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  • Come Closer

    Come Closer Come Closer Tom Nesher Producers Haim Mecklberg, Estee Mecklberg Lab Edition 9 , 2021 SCENE PITCH Production Country Israel SYNOPSIS When Eden's brother tragically dies, her grief spirals into obsession after discovering his secret girlfriend. A haunting exploration of love, loss and fixation with stunning visuals. DIRECTOR'S NOTE Director’s Note This is a very personal story. A year and a half ago my beloved younger brother was killed in an accident. My brother and I looked like twins, and lived an adventure-filled life together. We didn't have secrets from each other, or at least so I thought. This is a story of loss. Immediately after my brother died, I started writing. Some of my friends and family said I should leave it alone, because it only causes me pain. But this exact pain is the one that Inbar chooses to experience over and over, while deepening her relationship with her brother’s girlfriend, Maya. As Roland Barthes put it in his book "Mourning Diary": “I ask for nothing but to live in my suffering”. This is a story about youth. Youth is twilight time. If childhood is morning, and adulthood is night, the characters in my story exist at sunset. They know for sure that something is over and they are toying reluctantly of the idea of a new beginning. The teens in the film are constantly examining their boundaries: sexuality, friendship, dependency, loyalty, humiliation, and self-sacrifice. This is a story about love. I once read that spousal love increases twice as much when the couple loves a third person together - their child. If so, can two lovers of the same “child” bond together through an odyssey, and thus discover true love with each other? This is the way I see my story. Finally aims to be an exuberant, feisty, provocative, lively cinematic experience. I know this might sound totally contradictory to what one might expect from a film that is driven by mourning. Yet life has very little respect to conventions and expectations, and in my mind, movies should follow suit. LOG LINE When Eden's brother tragically dies, her grief spirals into obsession after discovering his secret girlfriend. A haunting exploration of love, loss and fixation with stunning visuals. ABOUT THE FILMMAKER PRODUCERS Haim Mecklberg, Estee Mecklberg Producer profile Haim and Estee Mecklberg are veteran Israeli producers. They have started 2-TEAM PRODUCTIONS in the beginning of 2005 in the intention of producing cross-over feature films – films with highly artistic and social content, yet outstanding audience appeal. Their past successful film include Eran Riklis's THE HUMAN RESOURCES MANAGER, Asaf Korman's NEXT TO HER, Sharon Maymon & Tal Granit's THE FAREWELL PARTY and Elite Zexer's SAND STORM. PRODUCTION COMPANY PROFILE Production company profile 2-Team Productions is one of the leading Israeli film production companies. Our films have participate in all major international film festivals, including Cannes, Berlin, Venice, Toronto and Sundance, won numerous international and Israeli awards (including Sundance Grand Jury Prize, Venice Audience Award and Israeli Academy Best Film Awards) and, at the same time, were successfully distributed in Israel and around the world. Production Company 2-Team Productions, Tel Aviv, Israel office@2-team.com +972-3-787-5111 PRODUCTION BUDGET Production Budget $1,150,000 Secured funds $ 15,000, Rabinovitch Film Fund development grant LANGUAGE Hebrew Coming of age GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • ŻEJTUNE

    ŻEJTUNE ŻEJTUNE Alex Camilleri Producers Rebecca Anastasi (Luzzu Ltd), Ramin Bahrani (NORUZ FILMS) Lab Edition 10 , 2022 SCENE PITCH Production Country Malta SYNOPSIS A young woman set on leaving Malta meets an aging troubadour whose music reawakens a love for the country she is determined to escape. DIRECTOR'S NOTE As I did in my debut, LUZZU, I will take audiences past the touristic view of Malta — in ŻEJTUNE we’ll discover charming non-actors and a totally unique musical tradition. I want to surprise viewers with complex characters, unexpected humor, and a fresh twist on genre.  ŻEJTUNE is a “neorealist musical” combined with a road movie. It’s also a deeply personal, universal story about finding hope after your world ends — a pandemic film that isn’t about the pandemic at all. I can’t wait to take you on the road to ŻEJTUNE. LOG LINE ABOUT THE FILMMAKER PRODUCERS Rebecca Anastasi (Luzzu Ltd), Ramin Bahrani (NORUZ FILMS) Rebecca Anastasi (Nizza Films, Malta) worked in international film production for seventeen years. She was a programmer for Valletta Film Festival, spearheading events including the conference on the Cinema of Small Nations. In 2021, she produced LUZZU, a Sundance-winner and international festival breakout, which sold in territories worldwide. She is a visiting film lecturer at the University of Malta working towards her doctorate, and an alumna of Berlinale Talents (2021). In 2022, she established her company, Nizza Films. Ramin Bahrani (Noruz Films, USA) is an Oscar-nominated writer, director and producer. His films have premiered in either the Cannes or Venice Film Festivals, where he has also served as President of the Debut Film jury. Film critic Roger Ebert named Bahrani “the director of the decade,” and his cinematic work is housed in the permanent collection at the Museum of Modern Art in NYC. Bahrani’s latest film, THE WHITE TIGER, was nominated for an Oscar, BAFTA, and was viewed globally 27 million times on Netflix. He was a producer of LUZZU. Alex Camilleri (Malta) will also produce through Solari Productions. PRODUCTION COMPANY PROFILE Company name & city: Solari Productions Sliema, Malta Contact email: alex.p.camilleri@gmail.com Contact telephone number: +1 507-261-3363 PRODUCTION BUDGET The production budget in USD: $950,000 Confirmed budget in USD and source: $47,350 — Malta Film Fund (Screen Malta), Development Grant LANGUAGE Maltese Comedy-Drama/Musical GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • Marc Grey and Nitai Gat

    I'm Afraid That's Our Time PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

  • Asaf Saban and Yoav Roeh

    Safe Harbor Add a Title Add a Title Send Send Yoav Roeh, Aurit Zamir Producers: Yoav Roeh , Asaf Saban Safe Harbor Lab Edition 4 2025 PITCH LOGLINE Two Mossad agents pose as a married couple seeking to foster a nine-year-old Lebanese boy. The child is their gateway to recruit his mother; a woman deeply embedded in Hezbollah's organization. SYNOPSIS Mossad agents Yulia and Ori, late 20’s, are dispatched by their commander Amiram (60), to a peaceful Greek island. Their mission is to pose as a couple and foster Amin (9), a Lebanese survivor of the IDF missile attack which killed his father, an high ranking Hezbollah member. Amin was pulled from the rubble by his mother Salma (29), who then smuggled her traumatized son to a UN refuge in Greece, which promises a safe harbor for children from war zones. Yulia and Ori give Amin a home and gradually develop an emotional bond with him. This helps them gain access to Salma who comes to know and trust them. Unbeknownst to her, she supplies them with crucial information regarding a Hezbollah-planned attack. As the mission deepens, something else begins to shift. Caring for the child forges a genuine bond between Yulia and Ori. What began as sexual tension in their first meeting evolves into intimacy and emotional closeness. They lose the distance and clarity the mission demands, failing to notice that their cover has been compromised. As the operation unravels, Salma discovers the truth about them and is coerced into collaboration when they use a visit with Amin as leverage. When Salma is finally able to come to the island for the much-awaited visit with Amin, a Hezbollah elite unit assassinates her, and abducts Amin. Apparently, they discovered her breach of loyalty. Amin is once again orphaned and the agents are left missing key information regarding the upcoming attack. Haunted by guilt, Yulia and Ori break away from command, choosing to save Amin from his kidnappers. But then they discover a devastating truth- Amin's biological father, a high-ranking terrorist presumed dead—is alive. The couple are now torn between loyalty to their country and their new “family” and must confront the most agonizing question: What truly serves the child's best interest? WRITER'S STATEMENT SAFE HARBOR is led by two strong protagonists who feel a deep sense of belonging and loyalty to their country, who are willing to risk their lives for it. For whom the country is their true family. During the season, despite themselves, they create their own makeshift, improvised family, which starts through deception but develops into true emotion. As the needs of these two “families” conflict, our characters question the truths and ideologies their identities are built on. Through this narrative setup, we are interested in exploring the idea of family, loyalty and betrayal. As Israelis, like our characters, we are familiar with having complex relationships with our national identities. We believe these questions resonate with viewers worldwide today, Character driven and propulsive, SAFE HARBOR will explore the deep, emotional journeys of its characters through a twisty spy plot. The series uses the contrast between the cold, sterile world of espionage and the warm, hopeful moments of the couple's personal journey to visually underscore its themes. The dramatic contrast between the fast-paced tone and the psychological complexities will make this series as thought-provoking as entertaining. PRODUCER'S STATEMENT Shot fully on location in Greece, SAFE HARBOR will allow us to observe the complex reality of our region seemingly from the outside, from the safety of a peaceful Greek island, but in fact while looking deeply from within. The series throws a light on the lives of children in war zones, a topic which has become painfully relevant to us in the past years. Traumatized, orphaned, hurt- children are the most vulnerable victims of their parents’ wars and conflicts. SAFE HARBOR will reveal the cynical mechanisms behind the war machine, in which one child, Amin, is being used as collateral. During the season, our characters will have to face their own experiences as children, address how those shaped them, and lead them to reexamine their loyalties, hopefully giving Amin hope for a different future. Zig-zagging at fast speed between the personal and the national, the show will be as compelling as it will be unsettling, it’s power stemming from viewers connection to the strong characters who will ask themselves- is there a SAFE HARBOR to be found anywhere in this world? Or does that space exist only within their personal identity, within their own family? We look forward to embarking on this project which has a wide international appeal in terms of genre, language as well as tone, while maintaining core values of honest storytelling. LOOKING FOR Sales Agents, Co-producers, Broadcasters, National and/or regional fund Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

  • "Dead Language" Premiering in Tribeca Film Festival

    We congratulate our alumnies Mihal Brezis and Oded Binnun for the premiere of their film "Dead Language", developed on the Sam Spiegel International Film Lab's 4th edition, and based on the short Academy Award nominated film "Aya". Their upcoming world premiere will take place at the Tribeca Film Festival. Good luck! We congratulate our alumnies Mihal Brezis and Oded Binnun for the premiere of their film "Dead Language", developed on the Sam Spiegel International Film Lab's 4th edition, and based on the short Academy Award nominated film "Aya". Their upcoming world premiere will take place at the Tribeca Film Festival. Good luck! "Dead Language" Premiering in Tribeca Film Festival NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

  • The story of a summer Love

    The story of a summer Love The story of a summer Love Paul Negoescu Producer Radu Stancu Lab Edition 4 , 2015 SCENE PITCH Production Country Romania SYNOPSIS Petru is a professor of mathematics at the Polytechnic University of Bucharest and leads a carefree life. He's in an open relationship with Irina, who overlooks that he sleeps with other women from time to time. But once Irina gets pregnant, Petru is forced to change his lifestyle and grow up, even he's 42. One of his friends, who was always there for him, decides to write a book about his story. DIRECTOR'S NOTE LOG LINE Petru is a professor of mathematics at the Polytechnic University of Bucharest and leads a carefree life. He's in an open relationship with Irina, who overlooks that he sleeps with other women from time to time. But once Irina gets pregnant, Petru is forced to change his lifestyle and grow up, even he's 42. One of his friends, who was always there for him, decides to write a book about his story. ABOUT THE FILMMAKER PRODUCER Radu Stancu PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • The Real Estate Agent

    The Real Estate Agent 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS The Real Estate Agent Filmmaker Gadi Rimer Producer Harel Ben Melech Production Company Tiarafilms Country Israel Lab Edition 13 , 2025 SCENE PITCH SHORT SYNOPSIS An ambitious real-estate agent falls in love with the remote country house she was asked to sell, and gradually begins to lead a secret, parallel life in it. The place becomes her own private paradise, where she feels calm and free from her stressful career and from her husband, with whom she’s trying to have their first child, without success. When she meets a young Palestinian worker who is renovating the house, her boundaries and values blur even further. Is she, now, who she wanted to be? DIRECTOR’S NOTE “The Real Estate Agent” is a film about a woman – and about a house. About the will to build – and to be rebuilt. About a search for the meaning of the word “home”, which has recently become terribly relevant for our lives in Israel – and for me, personally, since I became a parent myself during these years of war. In this film, the isolated house, or the abandoned orchard, will function as characters - no less than the woman who discovers them. With its own rhythm and minimalist style, the film will stand in contrast to the pace of life in Israel’s harsh, materialistic reality. ABOUT THE FILMMAKER Gadi Rimer graduated with high honors from the Steve Tisch School of Film and Television, Tel-Aviv University. His short student film, “Sooner or Later” (2019), was screened at many film festivals around the world. His independent documentary, “Requiem for a Fish” (2020), was nominated for best short film at the Israeli Documentary Forum competition. His graduation film, “All Those Beginnings” (2022), won a prize for emerging filmmaker at the Tel-Aviv International Student Film Festival. ABOUT THE FILMMAKER PRODUCER Harel Ben Melech Harel Ben Melech is an independent producer, founder of Tiara Films. Her recent work includes ”The Visit” (Cannes, Palm Springs, HollyShorts) and ”The Sun Rises Down Below” (Best Short, Jerusalem FF). Her films and music videos were also screened and won awards at leading festivals such as Cinequest, LEEDS, Aesthetica, MECAL PRO, Miami FF, and were nominated for the Israeli Academy Award. Tiara Films produces short films, music videos and commercials, and is currently developing several debut features supported by international labs and film funds. The company focuses on bold and unique storytelling, emerging voices, and international collaborations. PRODUCTION COMPANY PROFILE ○ Tiara Films / Tel-Aviv ○ +972 526030835 ○ tiarafilmsprod@gmail.com PRODUCTION BUDGET ○ Total budget: 750,000 USD ○ No confirmed budget source yet LANGUAGE Hebrew, Arabic GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

  • Photograph

    Ritesh Batra Ritesh Batra Director: 2014 Year of lab participation: 3 Lab edition: India Country: Seher Latif Producer: Photograph A struggling street photographer in Mumbai, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develop a connection that transforms them in ways they could not expect. Synopsis Sundance Film Festival 2019 Berlin International Film Festival 2019 Sydney Film Festival 2019 Festivals & Awards 2019 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • Hila Elena Royzenman

    The Plasticians PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

  • Calling Israeli filmmakers - the 12th edition of the JSFL

    Do you want to work with the best script editors in the world? If you are an Israeli filmmaker working on your first or second feature - the call for submissions to our international film lab is open until June 22th. Over 11 years of groundbreaking cinema! Do you want to work with the best script editors in the world? If you are an Israeli filmmaker working on your first or second feature - the call for submissions to our international film lab is open until June 22th. Over 11 years of groundbreaking cinema! Calling Israeli filmmakers - the 12th edition of the JSFL NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

  • 13TH EDITION CATALOGUE | JSFL

    The Sam Spiegel International Film Lab supports talents from all over the world through script editing, pitch training, inspirational and networking activities. ABOUT THE FILM LAB Since its launch in 2011, The Sam Spiegel International Film Lab has been a leading force in the development of groundbreaking feature films by some of the world’s most promising talents. The Lab is an initiative of the Sam Spiegel Film and TV School, which has been chosen as one of the best 15 film schools in the world for several years, by the Hollywood Reporter. Amongst the Lab’s graduates are Laszlo Nemes with "Son of Saul" (winner of the Oscars for Best Foreign Film), Antoneta Alamat Kusijanovic with "Murina" (winner of the Camera d'Or in Cannes Film Festival 2021); Shuchi Talati with "Girls will be girls" (winner of the Audience Award and Best Actress award in Sundance Film Festival 2024); Marianna Brennand Fortes with “Manas” (winner of the Giornate Degli Autori Director's Award in Venice Film Festival 2024), and others. The Lab is an eight-month development program. The selected international and Israeli projects undergo an in-depth process with the Lab's acclaimed script editors, after which they are presented to an audience of jury members and decision makers at a celebratory event, which is taking place this year at the Venice Production Bridge. The jury awards production prizes totaling $50,000- $70,000, generously donated by the Beracha Foundation. The Sam Spiegel International Film Lab supports bold storytellers, who look deeply into the human experience in search for their unique truth. The projects speak for themselves. Sam Speigel_Film Lab 24 13 edition PARTICIPANTS_.jpg עותק של Hamama-YZwecker(C) (99).JPG עותק של Hamama-YZwecker(C) (33).JPG עותק של Hamama-YZwecker(C) (3).JPG עותק של עותק של עותק של Hamama-YZwecker(C) (98).JPG עותק של the gang.jpg עותק של the gates.jpg Sam Speigel_Film Lab 24 13 edition PARTICIPANTS_.jpg עותק של Hamama-YZwecker(C) (99).JPG עותק של Hamama-YZwecker(C) (33).JPG עותק של Hamama-YZwecker(C) (3).JPG עותק של עותק של עותק של Hamama-YZwecker(C) (98).JPG עותק של the gang.jpg עותק של the gates.jpg Sam Speigel_Film Lab 24 13 edition PARTICIPANTS_.jpg עותק של Hamama-YZwecker(C) (99).JPG עותק של Hamama-YZwecker(C) (33).JPG עותק של Hamama-YZwecker(C) (3).JPG עותק של עותק של עותק של Hamama-YZwecker(C) (98).JPG עותק של the gang.jpg עותק של the gates.jpg Sam Speigel_Film Lab 24 13 edition PARTICIPANTS_.jpg עותק של Hamama-YZwecker(C) (99).JPG עותק של Hamama-YZwecker(C) (33).JPG עותק של Hamama-YZwecker(C) (3).JPG עותק של עותק של עותק של Hamama-YZwecker(C) (98).JPG עותק של the gang.jpg עותק של the gates.jpg Sam Speigel_Film Lab 24 13 edition PARTICIPANTS_.jpg עותק של Hamama-YZwecker(C) (99).JPG עותק של Hamama-YZwecker(C) (33).JPG עותק של Hamama-YZwecker(C) (3).JPG עותק של עותק של עותק של Hamama-YZwecker(C) (98).JPG עותק של the gang.jpg עותק של the gates.jpg 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

  • The first session of our 11th Edition ended

    After an intensive and fruitfull week, it's a wrap! On Friday we concluded the first session of the 11th Film Lab, with each one of the participants talking about their project and the process it went through during this week. We said goodbye until our next intensive session which will take place online in March. We thank all our friends and partners that helped bring this session to life. After an intensive and fruitfull week, it's a wrap! On Friday we concluded the first session of the 11th Film Lab, with each one of the participants talking about their project and the process it went through during this week. We said goodbye until our next intensive session which will take place online in March. We thank all our friends and partners that helped bring this session to life. The first session of our 11th Edition ended NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

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