Laszlo Csuja & Anna Nemes Laszlo Csuja, Anna Nemes Director: 2019 Year of lab participation: 8 Lab edition: Hungary Country: Andras Muhi Producer: Gentle Edina, a female bodybuilder is ready to sacrifice everything for the dream she shares with her life partner and trainer Adam: to win the Miss Olympia. The odd love she finds on her way makes her see the difference between her dreams and her true self. Synopsis Sundance Film Festival 2022 Cleveland International Film Festival 2022 Brussels International Film Festival 2022 - Special Mention Sydney Film Festival 2022 Jerusalem Film Festival 2022 Raindance Film Festival 2022 - Best Debut Feature Dunav Film Fest 2022 - Best Director Festivals & Awards 2022 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Shuchi Talati Shuchi Talati Director: 2021 Year of lab participation: 9 Lab edition: India Country: Sanjay Gulati Producer: Girls Will Be Girls Follows the journey of 16 year old Mira, whose sexy, rebellious coming of age is disrupted by her young mother who never got to come of age herself. Synopsis Sundance Film Festival 2024 - Audience Award for World Cinema Dramatic, Special Jury Award for Acting Goteborg Film Festival 2024 South by Southwest Film Festival 2024 Sofia International Film Festival 2024 - Best Director Cleveland International Film Festival 2024 Minneapolis St. Paul International Film Festival 2024 - Emerging Filmmaker Award Miami Film Festival 2024 Seattle International Film Festival 2024 Karlovy Vary International Film Festival 2024 Nashville Film Festival 2024 Thessaloniki International Film Festival 2024 Festivals & Awards 2024 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Territory X Territory X Screenwriters: Ayelet Kait and Amir Harel Producer/s Ayelet Kait and Amir Harel , Lama Films Language: Hebrew Format: Send PITCHDECK LOGLINE A family drama about married LGBT Palestinians in East Jerusalem and their families, that focuses on Hussam, a gay, Muslim, Palestinian lawyer, a married father of two, who are all in the process of becoming naturalized Israeli citizens, decides along with his wife, to have the secret male lover he’s kept hidden from everyone, move in with them. SYNOPSIS The series takes place in the Beit Hanina neighborhood of East Jerusalem that borders Bethlehem to the south and Ramallah to the north. The neighborhood’s streets still aren’t considered Israeli territory. With large unpaved areas and public spaces, and unnumbered homes that don’t appear on the map, the Israeli bulldozers start entering the neighborhood and constructing buildings, erecting signs and opening schools that belong to the Israeli ministry of education. All of this takes place while families and homes are being evicted in order to make way for the new construction plan or having been bought out by Jewish settlers and right-wing organizations. The show focuses on a middle-class Palestinian family that’s at an important crossroads in its life – gaining their Israeli citizenship – when an unexpected drama occurs and catches them unprepared. The show’s main character - Hussam - a civil rights lawyer that represents stateless Palestinian clients, is experiencing the most profound personal crisis of his life. After years of hiding, he tells his wife about his relationship with Fuad, a younger man. Manal, a history school teacher at the Beit Hanina high school, isn’t surprised or distraught by his confession, she’s just concerned with how their extended family, neighbors and community might respond. She finds out that Fuad has been over to their house a few times and that the neighbors saw him, and that there’s a rumor going around that Manal and Fuad are having an affair. In order to refute the rumor, Manal has to act fast. Instead of getting divorced or demanding that Hussam break things off with Fuad, Manal and Hussam welcome him into their home and he moves into the small unit in their backyard, in order to keep their relationship and family intact and to prevent any further gossip. They hide Hussam and Fuad’s relationship and present him as one of Hussam’s clients they decided to provide shelter for as a humanitarian gesture. They enjoy the encouragement and support of their inner circles, but their children, Aadil and Hafza (an 11-year-old boy and 13-year-old girl) catch on to what’s really happening in their family right away. The boy defends his parents and Fuad, while the daughter rebels against their narrative and tries to expose their secret. The family finds out about couples and families that share the same lifestyle; that keep a secret from their surroundings, while one of the parents is either a homosexual man or a lesbian woman. Hussam and Fuad find themselves in the secret LGBT circles of Bethlehem and Ramallah, when their secret is revealed to a closed off group of married Palestinian Lesbians and homosexuals that are married to one another for show, or keep the third member of their relationship within the family. These aren’t young people in their 20s, but people with families in their 30s-50s that didn’t run away from home, or move to Tel Aviv or abroad. The identity turmoil they experience is just one part of a larger complex Palestinian drama that’s contains many voices; in the tension between Christians and Muslims, between nationalists and communists, between revolutionaries, activists and conservatists. The characters’ naturalization process includes a declaration of loyalty to the state of Israel and giving up one identity in favor of another, albeit a more promising and financially secure one. But the absurd political, religious, sexual, nationalistic, personal and collective identity confluence - that forces people to fit into a single fixed category, will manifest in this family drama in comical, absurd and touching scenes, that illuminate the family unit in a new, wild, unique and subversive light WRITER'S STATEMENT ABOUT THE WRITERS PRODUCER'S STATEMENT PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Highway 65 Highway 65 Maya Dreifuss Producer Estee Yacov- Mecklberg Lab Edition 6 , 2017 SCENE PITCH Production Country Israel SYNOPSIS Daphna, 41, until recently a promising detective in Tel Aviv, finds herself in small-town Afula, dealing with petty crimes, seeking shade from the heat, and deflecting the intrusive question: "how come you don't have children?". Daphna's world is shaken by the sudden disappearance of Orly Elimeleh, a captivating army widow known for her beauty and rebellious spirit. Soon enough, a troubling question creeps in: why isn't anybody looking for her? Fearing the worst, Daphna will stop at nothing in order to solve the mystery. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Estee Yacov- Mecklberg PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Manas (Sisters) Manas (Sisters) Marianna Brennand Fortes Producer Carolina Benevides Lab Edition 9 , 2021 SCENE PITCH Production Country Brazil SYNOPSIS Aware that the future does not hold many options for her in a riverside community on Marajó Island, 13-year-old Marcielle decides to confront the violent machinery that governs her family and the women in her community. DIRECTOR'S NOTE Director’s Note What fascinates me in cinema is the potential to encounter the “other” and how it enables us to see, feel and live in someone else’s shoes. This is why I will have an absolute protagonist, Marcielle – we will be radically on her point of view, seeing only what she sees and hearing only what she hears. As a filmmaker, I want to increase public awareness for such a painful subject matter as sexual abuse of women, especially children and adolescents. In terms of plot, I chose a , a classic narrative with tremendous visual power. Although the abuse scenes are never shown on screen, my intention is to show in a poetic way how the violence impacts on the character perception. Marcielle experiences many conflicts and the film will be with her in her moment of conscious awareness. In the photography I want to show the contrast of the beauty and richness of the region's natural landscape with Marcielle's poor and sad reality. The lush forest with abundant water can be as arid as a desert. A very cinematic environment that hides the unspoken "rules" of its inhabitants. For that “Sisters” will be shot on location, in a riverside community in Amazon Region where this story takes place. Actors’ direction will benefit from that because I’ll be working with actors that will be able to dive into the universe of the film and non-actors that will be comfortable in their habitat. Female characters who interact with Marcielle, will help her to see that is not normal what she is been through and that is possible to put an end to the cycle of abuse. The film will be generous to its characters and their stories, in terms of the length of scenes that reflect the way in which time, and distance, in that part of the world, imprisons its inhabitants. ABOUT THE FILMMAKER PRODUCER Carolina Benevides Producer, co-writer Carolina Benevides, Brazil  Carolina Benevides is the executive producer at Inquietude where she develops documentaries, features and series. Among them I Am Carlos Imperial (2015), and Darn Good (2016), (Best Film, Cine PE). Benevides was production coordinator on The Eye of the Storm (Cannes, 2009), and Passerby (Best 1st film Guadalajara, 2010). In 2020 she released the documentary series Festival’s Nights for cable TV. PRODUCTION COMPANY PROFILE Production Company Inquietude, Recife, Brazil carolina@inquietude.art.br +55 21 991940062 PRODUCTION BUDGET Production Budget $1.230.541 Secured funds: $545.454,55 FSA/ Brazilian Cinema Agency Prize; $365.470,21Globo Filmes / Co-producer through Audiovisual Law; $85.818,18 Private investors through Audiovisual Law; $51.980,15 Direct funds from the producer; $181.818,18 GAP LANGUAGE Portuguese GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Empty House The Empty House Rati Tsiteladze Producer Nino Varsimashvili Lab Edition 8 , 2019 SCENE PITCH Production Country Georgia SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Nino Varsimashvili PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Handball Coach The Handball Coach Sivan Noam Shimon Producer Benny Fredman Lab Edition 12 , 2024 SCENE PITCH Production Red Films LTD Country Israel SYNOPSIS The moment when Yael "the Bulldozer" Cherni (32) scored the winning goal in the European Handball Championship defined the peak of her career. But it also crushed her knee and left her with excruciating pain and the nickname. The doctors say her career is over, her partner Nofar (30) pleads her to move on, but Yael feels belittled. The only one who believes in her is Sari (17), a troubled goalkeeper in the youth team Yael coaches. Around her, Yael feels strong, worthy, and admired once again. The relationship between the two takes an unexpected dimension. DIRECTOR'S NOTE I was an athlete and the feeling of "I'm a badass" became a key part of my being. Thus, I set out to write a story of a woman who doesn't know who she is without her strength and will do anything to stay on the court. I chose handball, not such a popular sport, and the peripheral town Or-Yehuda, to express the perception that women’s sports are marginal. Hence, many female athletes don't get the appreciation or financial support like their male counterparts. For people who come from marginalized populations, sports can be life changing, if not as a career, then in a "I'm a badass" state of mind. ABOUT THE FILMMAKER Sivan Noam Shimon is a writer, director and actress, graduate from Steve Tisch School of Film and Television at Tel-Aviv University. Her short film Wake Up Call won several film festivals around the world. She won the Best Actress award at Haifa international Film Festival for her leading role in the film Blush. She acted in the American film Ma Belle, My Beauty, which won the Audience award at Sundance Film Festival. Shimon was a programmer at TLVFest and teaches screenwriting at Minshar Art College. Currently, Shimon is developing her first feature film. PRODUCER Benny Fredman Benny Fredman studied film at Camera Obscura. His works include Netflix's "Suicide", the TV series "Suspect", Ophir Award-winning film "Home" and the documentary films "Poogy-Tales" and "Moving the Embassy". PRODUCTION COMPANY PROFILE ○ Red Films LTD, Jerusalem ○ +972-543474448 ○ benif123@gmail.com PRODUCTION BUDGET ○ Total budget: 1,100,000 USD ○ Confirmed budget and source: 175,000 USD by Amir Gedalya productions LTD LANGUAGE Hebrew GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Pavel Vesnakov Pavel Vesnakov Director: 2021 Year of lab participation: 9 Lab edition: Bulgaria Country: Veselka Kiryakova Producer: Windless After years away, Kaloyan returns to Bulgaria to sell his late father's flat. Initially a routine task, it gradually becomes a journey of self-discovery, confronting distant traumas while finding a new path. Synopsis Karlovy Vary International Film Festival 2024 Thessaloniki International Film Festival 2024 Festivals & Awards 2024 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Future The Future Noam Kaplan Producer Yoav Roeh Lab Edition 6 , 2017 SCENE PITCH Production Country Israel SYNOPSIS The Israeli secret service hires criminal profiler Nurit to question a young Palestinian woman suspected of killing a government official. Nurit learns some unsettling realities via their interactions. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Yoav Roeh PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Black Pin Black Pin Ivan Marinovic Producer Mina Dukić Lab Edition 3 , 2014 SCENE PITCH Production Country Montenegro Serbia SYNOPSIS When misanthropic Orthodox priest Peter returns to his idyllic Montenegrin peninsula to nurse his demented mother, he quickly gets into a conflict with superstitious villagers who seek creative ways to chase him away. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Mina Dukić PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Doubt The Doubt Ihab Jadallah Producers Haim Mecklberg, Estee Yacov-Mecklberg Lab Edition 9 , 2021 SCENE PITCH Production Country Palestine SYNOPSIS Synopsis After spending many years in prison, Ibrahim returns to his wife Amal and son Yousef. But things have changed. He doesn’t really know his son, Amal has become independent and has her own business and his brother Mousa is working with the Israelis. Mousa and Amal dream of building a multi-story apartment, but first they must get the Jerusalem municipality sign it off, and get Ibrahim's consent. Ibrahim, displaced, doubtful, carrying the prison's scars, is trying to navigate his rocky family life while negotiating with the enemy. DIRECTOR'S NOTE Director’s Note I began writing this script when I started planning to become a father, only later realizing it was, in fact, the story of my own father. My father went to prison for his ideals, that to this day he holds on to. Ibrahim, The Doubt’s protagonist is challenged with a new reality, and has to choose between pragmatism and idealism. Creating this screenplay helped me deal with the fear and doubts of my own fatherhood. ABOUT THE FILMMAKER PRODUCERS Haim Mecklberg, Estee Yacov-Mecklberg Producer profile Haim and Estee Mecklberg are veteran Israeli producers. They have started 2-TEAM PRODUCTIONS in the beginning of 2005 in the intention of producing cross-over feature films – films with highly artistic and social content, yet outstanding audience appeal. Their past successful film include Eran Riklis's THE HUMAN RESOURCES MANAGER, Asaf Korman's NEXT TO HER, Sharon Maymon & Tal Granit's THE FAREWELL PARTY and Elite Zexer's SAND STORM. PRODUCTION COMPANY PROFILE Production company profile 2-Team Productions is one of the leading Israeli film production companies. Our films have participate in all major international film festivals, including Cannes, Berlin, Venice, Toronto and Sundance, won numerous international and Israeli awards (including Sundance Grand Jury Prize, Venice Audience Award and Israeli Academy Best Film Awards) and, at the same time, were successfully distributed in Israel and around the world. Production Company 2-Team Productions, Tel Aviv, Israel office@2-team.com +972-3-787-5111 PRODUCTION BUDGET Production Budget $910,000 LANGUAGE Arabic GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

My Heart My Enemy My Heart My Enemy Teresa Zofia Czepiec, Maciej Sobieszczański Producer Mikołaj Pokromski Lab Edition 12 , 2024 SCENE PITCH Production Pokromski Studio, Poland; Iota Production, Belgium Country Poland, Belgium SYNOPSIS A 9-year-old girl named Sara travels alone from Poland to Belgium in search of her mother, Joanna. When they reunite, Sara discovers that Joanna has created a new family, but she is nonetheless determined to fight for her mother’s love by any means. As it turns out, Joanna has a dark secret of her own, and one day she disappears again. As a result of this emotional rollercoaster, Sara starts to question her sense of belonging to her mother and tries to find her own place in the Belgian family. DIRECTOR'S NOTE Telling stories about varied experiences of motherhood is important to me. Growing up in Belgium and Poland, I understand the cultural, religious, and political differences this subject may reveal. A mother leaving her child can be one of the decisions she makes. In My Heart My Enemy, we delve into what happens next, in the child's mind and heart. This film explores the power and mystery of a child's unconditional love and the need to belong. ABOUT THE FILMMAKERS ○ Teresa Zofia Czepiec | Director-Writer Born in Belgium, is a Polish film director and screenwriter. Through her films, she tells stories of people living in conflict between the individual and society. Her documentary Superunit has been shown at over 90 festivals worldwide and has won many prestigious awards. Her prize at the It's All True Film Festival qualified the film for the Oscar preliminary list. She studied architecture, film directing (WRiTV Katowice, Poland), and visual arts (Le Fresnoy, France). ○ Maciej Sobieszczański | Co-Writer Maciej Sobieszczański, a director and screenwriter, has won many international awards, including the Think: The Award at Berlinale 2015 for Performer. His film The Reconciliation received the First Look award at the Locarno International Film Festival and Best Directing at the Montreal IFF in 2017. His latest film Brother is awaiting its premiere. PRODUCER Mikołaj Pokromski Polish film producer, CEO of Pokromski Studio and member of German, Polish and European Film Academy. He graduated from German-French Film Academy at Film Academy in Baden-Württemberg and La Fémis - Paris. In the last few years he has produced both documentary and feature films. POKROMSKI STUDIO Established in Poland in 1992 Pokromski Studio (Too Old for Fairy Tales, Marie Curie, The Whale from Lorino) specializes in international co-productions and production services. The company works with experienced filmmakers and emerging talents, bringing together film production for wide audience and arthouse cinema projects. Pokromski Studio has worked with production companies, such as: Constantin Film AG, X-Filme Creative Pool from Berlin, Agitprop from Sofia, Loopline Film from Dublin and Oktober Oy from Helsinki. PRODUCTION COMPANY PROFILE ○ mikolaj@pokromskistudio.pl ○ 0048 502 587 387 ○ www.pokromskistudio.pl PRODUCTION BUDGET ○ Total budget: 1,485,625 USD ○ Confirmed budget and source: 646,867 USD (Polish Film Institute 495,209 USD / Next Film - Polish distributor MG 61,901 USD / Belgian co-producer Iota Production 27,855 USD / Polish producer Pokromski Studio own contribution 61,902 USD) LANGUAGE Polish, German, French GENRE Drama, Psychological Thriller Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ