Bulevardi Bill Clinton Bulevardi Bill Clinton Gunhild Enger Producer Maria Ekerhovd Lab Edition 6 , 2017 SCENE PITCH Production Country Norway SYNOPSIS DIRECTOR'S NOTE LOG LINE ABOUT THE FILMMAKER PRODUCER Maria Ekerhovd PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

JSFL has selected the 12 promising filmmakers that will participate in the 10th edition. The lineup includes projects from Malta, Belgium, Albania, Finland, Germany as well as Israel, from gifted writers/directors working on their first/second narrative feature films. JSFL writing sessions will be conducted both in-person and online. The full 2022 lineup: After Dark (Fr-Albania) Dir. Erik Beqiri Prod. Olivier Berlemont, Origine Films (Fr), On Film Production (Al) American Ice Cream (Isr) Dir. Oshri Zeituni Prod. Kobi Azran, Kobi Azran Productions Birth Right (Isr) Dir. Inbar Horesh Prod. Maya Fischer, Green Productions Come Baby (Isr) Dir. Yair Agmon Prod. Tal Becher, Yalla Films Debts (Isr) Dir. Roni Kuban Producer. David Mandil, Movie Plus Productions Elka’s Not A Shiksa (Isr) Dir. Aleeza Chanowitz Prod. Alona Refua, Green Productions Fist Fights (Bel) Dir. Catherine Cosme Prod. Julie Esparbes, Hélicotronc Flehmen Response (Ger) Dir. Lillah Halla Prod. Julia Niethammer, Chromosom Film Milk & Honey (Is) Scr. Lev Brodinsky Prod. Yael Perlov and Alma Ben-Zeev Red Gold (It-Bel) Dir. Mathieu Volpe Prod. Delphine Tomson, Les Films du Fleuve Trance Mountain (Den) Dir. Illum Jacobi Prod. Katja Adomeit, Adomeit Film Zejtune (Malta-US) Dir. Alex Camilleri Prods. Ramin Bahrani, Noruz Films, Rebecca Anastasi, Luzzu JSFL has selected the 12 promising filmmakers that will participate in the 10th edition. The lineup includes projects from Malta, Belgium, Albania, Finland, Germany as well as Israel, from gifted writers/directors working on their first/second narrative feature films. JSFL writing sessions will be conducted both in-person and online. The full 2022 lineup: After Dark (Fr-Albania) Dir. Erik Beqiri Prod. Olivier Berlemont, Origine Films (Fr), On Film Production (Al) American Ice Cream (Isr) Dir. Oshri Zeituni Prod. Kobi Azran, Kobi Azran Productions Birth Right (Isr) Dir. Inbar Horesh Prod. Maya Fischer, Green Productions Come Baby (Isr) Dir. Yair Agmon Prod. Tal Becher, Yalla Films Debts (Isr) Dir. Roni Kuban Producer. David Mandil, Movie Plus Productions Elka’s Not A Shiksa (Isr) Dir. Aleeza Chanowitz Prod. Alona Refua, Green Productions Fist Fights (Bel) Dir. Catherine Cosme Prod. Julie Esparbes, Hélicotronc Flehmen Response (Ger) Dir. Lillah Halla Prod. Julia Niethammer, Chromosom Film Milk & Honey (Is) Scr. Lev Brodinsky Prod. Yael Perlov and Alma Ben-Zeev Red Gold (It-Bel) Dir. Mathieu Volpe Prod. Delphine Tomson, Les Films du Fleuve Trance Mountain (Den) Dir. Illum Jacobi Prod. Katja Adomeit, Adomeit Film Zejtune (Malta-US) Dir. Alex Camilleri Prods. Ramin Bahrani, Noruz Films, Rebecca Anastasi, Luzzu Celebrating 10 years of groundbreaking international cinema - The Jerusalem Sam Spiegel International Film Lab Launches its celebratory 10th Edition. NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

we were blessed to have a screening and masterclass with Juho Kuosmanen- whose Compartment No 6 is on the 2022 Oscar shortlist! Best of luck from your friends in Jerusalem! we were blessed to have a screening and masterclass with Juho Kuosmanen- whose Compartment No 6 is on the 2022 Oscar shortlist! Best of luck from your friends in Jerusalem! Masterclass with Juho Kuosmanen NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

4 acclaimed script editors mentor the JSFL participants: Clare Downs, Jacques Akchoti, Thomas Hailer and Sari Azoulay Turgeman. One of Israel’s leading film and television writers. His feature films include “Someone to Run With” and “The Human Resource Manager”, that were featured in numerous international film festivals and won nine Israeli Academy Awards, including Best Film and Best Screenplay. Stollman’s work for television includes the 2009 original mystery series “Pillars of Smoke” which he co-created and wrote. The series became a cult hit in Israel. Noah was co-creator and executive producer of HBO’S 2019 drama “Our Boys” and was head writer for the third and fourth seasons of the Netflix action-drama hit series “Fauda”. Lately, Noah co-created and co-wrote the supernatural suspense drama “The Malevolent Bride”, an Israeli-US collaboration. Noah Stollman Graduate of Tel Aviv University majoring in Psychology and Cinematic Studies (script-writing track). From 2009-2016 she served as a development manager at July August Productions. Nishri worked as script editor for Israeli television series such as “Yellow Peppers” by Keren Margalit (that was made into a BBC series), “Sirens” by Shachar Magen, and “Sleeping Bears” by Keren Margalit. Nishri took part in Biennale College Cinema, TFL extend, EAVE and Torino Film Lab as script consultant. Nishri’s content company, Quiddity, served as associate producer for canal+ tv series “Possessions”, and for Hagai Levi’s series “Scenes from a Marriage” made for HBO. Ossi Nishri Acclaimed creator and writer of several award-winning drama series and documentaries, including "The Girl from Oslo" for Netflix, the documentary series "Portrait", and Israel's most watched series "A Touch Away”. Weiss-Berkowitz is an experienced book editor, having worked closely with renowned Israeli authors. Weiss-Berkowitz is an active mentor in various programs, such as the Seriesmakers for international film directors transitioning to TV series; International series development workshop at HFF Munich; and the France-Israel residency for co-writing drama. She teaches TV writing at Tel Aviv University and SDSU California. Ronit Weiss-Berkowitz Gal Zaid is a creator, director and actor with over 20 years of experience in Israeli television. As head of scripted television at EndemolShine Israel, Zaid’s role is to develop fresh shows and unique talent into material with global appeal. Previously, Zaid was the head of drama both at Keshet and at Channel 10. He script-edited and starred in the world-renowned series, “Prisoners of War”, which was remade for Showtime as the Emmy Award winning international hit “Homeland”. He developed “Traffic Light”, the most successful comedy series in Israel to this day, which won an International Emmy Award for Best Comedy and was later sold to FOX. Gal Zaid MENTORS 2026 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PAST MENTORS Keren Margalit is an award-winning screenwriter and director, and a leading Israeli television creator. A graduate of the Jerusalem Sam Spiegel Film School (1998), her graduation film won Best Script Award at the Munich Student Film Festival. Margalit’s 2002 debut film, All I’ve Got, was purchased by Paramount Pictures for remake. Her first series as director-writer, Yellow Peppers (2010) won the 2011 Israeli Television Academy Award and was purchased for remake in the UK (The A-Word). It was screened at the UN as part of autism awareness day in 2011. Sleeping Bears, her most recent series, premiered at the Berlinale 2018 to rave local and international reviews. Keren Margalit Best-selling Israeli crime writer, screenwriter, and literary scholar, specializing in the history of crime fiction, and head of the creative writing program in Tel Aviv University. His novels were translated into more than 20 languages and won numerous international prizes, including the prestigious Martin Beck award for best crime novel translated to Swedish, and Prix Mystere de la Critique in France. His first novel, “Black Tide” was adapted into film by French director Eric Zonca in 2018, and an eight-episodes TV drama based on his novels was made by Keshet Studios in Israel (“The Missing File”, 2019). In 2017, CBS produced “Wisdom of the Crowd”, an American crime drama based on an original idea by Mishani, who served as executive producer for the show. Dror Mishani Levin is an award-winning director and screenwriter who has worked on numerous TV shows, including the hit Israeli series, In Treatment, that sold to HBO, for which she won two Israeli TV Academy Awards. She wrote and directed the TV drama Three Fingers, nominated for Best TV Drama and she co-created Euphoria which was made into a hit by HBO. Daphna Levin

Abner Benaim 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Abner Benaim 2018 Year of lab participation: 7 Lab edition: Country: Panama / Mexico Producer: Matthias Ehrenberg Plaza Catedral The 42-year-old Alicia is a grief-stricken woman, a grief that has caused her to be estranged from society. Her world is turned upside down when a 14-year-old boy who looks after people's cars, stumbles into her house, bleeding. Lab edition: Guadalajara International Film Festival 2021 - Best Actor International Film Festival of Panama 2021 - Audience Award Miami Film Festival 2022 Jerusalem Film Festival 2022 Synopsis 2021 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Banat Banat Adriano Valerio Producer Mario Mazzarotto Lab Edition 4 , 2015 SCENE PITCH Production Country Italy SYNOPSIS Two Italians looking for work and happiness abroad. DIRECTOR'S NOTE LOG LINE Two Italians looking for work and happiness abroad. ABOUT THE FILMMAKER PRODUCER Mario Mazzarotto PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Dani Rosenberg 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Dani Rosenberg 2013 Year of lab participation: 2 Lab edition: Country: Israel Producer: Chilik Michaeli The Vanishing Soldier Eighteen-year-old Israeli soldier flees back to his girlfriend in Tel Aviv only to discover that the military elite is convinced he was kidnapped in the fog of war. Lab edition: Locarno Film Festival 2023 Reykjavik International Film Festival 2023 Haifa International Film Festival 2023 - Best Film Montpellier Mediterranean Film Festival 2023 Thessaloniki Film Festival 2023 Busan International Film Festival 2023 Israeli Film Academy Awards 2023 - Best Cinematography Jerusalem Sam Spiegel Film Lab 2013 - 2nd Prize Winner Synopsis 2023 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Striker No. 7 Striker No. 7 Nitzan Rozen Producer Shira Hochman Lab Edition 11 , 2023 SCENE PITCH Production MINA Films Country Israel SYNOPSIS An outstanding football player is signed by the best football club in the Israeli premiere league. But his unusual identity causes the Ultras of the club to violently resist him. They even threaten his life, but he doesn't give up. He is determined to play for his city, and is sure that the triumph he brings will win their hearts. He is looking for a home, where he can be himself. In his attempt to belong, he is forced to confront who he really is. DIRECTOR'S NOTE I always wanted to be a football player. Football has it all: camaraderie, a wish to excel, a blind belief in one's tribe. When belonging to a club, you always have a home. A home is what my hero is seeking. This feeling of foreignness has always been part of my self-image. I wish to tell the story of a person who longs to change the rules of the game, but stay on the field. LOG LINE An unstoppable football player joins the best club in Israel. He brings triumph and chaos to the club that is riven by the hatred between the two sides of the city. In his battle to win his place, he is forced to question who he really is. ABOUT THE FILMMAKER Graduated with honors from the Sam Spiegel Film School 2017, Nitzan directed 4 shorts that were screened in festivals worldwide. Striker No. 7 , her debut feature, was awarded the Rabinovich Foundation development grant. In 2022 it was selected to the international film lab LIM, and to the Berlin Artist in Residence program of the Israeli Film Fund and Medienboard Brandenburg Berlin Film Fund. Nitzan works as a documentary director, and teaches directing at Minshar School of Art PRODUCER Shira Hochman Shira Hochman is a film editor, producer, and consultant. In 2018 she started MINA Films, a creative platform focusing on development and post-production. Her films as producer and editor exhibited in festivals such as Cannes, Locarno, Berlin, San Sebastian, SXSW and more. Shira edited and produced the Oscar-nominated short film White Eye (2019) by Tomer Shushan. In 2020 she received the Editing Award at the Jerusalem FF for High Maintenance by Barak Heymann. She was nominated for the Editing Award in the Israeli Academy awards for Next to Her by Asaf Korman (Cannes 2014). Among others, she produced and edited: It's Time You Died Already by Hadar Morag (Krakow 2022, Best Short Haifa IFF 2021), Horst by Miki Polonski (DocAviv 2020 Honorary mention), associate producer and editor of Mison a Martre by Amat Vallmajor del Pozo (FICXix?n IFF 2022, Berlin Critics' Week 2023, IndieLisboa 2023). PRODUCTION COMPANY PROFILE Company name, city MINA Films, Israel, Tel Aviv contact email Shira.minafilms@gmail.com contact telephone number +972523577042 +34722413144 PRODUCTION BUDGET The production budget in USD 800,000 USD confirmed budget in USD and source 30,000 USD Development grant from the Rabinovitch film fund, Private investment LANGUAGE Hebrew, Arabic Drama GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

All the news about the call for entry and applications for next edition's JSFL. תהליך המיון המיון והקבלה לחממה מתבצעים בשני שלבים: שלב 2 שלב 1 ראיונות אישיים: פרויקטים נבחרים יוזמנו לשלב הראיון האישי, בו נוכחותם.ן של התסריטאים.ות והמפיקים.ות של הפרויקט הנה חובה. ועדת המיון ובחירת הפרויקטים תורכב מאנשי מפתח בתעשיית הטלוויזיה הישראלית, ובתוכם.ן נציג/י החממה. הפרויקטים הנבחרים יקבלו הודעה זמן קצר לאחר הראיונות, בנוגע לדבר קבלתם לחממת סם שפיגל לסדרות. הגשת הפרויקטים בהתאם להנחיות קול קורא שיפורסמו ע״י החממה. רכיבי ההצעה: לוג ליין (על הסדרה במשפט) תקציר (עד עמוד 1, תיאור העולם בו הסדרה מתקיימת והקונפליקט המרכזי אשר בלב הסדרה) תיאור מהלך עלילתי/ קשת עונתית (3-5 עמודים) דף דמויות (סך הכל עד 2 עמודים, עד פיסקה על כל דמות) הצהרת כוונות אישית ואמנותית (עד עמוד 1, מתייחסת לחיבור של היוצר.ת ליצירה, לטון ולסגנון, ז'אנר וכיוצא בזאת) מבט לעונה שנייה (עד חצי עמוד, לא רלוונטי במקרה של מיני-סדרה) סינופסיס לפרק ראשון (עד 1 עמוד) דראפט תסריט מלא לפרק הראשון של הסדרה קורות חיים של היוצר.ת והמפיק.ה בשום מקרה אורך הצעה לא יעלה על 11 עמודים (לא כולל את הדראפט לפרק הראשון של הסדרה ואת קורות החיים של היוצרים.ות והמפיקים.ות), גודל הפונט הינו 12, והרווחים הינם 1.5. החומרים המוגשים לחממה צריכים להיות בעברית. במקרים חריגים תתאפשר הגשת החומרים באנגלית, וזאת לאחר קבלת אישור בכתב. במידה והנכם.ן מעוניינים.ות להגיש את החומרים באנגלית, אנא שלחו.נה אימייל לכתובת labproducer@jsfs.co.il עם הסיבה שבגינה אתם.ן מעוניינים.ות להגיש את החומרים באנגלית (רק בקשות מנומקות ייענו). קבלה לחממה פרויקטים אשר עברו את תהליך המיון יקבלו הודעה על קבלתם לחממה. יעמדו לרשותם 3 ימים לאשר את השתתפותם, ולהתחייב להשתתפות מלאה בתכנית. הפרויקטים המתקבלים ידרשו להעביר תוך 7 ימים מיום מההודעה את החומרים הכתובים מתורגמים לאנגלית (לא כולל את הדראפט לפרק הראשון של הסדרה). שפות העבודה בחממה הן עברית ואנגלית ונדרשת שליטה טובה בשפה האנגלית. יוצר.ת אשר ת.יתקשה לעמוד בעלויות תרגום יצירתו.ה לאנגלית לטובת ההגשה, זכאי.ת לבקש תמיכה כלכלית מהחממה לצורך כך, והחממה תתמוך במספר הגשות על פי סכום שתגדיר מראש. תקנון החממה לסדרות להגשה For more information please check our FAQ or contact: lab@jsfs.co.il הגשה חממת סם שפיגל לסדרות פתוחה לתסריטאים.ות ישראלים.ות אשר עומדים.ות בתנאי הסף. הקול הקורא למחזור 5 של חממת הסדרות ייפתח להגשות ב-7 ביוני, 2026. דדליין להגשות: ה-7 ביולי, 2026 (בשעה 14:00 שעון ישראל) קהל יעד חממת סם שפיגל לסדרות נועדה ליוצרים.ות ישראלים.ות אשר עושים.ות את צעדיהם.ן הראשונים בעולם הטלוויזיה הישראלי והבינלאומי. החממה מחפשת צוותים של מפיקים.ות ותסריטאים.ות אשר מפתחים.ות סדרות או מיני-סדרות עלילתיות מבטיחות, בכל ז׳אנר, המיועד לקהל בוגר. תנאי סף חממת הסדרות פתוחה להגשות של צוותים של יוצרים.ות ומפיקים.ות, אשר מפתחים.ות פרויקט טלוויזיוני עלילתי, אשר בידם כבר דראפט של תסריט לפרק ראשון. על הפרויקט להיות הסדרה הראשונה או השנייה של היוצרים.ות בתפקיד יוצר/ת, תסריטאי/ת ראשי/ת, או במאי/ת. הפרויקטים יכולים להיות כבר בשלב פיתוח מול גוף שידור, אך ללא הסכמי כתיבה או הפקה בין היוצר.ת או המפיק.ה מטעמו לבין גופי השידור בארץ או בעולם. היוצר.ת והמפיק.ה הנם.ן אזרחי ישראל או תושבי ישראל, ושניהם.ן בעלי ניסיון מקצועי מוכח כמפורט: על היוצרים.ות להראות ניסיון מוכח של כתיבת תסריט ו/או תסריטים לסדרות ו/או סרטים עלילתיים או דוקומנטריים אשר הוקרנו בקולנוע/בפסטיבל בינלאומי מהדרג הראשון/שודרו בידי ערוץ טלוויזיה בר קיימא, באורך מצטבר העולה על 30 דקות; על המפיקים.ות להראות ניסיון מוכח של יצירות קולנועיות ו/או טלוויזיוניות שהופקו על-ידם והוקרנו בפסטיבל בינלאומי מהדרג הראשון/שודרו בידי ערוץ טלוויזיה בר קיימא, באורך מצטבר העולה על 180 דקות. פרויקט צריך להיות בעל זיקה מהותית לישראל. שפת הסדרה המוצעת צריכה להיות לפחות 50% עברית או ערבית, רוסית, אמהרית, יידיש וכל שפה אחרת ככל שמתקשרת לתרבות המקומית. 50% מהסיפור מתרחש בישראל או גיבור.ת הסדרה ישראלי.ת. לא יתקבלו: פורמטים, שעשועונים, סדרות ילדים ונוער ו-YA. את תנאי הסף המלאים, כולל תהליך המיון ופירוט תוכנית החממה, אנא קראו בעיון בתקנון חממת סם שפיגל לסדרות. PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS ENGLISH עברית عربي APPLICATION The Jerusalem Sam Spiegel Series Lab is open to Israeli screenwriters who meet the criteria. Call for entries for the Series Lab's 5th Edition will be open for applications from June 7, 2026. Deadline for submissions: July 7, 2026 (at 14:00 Israel Time). TARGET PARTICIPANTS The Series Lab is open to outstanding Israeli creators making their initial steps in the world of Israeli and international TV. The Lab is seeking teams of producers and writers who are developing a promising scripted project- either series or limited series, in any genre intended for an adult audience. ELIGIBILITY The Lab is open to teams of producers and creators, with a scripted series in development that already has a draft for a first episode. The project should be the creator's first or second series as a creator/head scriptwriter/director. Projects applying can already be at a development stage for a broadcaster, but can not be secured for writing/production agreement with the broadcaster. Teams must be citizens/residents of Israel with both writer and producer having proven experience as detailed: Writers must have proven experience in writing a script and/or scripts for narrative or documentary films and/or series that have been screened in the cinema/leading international film festival/broadcast by a sustainable television channel, for a total length of more than 30 minutes; Producers must have a total length of at least 180 minutes of films and/or series produced by them, either screened at an A-list film festival or at the cinema, or broadcast on a sustainable television channel. The language of the proposed series must be at least 50% Hebrew or Arabic, Russian, Amharic, Yiddish and any other language related to the local culture. In addition, 50% of the series must take place in Israel, or the protagonist of the series must be an Israeli character. The following will not be accepted: formats, game shows, series for children and YA (young adults). For all eligibility criteria, selection process, and program information please see rules and regulations. SELECTION PROCESS The selection process includes 2 stages: STAGE 1 STAGE 2 2. Physical interviews: Selected projects will be invited to a personal interview. Writers and producers of the selected projects must be present in the interview. The Project Selection Committee will include key figures in the Israeli television industry, including Lab representatives. The selected projects will be informed shortly after the interviews regarding their selection to the Lab. 1. Submission of project dossier, in accordance with the guidelines of the open call published by the Lab. Dossier includes: Logline (a one-sentence summary of the series) Summary: a description of the world in which the series takes place and the main conflict at the heart of the series (1 page max) Description of the season narrative arc (3-5 pages) Characters description (up to one paragraph on each character | 2-pages max) Personal and artistic declaration of intent (relating to the creator’s connection with the work, vision, tone, style, genre, etc. | 1 page max) A peek at the second season (not relevant in the case of a limited series | ½ page max) First episode synopsis (1 page max) FULL DRAFT OF FIRST EPISODE OF THE SERIES CV of the writers and producers Under no circumstances should a proposal be more than 11 pages long, with font size of 12 (not including the first episode's draft and the writers and producer's CV). The proposal submitted to the Series Lab should be in Hebrew. In exceptional cases, it might be permitted to submit a proposal in English, after obtaining written approval. If you want to apply with a proposal in English, please send an email to labproducer@jsfs.co.il with the reason you want to submit materials in English (Only well-reasoned requests will be considered). ACCEPTANCE After receiving notice for being selected for the Lab, creators will have 3 days to confirm their committed participation in the program. The selected projects will be required to provide the written materials in English within 7 days of notice of acceptance (not including the first episode's draft). The working language in the Lab is in Hebrew and English. Creators that have financial difficulties with the English translation of the proposal, may ask for financial assistance from the Lab. The Lab will support a number of applications according to an amount decided in advance. For more information please check our FAQ or contact: lab@jsfs.co.il RULES & REGULATIONS APPLY عملية التصنيف والقبول عملية التصنيف والقبول مركبة من مرحلتين: المرحلة 2 المرحلة 1 مقابلات شخصية: ستدعى المشاريع المختارة إلى مرحلة المقابلات الشخصية، حيث سيكون حضور كتّاب\كاتبات السيناريو ومنتجي\ات المشروع إجباريًا. ستتركب لجنة التحكيم والقبول من أشخاص بارزين في صناعة التلفزيون الإسرائيلي وممثلين\ات عن الحاضنة. سيتم إبلاغ المشاريع المختارة بعد فترة وجيزة من المقابلات. التقديم وفقًا لتعليمات الدعوة المفتوحة التي ستنشرها الحاضنة. مكونات المقترح: Log line (جملة واحدة تصف المسلسل) ملخص (حتى صفحة واحدة، يصف العالم الذي تدور فيه أحداث المسلسل والصراع الرئيسي الذي يدور فيه) وصف لتطور الحبكة/القوس الموسمي (3-5 صفحات) صفحة شخصيات (حتى صفحتين، فقرة واحدة لكل شخصية) بيان نوايا شخصية وفنية (حتى صفحة واحدة، يتطرق إلى العلاقة التي تربط الفنان\ة بالعمل، الأسلوب، الجانر، إلخ) نظرة على الموسم الثاني (حتى نصف صفحة، غير مطلوب في حال تقديم مسلسل قصير) ملخص للحلقة الأولى (حتى صفحة واحدة) درافت سيناريو الحلقة الأولى السيرة الذاتية لصانع\ة العمل والمنتج\ة المقترح - حتى 11 صفحة (لا يشمل درافت الحلقة الأولى والسيَر الذاتية)، خط حجم 12، تباعد 1.5 بين الأسطر. على مواد المقترح أن تكون مكتوبة باللغة العبرية. في حالات استثنائية، سيكون من الممكن تقديم المواد باللغة الإنجليزية، بعد الحصول على موافقة خطية. إن كنتم ترغبون بتقديم المواد باللغة الإنجليزية، الرجاء إرسال إيميل لعنوان labproducer@jsfs.co.il يوضح سبب رغبتكم في تقديم المواد باللغة الإنجليزية (سيتم الرد على الطلبات المبررة فقط). القبول للحاضنة ستتلقى المشاريع التي اجتازت مرحلة التصنيف إبلاغًا بقبولها للحاضنة، وسيكون معها ثلاثة أيام لتأكيد مشاركتها والالتزام بالمشاركة الكاملة في البرنامج. سيكون على المشاريع المقبولة تقديم المواد المكتوبة مترجمة إلى الإنجليزية (باستثناء درافت سيناريو الحلقة الأولى) في غضون سبعة أيام من تاريخ الإبلاغ. لغات العمل في الحاضنة هي العبرية والإنجليزية. إتقان اللغة الإنجليزية إجباري. إن لم يكن بإمكانكم تحملّ تكاليف الترجمة إلى الإنجليزية، يمكنكم التقدم بطلب دعم مالي من الحاضنة التي ستدعم عددًا من المشاركات وفقًا لمبلغ تحدده مسبقًا. لوائح البيوت الزجاجية للسلسلة للخدمة For more information please check our FAQ or contact: lab@jsfs.co.il التقديم تفتح حاضنة سام شبيغل للمسلسلات أبوابها لكُتّاب وكاتبات سيناريو إسرائيليين\ات يستوفون\تستوفين شروط الأهلية. سيبدأ التقديم للفوج الخامس من الحاضنة في 7\6\2026، وسيكون مفتوحًا حتى موعد أقصاه 7\7\2026 (الساعة 14:00 بتوقيت إسرائيل). جمهور الهدف أقيمَت حاضنة سام شبيغل للمسلسلات من أجل سينمائيين وسينمائيات إسرائيليين\ات في بداية طريقهم\ن في عالم التلفزيون الإسرائيلي والدولي. تبحث الحاضنة عن طواقم منتِجين\ات وكتّاب وكاتبات سيناريو يعملون على تطوير مسلسلات طويلة أو قصيرة واعدة، في أي جانر، مخصصة لمشاهِدين بالغين. معايير الأهلية التقديم مفتوح لطواقم سينمائيين\ات ومنتِجين\ات تعمل على تطوير مشروع تلفزيوني روائي، ولديها درافت لسيناريو الحلقة الأولى. على المشروع أن يكون مسلسل الطاقم (صانع\ة العمل، كاتب\ت سيناريو رئيسي\ة أو مخرج\ة) الأول أو الثاني. بإمكان المشاريع أن تكون قيد التطوير أمام هيئة بث، بشرط ألا يكون هناك اتفاقيات كتابة أو إنتاج بين صانع\ة العمل (أو المنتج نيابةً عنه) وبين هيئات البث، في إسرائيل أو في العالم. صانع\ة العمل والمنتج\ة مواطنان إسرائيليان أو مقيمان في إسرائيل، لكلاهما خبرة مهنية مثبتة: على صانعي\ات العمل إثبات خبرتهم\ن في كتابة سيناريو و/أو سيناريوهات لمسلسلات و/أو أفلام روائية أو وثائقية عرِضَت في السينما/في مهرجان دولي من الدرجة الأولى/بثَّت على قناة تلفزيونية موثوقة، بمدة تراكمية تتجاوز 30 دقيقة؛ على المنتجين إظهار خبرة مثبتة في أعمال سينمائية و/أو تلفزيونية أنتِجَت من قبلهم\ن عرِضَت في مهرجان دولي من الدرجة الأولى\بثَّت على قناة تلفزيونية موثوقة، بمدة تراكمية تتجاوز 180 دقيقة. على المشروع المقترح أن ينطوي على علاقة جوهرية بإسرائيل. على لغة المسلسل المقترح أن تكون العبرية، العربية، الروسية، الأمهرية أو اليديشية، أو أي لغة أخرى ذات صلة بالثقافة المحلية، بنسبة لا تقل عن 50%. على 50% من أحداث قصة العمل أن تدور في إسرائيل، أو أن تكون الشخصية الرئيسية إسرائيلية. لن يتم قبول: أعمال format، برامج مسابقات، مسلسلات للأطفال والشبيبة والـ YA. الرجاء قراءة الشروط، عملية التصنيف وتفاصيل برنامج الحاضنة (الواردة في دستور الحاضنة) بعناية. 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Sacha Amaral Sacha Amaral Director: 2019 Year of lab participation: 8 Lab edition: Brazil Country: Tomas Cohen Producer: The Pleasure is Mine What was at first a simple pursuit to regain stolen money becomes the chance for a dysfunctional family to finally reconcile. Synopsis BAFICI Buenos Aires Film Festival 2024 Gijón International Film Festival 2024 Paris Chéries Chéris Film Festival 2024 BFI Flare London LGBTQIA+ Film Festival 2025 Festivals & Awards 2024 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Good Fence The Good Fence Hillel Rate Producer Lev Orlov Lab Edition: 12 , 2024 SCENE PITCH Production Lev Orlov Films Country Israel SYNOPSIS Avner yearns to include his daughter’s name on the community’s monument, despite her suicide and burial outside of the cemetery’s fence. When his son, a left-wing activist, faces accusations of unlawful activities, Avner releases him on bail and allows him to serve house arrest at home. The Orthodox community reacts strongly to the son’s presence, forcing Avner to choose between his daughter and his son. DIRECTOR'S NOTE "The Good Fence" combines socio-political drama with a personal family story, highlighting society’s, and even a family’s, blindness to the "other." This is my story and my father’s, and, in my opinion, it’s the story of everyone who has chosen a path different from their parents. As a non-practicing Jew raised in a religious home, I experience firsthand the tension between my own worldview and the one I was raised with. I lost my father about a year and a half ago. Our relationship was complicated because I opposed many of his values. His passing was unexpected, and we didn’t have a chance to say goodbye or part amicably. This script is my attempt to give voice to the loss I experienced and that many who leave their religious affiliation still feel. It’s an opportunity to address the tension between traditional and modern views and a call to the hard work of Sh’lom Bayit, making peace with one’s home. ABOUT THE FILMMAKER Hillel Rate, an independent Israeli filmmaker graduated with honors from the Maaleh School of Cinema and Television and completed his master's degree (MFA) cum laude in documentary cinema from Tel Aviv University. In addition, He works with festivals around the world as a jury and selection committee member. His short films have been screened at festivals around the world including among others, the Jerusalem IFF, Doc Aviv IFF, Hot Docs Canadian FF and Astra FF. Hillel's films deal with firsthand stories and focus on marginalized figures in Israeli society. He believes that through personal stories and intimate experiences, it is possible to create narratives that have a broad social impact. His point of view and visual tone are subtle, full of compassion and respect for his characters. ABOUT THE CO-WRITER PRODUCER Lev Orlov Lev Orlov is an independent film producer based in Tel Aviv and head of Lev Orlov Films. A graduate of the Innovative Producing Studies at Sam Spiegel Film and Television School, he produced award-winning short films that have featured in festivals worldwide. Currently, Lev focuses on producing fiction, documentary, and animation films with promising young Israeli and Palestinian filmmakers. His first feature film, Clouds of Dust (IS-PL-FR-CO), directed by Inbar Horesh and written by Bar Cohen and Inbar Horesh, is currently in pre-production. PRODUCTION COMPANY PROFILE ○ Lev Orlov Films, Tel Aviv ○ orlov.lev95@gmail.com ○ +972544951604 PRODUCTION BUDGET ○ Total budget: 800,000 USD LANGUAGE Hebrew GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS

Highway 65 Highway 65 Maya Dreifuss Producer Estee Yacov- Mecklberg Lab Edition 6 , 2017 SCENE PITCH Production Country Israel SYNOPSIS Daphna, 41, until recently a promising detective in Tel Aviv, finds herself in small-town Afula, dealing with petty crimes, seeking shade from the heat, and deflecting the intrusive question: "how come you don't have children?". Daphna's world is shaken by the sudden disappearance of Orly Elimeleh, a captivating army widow known for her beauty and rebellious spirit. Soon enough, a troubling question creeps in: why isn't anybody looking for her? Fearing the worst, Daphna will stop at nothing in order to solve the mystery. DIRECTOR'S NOTE LOG LINE Daphna, 41, until recently a promising detective in Tel Aviv, finds herself in small-town Afula, dealing with petty crimes, seeking shade from the heat, and deflecting the intrusive question: "how come you don't have children?". Daphna's world is shaken by the sudden disappearance of Orly Elimeleh, a captivating army widow known for her beauty and rebellious spirit. Soon enough, a troubling question creeps in: why isn't anybody looking for her? Fearing the worst, Daphna will stop at nothing in order to solve the mystery. ABOUT THE FILMMAKER PRODUCER Estee Yacov- Mecklberg PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ