Tell Me Everything Tell Me Everything Filmmakers: Moshe Rosenthal Producer Alona Refua Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 7 , 2018 LOG LINE In the 1980s, as pop music soars and AIDS spreads, 12-year-old Boaz discovers a shattering truth about his beloved father. Over years, he struggles to mend their fractured relationship and restore their lost connection. SYNOPSIS In the 1980s, as pop music soars and AIDS spreads, 12-year-old Boaz discovers a shattering truth about his beloved father. Over years, he struggles to mend their fractured relationship and restore their lost connection. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Alona Refua PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Cantonist The Cantonist Filmmakers: Yehonatan Indursky Producer Yochanan Kredo Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 8 , 2019 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Yochanan Kredo PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Soft Hours Soft Hours Filmmakers: Anna Gyimesi Producer Barbara Janišová Feglová Production Company: Hitchhiker Cinema SCENE PITCH Country: Slovakia, Hungary Language: Hungarian, Slovak, English Genre: Drama Lab Edition: 13 , 2025 LOG LINE Middle aged Ilona, unable to accept her son's death, pays a young stranger to fill his void. As their emotional roles blur, the illusion begins to crack, forcing Ilona to finally begin to grieve. SYNOPSIS “Soft Hours" is a drama about Ilona, a woman in her fifties whose adult son, Tóbiás, died during a family trip to Slovakia. Overwhelmed by her loss, she hires Leon, a young prostitute, to fill the void by replacing him. As Leon seeks a mother figure, they develop a suffocating mother-son intimacy that ultimately fails to resolve their elemental needs. The encounter finally forces Ilona to confront her own guilt and imperfection as a mother, allowing herself to grieve. DIRECTOR'S NOTE “Soft Hours” explores the taboos of motherhood in a deeply personal way, stemming from my own grappling with societal expectations, particularly women's roles and the cult of perfection. Though I may not be a mother, this story became urgently compelling as I confronted my own perceived imperfections of my life path. “Soft Hours” tackles not only the stigma of motherly grieving, but also the emotional journey of letting go of idealizations, and finding a new self beyond rigid societal constructs. ABOUT THE FILMMAKER Anna Gyimesi (b. 1985, Budapest) turned from medicine to filmmaking, graduating as a director from the University of Theater and Film Arts Budapest (2019) and Docnomads (2021). Her films explore taboo social issues focusing on motherhood, womanhood, and marginalization. These themes are already visible in her shorts “Affricate” and "Falling”, with the latter winning the Heart of Sarajevo (2023). She's also a doctoral researcher on fiction and documentary boundaries. Soft Hours is her debut feature. PRODUCER Barbara Janišová Feglová Barbara Janišová Feglová is a Slovak producer and founder of HITCHHIKER Cinema, a boutique company dedicated to auteur-driven films with strong social and political resonance. She has produced award-winning creative documentaries such as “A Hole in the Head”, “Lines”, and “Ms. President”. With a background in documentary cinema, she is now shifting her focus to fiction, championing bold, female-led storytelling. Her current slate includes “Soft Hours” by Anna Gyimesi, “This Room is Impossible to Eat" by Barbora Berezňáková, and the series “Child on Fire”. She also teaches at the Documentary Department of the Academy of Performing Arts in Bratislava. PRODUCTION COMPANY PROFILE ○ HITCHHIKER Cinema, Bratislava / Slovakia ○ +421 905 858 808 ○ boruska@hitchhikercinema.sk PRODUCTION BUDGET ○ Total budget: 1,110,000 USD ○ Confirmed budget and source: 30,000 USD (KULTMINOR, Slovakia) Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Family Family Filmmakers: Veronica Kedar Producer Mosh Danon Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 2 , 2013 LOG LINE It all began on one night, when Lily arrived at her therapist's house asking for an emergency session. She wants to explain why she killed her family. SYNOPSIS It all began on one night, when Lily arrived at her therapist's house asking for an emergency session. She wants to explain why she killed her family. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Mosh Danon PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Ice and Cream Ice and Cream Filmmakers: Oshri Zeituni Producer Kobi Azran Production Company: SCENE PITCH Country: Israel Language: Hebrew Genre: Drama Lab Edition: 10 , 2022 LOG LINE On a cold winter in Haifa, Mazali (20) declares war upon Amos (45), her abusive father, as she conceals her mother and younger siblings in a hideout. SYNOPSIS Mazali (translated to ‘my luck’) is almost 20, she is an online-pirated therapist. She resides in a mixed neighborhood in Haifa, at a studio apartment with her mother Dina, little brothers and fear of male touch. Dina (42) was recently released from a women's shelter, she is needy and Mazali gives in to it. Amos (45), Mazali’s father, feels as if luck slips through his hands and continuously tries to get his family united. Mazali refuses to go back and is willing to pay any price, both physically and mentally, as she vividly remembers the night the family disbanded. DIRECTOR'S NOTE Oshri Zeituni is a young artist, writer and director who believes in the mystic possibility of cinema to unite all pages of history. With a sensible approach and profound knowledge, she touches societal matters and paves a new form of female voice. ABOUT THE FILMMAKER PRODUCER Kobi Azran An independent film producer who graduated with honors from the Sam Spiegel Film Institute in 2013, Kobi Azran specializes in creative projects with upcoming talents who have a unique voice. In the last decade, he has produced several short films, documentaries and dramas, and many of these films have won awards at some of the biggest festivals: "Daily Bread"- (Venice 2014) and EFA nominee, “Ella's Men"- (Locarno 2017), "Fatherland"- (Brussels 2016), "Intergalactic Samurai"- (ISFF 2017) PRODUCTION COMPANY PROFILE Solyo productions ltd. Provide production services and collaborated with many of the leading Israeli directors and production houses on films and TV series. Credits include V.I.P, Sad City Girls, The Good City, Kachaze, Ron, Honey Mood, The Future, The Art of Waiting, and many more. These days the company produces (in partnership with Gaudamus)  "The Grocery", a full-length feature film, supported by the Israeli Film Fund. Solyo Productions, Tel-Aviv, Israel PRODUCTION BUDGET Production Budget: $883,000 Funds invested: $32,000 -Israeli film funds Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

We Are Young. We Are Strong We Are Young. We Are Strong Filmmakers: Burhan Qurbani Producer Leif Alexis Production Company: SCENE PITCH Country: Germany Language: Genre: Lab Edition: 1 , 2012 LOG LINE People from different walks of life in the German city of Rostock intersect when a rampaging mob besieges a residential building occupied by Vietnamese immigrants. SYNOPSIS People from different walks of life in the German city of Rostock intersect when a rampaging mob besieges a residential building occupied by Vietnamese immigrants. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Leif Alexis PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

My Mother, The Monster My Mother, The Monster Filmmakers: Olivér Rudolf, Zsigmond Kung Producers Genovéva Petrovits, Florent Coulon, Jörgen Andersson Production Company: Kino Alfa, Hungary; Vrai Vrai Films, France SCENE PITCH Country: Hungary, France Language: Hungarian, English Genre: Drama Lab Edition: 12 , 2024 LOG LINE Éva is a mother in her forties who is disappointed with her life and becomes tired of feeling insignificant. She finds liberation and a new identity behind a scary monster mask. SYNOPSIS Éva is an unhappy wife and mother, suffering from the compromises she made in her life. She finds a scary monster mask that expresses her frustrations and suppressed desires. She decides to rebel against the world with the mask on. The visibility she gains, liberates her. Éva burns down her previous life and finds joy after long years of depression. She discovers a welcoming community in a drag bar where she sings as Monster Lady. While she is away, her teenage daughter is completely left alone. DIRECTOR'S NOTE There’s a Hungarian song with the lyrics - “I want to do something in the world that no one has ever done before, but me.” This line strongly expresses our protagonist’s internal world. The heroic struggle of Éva against the feeling of insignificance. She is not alone. There are many people who want to escape the poisonous atmosphere of their lives and society. Any of them could be Éva, but not all of them have the courage to make it happen. This film is an ode to rebels and rebellion. ABOUT THE FILMMAKER ○ Olivér Rudolf | Director-Writer Born in Budapest, Hungary, in 1991. He graduated from FreeSZFE in partnership with Filmakademie Wien. His short film Fonica M-120 premiered at Cannes Cinéfondation and was selected for the Sarajevo Film Festival in 2021. His feature film project My Mother, the Monster won a Creative Europe mini slate grant, took part in Full Circle Lab, won development support from France, Nouvelle Aquitaine region, and won the Eurimages co-production award at Sarajevo Film Festival in 2023. ○ Zsigmond Kungl | Co-Writer Born in Budapest, Hungary, in 1996. He graduated at the University of Theatre and Film Arts, Budapest in 2020. He is the permanent co-writer of Olivér Rudolf. After graduation, Zsigmond studied directing at FAMU International. His feature film project Andor, Liza, and the Boy, Who Didn’t Want to Have Sex was selected to the Script Station of Talents Sarajevo, and won the Romanian screenplay competition, Write a Screenplay For..., founded and organized by Cristian Mungiu. PRODUCERS Genovéva Petrovits, Florent Coulon, Jörgen Andersson PRODUCTION COMPANY PROFILE Genovéva studied theater at La Sorbonne and then had a diploma of French language and literature in Budapest. In 2013 she completed the training programme Atelier-Ludwigsburg Paris. In 2015, she obtained an MA in Art Management at MOME. In 2019 she founded Kino Alfa production company and she has committed herself to producing authors from Hungary who wish to work with subjects reflecting in a subtle and personal way on the world we are living in. We work with producers from France, Germany, Sweden and Romania. These committed partners understand the politicized conditions currently dominating the Hungarian Film Institute. We are also part of the community of Hungarian filmmakers who do films despite the system. We make it possible with joint local partners to finance low-budget films. Our recent production made within this structure is in post-production, entitled "A Hunt For Hedgehogs". ○ Kino Alfa - Budapest, Hungary ○ genoveva.petrovits@kinoalfa.hu ○ Genovéva Petrovits: +36205015531 ○ Vrai Vrai Films - Saintes, France | florent@vraivrai-films.fr ○ Doppelganger - Stockholm and Sundsvall, Sweden | jorgen@doppelganger.se PRODUCTION BUDGET ○ The production budget in USD: 1,181,600 USD ○ Confirmed budget in USD and source: 148,866 USD MEDIA mini slate grant, Eurimages co-production development award, Nouvelle Acquitaine and Charente-Maritime development grant and producer’s own investment Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Other Son The Other Son Filmmakers: Juan Sebastián Quebrada Producer Franco Lolli Production Company: SCENE PITCH Country: Colombia Language: Spanish Genre: Drama Lab Edition: 9 , 2021 LOG LINE Following his younger brother’s fatal fall from a balcony at a party, and as his family falls to pieces before his eyes, Federico makes an effort to live a normal life during his final weeks of school, and falls in love. SYNOPSIS A teenager who after the sudden and unexpected death of his younger brother, falls in love with his deceased brother's ex-girlfriend and, through that love, finds the strength to fight on. DIRECTOR'S NOTE Six years ago, I got a call from my father, telling me that my teenage brother had just died. Like Federico, the character in my film, I got scared but not much more than that at the time. I went into the bathroom, looked into the mirror and said goodbye to my face and my life. I knew that soon, when I looked at myself again, I would see another face: that of someone with a very different life. Rather than talking about death, in this film I am interested in talking about how, after a traumatic event, not only our perception of things changes, but also the intensity of the present. Of the need to learn to get up and look at things from another place. What it means to reconnect with the world. That is why I choose to tell the story from the point of view of a teenager, “the other son”, who must find his way in the shadow of his dead brother. This is a film of strong contrasts –of light, of feelings, of contexts– and I am concerned with portraying them with an electric intensity. I will try to portray the depth of existence, not through imposed or solemn staging, but through the energy inherent in the use of non-professional actors and in the city of Bogotá. I want to speak out loud about my brother’s death, my family’s madness, and my own pain, but, above all, about the light that comes after darkness. The difficult light, more beautiful than ever, that all humans must see sooner or later. ABOUT THE FILMMAKER PRODUCER Franco Lolli Franco Lolli, Producer Columbia Colombian screenwriter, director and producer Lolli (1983, Bogotá) studied film at La Fémis in France. Directed the short films Como todo el mundo (2008 Grand Jury Prize, Clermont-Ferrand) and Rodri (2012 Cannes Director’s Fortnight). His opera prima Gente de bien premiered at the 2014 Cannes Critics’ Week and his second feature Litigante opened the same event in 2019. He founded Evidencia Films to produce his own films and those of other directors with powerful ideas and unique perspectives. PRODUCTION COMPANY PROFILE Evidencia Films is a Colombian film production company, whose main focus is the creation of an auteur cinema both daring and with strong commercial potential on the international market. To date, the company has produced Lolli's two feature films as director, as well as seven short films and a miniseries. The company's works have been selected for and won awards at major festivals around the world (Cannes, San Sebastián, London, Chicago…). Most recently, Evidencia intervened as associate producer to Simón Mesa’s first feature AMPARO, that premiered at the Critic’s Week in Cannes 2021. The company is currently developing the documentary LOS TILANGOS by Tomás Pinzón, about the failed Colombian peace process, and the first feature film by 2020 Orizzonti Short Film award winner Mariana Saffon. Production Company Evidencia Films, Bogota, Colombia franco@evidenciafilms.com +57 3132687890 PRODUCTION BUDGET Production Budget $543.000 Secured funds $335.000, Colombian Fund writing and production grants / Colombian, French and Argentinian co producers  Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Echo Echo Filmmakers: Amikam Kovner, Assaf Snir Producer Keren Michael Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 3 , 2014 LOG LINE Avner suspects his wife Ella of having an affair. Secretly recording her telephone conversations, he turns into a spy in his own home. But while searching for one thing, he discovers another - the woman he listens to is a stranger to him. SYNOPSIS Avner suspects his wife Ella of having an affair. Secretly recording her telephone conversations, he turns into a spy in his own home. But while searching for one thing, he discovers another - the woman he listens to is a stranger to him. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Keren Michael PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Driver Driver Filmmakers: Yehonatan Indursky Producer Osnat Handelsman-Keren & Talia Kleinhendler Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 2 , 2013 LOG LINE A 'Driver' in the oltra orthodox community takes his daughter on his nightly journey, exposing her to the more questionable members of this pious society in the dark alleys of Bnei Barak they each find, even if for a short moment, their lost childhoods. SYNOPSIS A 'Driver' in the oltra orthodox community takes his daughter on his nightly journey, exposing her to the more questionable members of this pious society in the dark alleys of Bnei Barak they each find, even if for a short moment, their lost childhoods. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Osnat Handelsman-Keren & Talia Kleinhendler PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Ainu Mosir Ainu Mosir Filmmakers: Takeshi Fukunaga Producer Eric Nyari Production Company: SCENE PITCH Country: Japan / USA Language: Genre: Lab Edition: 7 , 2018 LOG LINE A coming of age tale about Kanto, a 14 year old boy, and a descendant of Japan's indigenous Ainu people, who struggles to come to terms with the recent loss of his father. One day, he learns about the small hole in the cliff in nearby forest that Ainu people considered a path to the other side of the world - where dead people live. Kanto decides to visit the hole, hoping to see his deceased father. SYNOPSIS A coming of age tale about Kanto, a 14 year old boy, and a descendant of Japan's indigenous Ainu people, who struggles to come to terms with the recent loss of his father. One day, he learns about the small hole in the cliff in nearby forest that Ainu people considered a path to the other side of the world - where dead people live. Kanto decides to visit the hole, hoping to see his deceased father. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Eric Nyari PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Postcard Postcard Filmmakers: Anthony Nti Producer Dimitri Verbeeck Production Company: SCENE PITCH Country: Ghana Language: Genre: Lab Edition: 8 , 2019 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Dimitri Verbeeck PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ