Grand Prix at Series Mania and the world's most successful scripted format since 2020, remade in over 12 countries including the U.S. (Showtime), Germany, France, India, and South Korea. Other series include Arab Labour (Best Drama, Haifa and Jerusalem Film Festivals), A Touch Away (Israeli Academy Award, Best Drama Series and Best Director), and Catching the Sky (Ophir Award winner). His latest feature Farewell Column premiered at Warsaw Film Festival 2024. PRODUCER'S STATEMENT At Daroma Productions, we have built our reputation on giving voice to unheard stories and bringing Israel's peripheral communities to the center of the screen. Holy Socks represents exactly the kind of bold, original storytelling that has defined our mission since 2010. This project draws on themes we have explored across our filmography of over 40 films -- the tension between individual desire and collective pressure, the collision of different Israeli worlds, and the power of dark humor to illuminate serious social issues. From A Whore Like Me (Ophir Award winner) which tackled human trafficking, to This City (Warsaw IFF, Chelsea Film Festival triple winner) which reimagined Israeli urban culture through hip-hop noir, we have consistently proven that challenging content can find both critical acclaim and wide audiences. Holy Socks has the potential to be a breakout international series. The satirical comedy wrapped around a trauma narrative speaks a universal language -- the struggle for self-expression against oppressive systems exists in every culture. The unique Israeli setting, combining ultra-Orthodox Jerusalem with Kibbutz life, offers international audiences a fresh, visually rich world they have not seen before. We envision the series as an 8-episode series, each 30 minutes, perfectly suited for premium platform distribution. The dark comedy tone places it alongside internationally successful shows that balance humor with social commentary. With our extensive experience in international co-productions -- currently developing projects with partners in India, France, Germany, and the USA -- we are well positioned to bring Holy Socks to a global audience while maintaining the authentic Israeli voice that makes it special. We are seeking co-production partners, broadcasters, and platforms who share our passion for distinctive, character-driven storytelling that challenges conventions while entertaining audiences worldwide. PRODUCER PROFILE Founded in 2010, Daroma Productions is an award-winning Israeli company with over 40 productions -- features, documentaries, and series -- premiering at Berlinale, Busan, Tallinn, Warsaw, and DOC NYC, earning multiple Ophir Awards (Israel's Oscar equivalent). Daroma's series work includes Don't Care to Share (2021), an 8-episode web series that won Best Web Series at NYFA, Paris Play, and Black Swan festivals, with a nomination at the Indie Series Awards in Los Angeles. The company is developing a strong series slate: Holy Socks, a satirical dark comedy; Roots in Sand, a 6-part Bedouin crime drama; and Spies R Us, an international action-comedy. With co-production experience spanning India, France, Germany, and Portugal, Daroma is positioned to bring distinctive Israeli stories to global audiences through series partnerships. PRODUCTION CONTACT DETAILS va.elad@gmail.com Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM