Terra Nullius Add a Title Add a Title Send Send Einat Zilber-Damari Producers: , Hillel Rate Terra Nullius Lab Edition 4 2025 PITCH LOGLINE After losing custody of her son, Ivriya infiltrates a religious settlement to expose the men who framed her mother for deadly arson, forcing her to break the cycle of violence-or she loses him forever. SYNOPSIS On a remote mountain in Samaria, where a state-recognized settlement backed by state power, and a radical anarchist outpost, determined to dismantle that very system, are locked in uneasy proximity, Terra Nullius (Latin for “Nobody‘s Land”) unfolds as a slow-burn thriller about land, faith, and buried crimes. After her mother’s sudden death, Ivriya, daughter of a Peruvian convert from the forgotten “Inca Jews” (a unique community of indigenous Christian Peruvians from the Amazon who converted to Judaism and immigrated to Israel, yet remain eternal outsiders within the closed settler society), arrives to reclaim her mother’s land and is pulled into the mountain’s hidden war: religion vs. ideology and tradition vs. truth. Like her, Amir (30), an Arab-Israeli construction manager from Haifa, unwanted by both settlers and Palestinians, finds himself stranded between worlds. Their unlikely friendship reveals a shared terrain between erased identities, both yearning for roots, voice, and history. As Ivriya’s quest to uncover her mother’s injustice slips toward revenge, the series echoes prophet Ezekiel’s warning; “The fathers ate sour grapes, and the children’s teeth are set on edge”. Terra Nullius is a story of generational wounds, fragile identities, and the price demanded by sacred land. WRITER'S STATEMENT Terra Nullius unfolds in a raw, biblical landscape, inside a charged religious-political reality. But this is not only a political series. At its core, it is an intimate story about inheritance. About what we receive from our parents, from our land, from our faith, and what it costs to refuse it. I grew up within the religious-national world the series portrays. The language of redemption, sacrifice, and destiny shaped my childhood. I know its beauty. I also know its silence. That tension, between belonging and doubt - is the emotional engine of this series. Like the works of Mare of Easttown, True Detective, The Returned, and Unbelievable, atmosphere and inner landscapes are as central as plot. Here too, an investigation slowly becomes a crime. A buried secret mirrors the heroine’s deeper search for repair, not only of her mother’s past, but of herself. The visual language draws from filmmakers such as Tarkovsky and Malick, who treat landscape not as backdrop but as memory. On this mountain, nature is not passive; it absorbs history. The wind carries accusation. The silence holds guilt. The terrain remembers what the characters try to forget. This series emerges from a place I know from within, not as accusation, not as propaganda, but as confrontation. In Israel today, the struggle over land is inseparable from the struggle over truth, and both are passed from generation to generation like an heirloom no one dares to question. Through Ivriya, I wanted to ask a simple, painful question: If you inherit violence, are you destined to repeat it, or can you end it without burning everything down? PRODUCER'S STATEMENT Sometimes the truth lies buried so deep that reaching it demands courage, patience, and a willingness to confront what others prefer to keep hidden. I place my trust and belief in the creator of this series and in what he has to say, as someone who speaks from a deeply personal point of view—someone who knows the land, the people, and the community from the inside, not as an outsider looking in. That intimate familiarity gives the story an authenticity that cannot be fabricated or imitated. This is not just a personal story, but a courageous act of reckoning. It challenges silence, exposes long-standing power structures, and asks difficult questions about faith, loyalty, and justice. It dares to look directly at inherited trauma and the price paid by those who are born into narratives they did not choose, yet are forced to carry. This is a story that must be heard—because it gives voice to those who were denied one, because it refuses to simplify complex realities, and because it insists on empathy even in the face of violence and loss. Above all, it is a story that offers inspiration: to women who fight to reclaim their agency, to men and women who struggle against cycles of fear and oppression, and to anyone who believes that truth, once revealed, has the power to heal, transform, and create change. LOOKING FOR International Distributors, Sales Agents, Co-producers, Broadcasters, Platforms, National and/or regional fund, Private Funds / Banks Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

I'm Afraid That's Our Time I'm Afraid That's Our Time Screenwriters: Marc Grey, Nitai Gat Producer: Amir Ganor & Adi Bar Yossef , Endemol Shine Israel Language: Hebrew Format: 10 Episodes x 45 Minutes Send PITCHDECK LOGLINE Terrified by the implications of their psychologist’s suicide on their own well-being, four orphaned patients set out to prove that their therapist was in fact murdered. SYNOPSIS Yotam is obsessed with thoughts of suicide, but years of therapy have convinced him that he’s not in real danger – until his therapist goes and kills himself. Terrified he’ll suffer the same fate, Yotam teams up with three other orphaned patients to prove their shrink was actually murdered. As their bumbling investigation begins to bear fruit, the danger escalates, leaving the group exposed and vulnerable – with only each other to lean on. WRITER'S STATEMENT My therapist cancels a session for health reasons, and so begets a crisis: what happens when he dies? No Hallmark card for that. I imagine furtively seeking out other clients at the funeral. Who but they would understand my loss? These are the dramatic seeds for “I’m Afraid That’s Our Time,” planted with my writing partner Nitai in the well-tilled soil of murder-mystery, watered with comedic irony and existential dread, growing now, we hope, into a story about love, death, friendship - and becoming the humans we want to be. ABOUT THE WRITERS Marc Grey grew up in a home with a 3,000 title VHS collection because his father didn’t want to pay for cable. Now a screenwriter and director, Marc wrote episodes of the International Emmy winning series TEHRAN (Apple TV+ / Kan). His 2019 short-form series DRECKULA (Kan) was nominated for an Israeli TV Academy Award. He lives with wife in Tel Aviv. They don’t have cable. Nitai Gat is a Tel Aviv-based screenwriter and the creator of DRECKULA, a short-form comedy series that premiered on Kan 11 and was nominated for an Israeli TV Academy Award. He is currently developing various scripted series in collaboration with companies such as Endemol Shine Israel, Hadas Mozes’ ADD, and Paper Entertainment. A trivia buff, Nitai also writes for many of Israel’s top game shows. PRODUCER'S STATEMENT What we love about "I'm Afraid That's Our Time" is its ability to tackle the painful subject of suicide in an engaging and immersive way, without losing the depth of the dramatic questions that our protagonist, Yotam, and the audience face. The series' universal themes make it relatable to viewers worldwide, and we believe it will resonate across different cultures and audiences. PRODUCER PROFILE Endemol Shine Israel is part of the international BANIJAY Group, producing over 350 series annually across diverse genres, and collaborating with approximately 400 broadcasters, digital platforms, and channels worldwide. ES Israel specializes in creating original content that resonates in both local and international markets. It won numerous awards for acclaimed dramas like QUEENS, VALLEY OF TEARS, ORPHEUS PROJECT and International Emmy Awards for NEVSU (2018) and TRAFFIC LIGHT (2010). PRODUCTION CONTACT DETAILS Adi.b@endemolshine.co.il +972507348900 Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

The Handball Coach The Handball Coach Sivan Noam Shimon Producer Benny Fredman Lab Edition: 12 , 2024 SCENE PITCH Production Red Films LTD Country Israel SYNOPSIS The moment when Yael "the Bulldozer" Cherni (32) scored the winning goal in the European Handball Championship defined the peak of her career. But it also crushed her knee and left her with excruciating pain and the nickname. The doctors say her career is over, her partner Nofar (30) pleads her to move on, but Yael feels belittled. The only one who believes in her is Sari (17), a troubled goalkeeper in the youth team Yael coaches. Around her, Yael feels strong, worthy, and admired once again. The relationship between the two takes an unexpected dimension. DIRECTOR'S NOTE I was an athlete and the feeling of "I'm a badass" became a key part of my being. Thus, I set out to write a story of a woman who doesn't know who she is without her strength and will do anything to stay on the court. I chose handball, not such a popular sport, and the peripheral town Or-Yehuda, to express the perception that women’s sports are marginal. Hence, many female athletes don't get the appreciation or financial support like their male counterparts. For people who come from marginalized populations, sports can be life changing, if not as a career, then in a "I'm a badass" state of mind. ABOUT THE FILMMAKER Sivan Noam Shimon is a writer, director and actress, graduate from Steve Tisch School of Film and Television at Tel-Aviv University. Her short film Wake Up Call won several film festivals around the world. She won the Best Actress award at Haifa international Film Festival for her leading role in the film Blush. She acted in the American film Ma Belle, My Beauty, which won the Audience award at Sundance Film Festival. Shimon was a programmer at TLVFest and teaches screenwriting at Minshar Art College. Currently, Shimon is developing her first feature film. ABOUT THE CO-WRITER PRODUCER Benny Fredman Benny Fredman studied film at Camera Obscura. His works include Netflix's "Suicide", the TV series "Suspect", Ophir Award-winning film "Home" and the documentary films "Poogy-Tales" and "Moving the Embassy". PRODUCTION COMPANY PROFILE ○ Red Films LTD, Jerusalem ○ +972-543474448 ○ benif123@gmail.com PRODUCTION BUDGET ○ Total budget: 1,100,000 USD ○ Confirmed budget and source: 175,000 USD by Amir Gedalya productions LTD LANGUAGE Hebrew GENRE Drama Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS

Tonislav Hristov Tonislav Hristov Director: 2019 Year of lab participation: 8 Lab edition: Bulgaria Country: Karl Aho Producer: The Good Driver While trying to make up for his mistakes and show his wife and son that he's a changed man, Ivan, a Bulgarian taxi driver, understands that there are many ways to prove one's worth. Synopsis Thessaloniki International Film Festival 2022 Goteborg Film Festival 2023 Sofia International Film Festival 2023 - Best Bulgarian Feature Film Bulgarian Film Academy Awards 2023 - Best Leading Actor, Best Supporting Actor Festivals & Awards 2022 Year of release: Trailer IMDb HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Dea Kulumbegashvili 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Dea Kulumbegashvili 2017 Year of lab participation: 6 Lab edition: Country: Gorgia Producer: Rati Oneli Beginning In a sleepy provincial town, a Jehovah's Witness community is attacked by an extremist group. In the midst of this conflict, the familiar world of Yana, the wife of the community leader, slowly crumbles. Yana's inner discontent grows as she struggles to make sense of her desires. Lab edition: Toronto International Film Festival 2020 - FIPRESCI Prize San Sebastián International Film Festival 2020 - Best Film, Best Director, Best Screenplay, Best Actress New York Film Festival 2020 Busan International Film Festival 2020 Tallinn Black Nights Film Festival 2020 Adelaide Film Festival 2020 - Best Feature Singapore International Film Festival 2020 - Best Director Jerusalem Film Festival 2021 Jerusalem Sam Spiegel Film Lab 2017 - 2nd Prize Winner Synopsis 2020 Year of release: PITCH Trailer HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

Passed By Censor Passed By Censor Serhat Karaaslan Producer Serkan Cakarer Lab Edition 5 , 2016 SCENE PITCH Production Country Turkey SYNOPSIS In the heart of Istanbul's prison, Zakir controls the letters prisoners receive. His average day is spent between the censorship office, his colleagues and his evening writing class. For a writing assignment, he steals a photo from one of the letters, in which appears Selma, an inmate's wife. More than an inspiration, she becomes an obsession for Zakir. DIRECTOR'S NOTE LOG LINE In the heart of Istanbul's prison, Zakir controls the letters prisoners receive. His average day is spent between the censorship office, his colleagues and his evening writing class. For a writing assignment, he steals a photo from one of the letters, in which appears Selma, an inmate's wife. More than an inspiration, she becomes an obsession for Zakir. ABOUT THE FILMMAKER PRODUCER Serkan Cakarer PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

My Heart My Enemy My Heart My Enemy Teresa Zofia Czepiec, Maciej Sobieszczański Producer Mikołaj Pokromski Lab Edition 12 , 2024 SCENE PITCH Production Pokromski Studio, Poland; Iota Production, Belgium Country Poland, Belgium SYNOPSIS A 9-year-old girl named Sara travels alone from Poland to Belgium in search of her mother, Joanna. When they reunite, Sara discovers that Joanna has created a new family, but she is nonetheless determined to fight for her mother’s love by any means. As it turns out, Joanna has a dark secret of her own, and one day she disappears again. As a result of this emotional rollercoaster, Sara starts to question her sense of belonging to her mother and tries to find her own place in the Belgian family. DIRECTOR'S NOTE Telling stories about varied experiences of motherhood is important to me. Growing up in Belgium and Poland, I understand the cultural, religious, and political differences this subject may reveal. A mother leaving her child can be one of the decisions she makes. In My Heart My Enemy, we delve into what happens next, in the child's mind and heart. This film explores the power and mystery of a child's unconditional love and the need to belong. LOG LINE A 9-year-old girl travels alone to Belgium in search of her mother who abandoned her, determined to reclaim her love. When she discovers her mother has created a new family, she desperately fights for her place in this new life in a foreign world. ABOUT THE FILMMAKER ○ Teresa Zofia Czepiec | Director-Writer Born in Belgium, is a Polish film director and screenwriter. Through her films, she tells stories of people living in conflict between the individual and society. Her documentary Superunit has been shown at over 90 festivals worldwide and has won many prestigious awards. Her prize at the It's All True Film Festival qualified the film for the Oscar preliminary list. She studied architecture, film directing (WRiTV Katowice, Poland), and visual arts (Le Fresnoy, France). ○ Maciej Sobieszczański | Co-Writer Maciej Sobieszczański, a director and screenwriter, has won many international awards, including the Think: The Award at Berlinale 2015 for Performer. His film The Reconciliation received the First Look award at the Locarno International Film Festival and Best Directing at the Montreal IFF in 2017. His latest film Brother is awaiting its premiere. PRODUCER Mikołaj Pokromski Polish film producer, CEO of Pokromski Studio and member of German, Polish and European Film Academy. He graduated from German-French Film Academy at Film Academy in Baden-Württemberg and La Fémis - Paris. In the last few years he has produced both documentary and feature films. POKROMSKI STUDIO Established in Poland in 1992 Pokromski Studio (Too Old for Fairy Tales, Marie Curie, The Whale from Lorino) specializes in international co-productions and production services. The company works with experienced filmmakers and emerging talents, bringing together film production for wide audience and arthouse cinema projects. Pokromski Studio has worked with production companies, such as: Constantin Film AG, X-Filme Creative Pool from Berlin, Agitprop from Sofia, Loopline Film from Dublin and Oktober Oy from Helsinki. PRODUCTION COMPANY PROFILE ○ mikolaj@pokromskistudio.pl ○ 0048 502 587 387 ○ www.pokromskistudio.pl PRODUCTION BUDGET ○ Total budget: 1,485,625 USD ○ Confirmed budget and source: 646,867 USD (Polish Film Institute 495,209 USD / Next Film - Polish distributor MG 61,901 USD / Belgian co-producer Iota Production 27,855 USD / Polish producer Pokromski Studio own contribution 61,902 USD) LANGUAGE Polish, German, French Drama, Psychological Thriller GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Sea The Sea Shai Carmeli Pollak Producer Baher Agabria Lab Edition 5 , 2016 SCENE PITCH Production Country Israel SYNOPSIS Khaled (12), a Palestinian boy is on his way to visit the sea for the first time in his life, at the checkpoint, the Israeli authorities deny his entry. Determined, Khaled sneaks into Israel and embarks on a dangerous journey to the sea. Meanwhile, Ribhi, his father, is trying to trace his whereabouts, putting himself at risk of being arrested and losing his job. DIRECTOR'S NOTE LOG LINE Khaled (12), a Palestinian boy is on his way to visit the sea for the first time in his life, at the checkpoint, the Israeli authorities deny his entry. Determined, Khaled sneaks into Israel and embarks on a dangerous journey to the sea. Meanwhile, Ribhi, his father, is trying to trace his whereabouts, putting himself at risk of being arrested and losing his job. ABOUT THE FILMMAKER PRODUCER Baher Agabria PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Asa Hjorleifsdottir 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Asa Hjorleifsdottir 2014 Year of lab participation: 3 Lab edition: Country: Iceland Producer: Birgitta Bjornsdottir The Swan A wayward nine-year-old girl is sent to the countryside to work and mature, but finds herself instead deeply entangled in a drama she can hardly grasp. Lab edition: Toronto International Film Festival 2017 Santa Barbara International Film Festival 2018 - Best Scandinavian Film Kolkata International Film Festival 2017 - International Competition: Innovations in Moving Images Cairo International Film Festival 2017 - Cinema of Tomorrow Award for Best Film Nashville Film Festival 2018 Synopsis 2017 Year of release: PITCH Trailer HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

The Kindergarten Teacher The Kindergarten Teacher Nadav Lapid Producer Talia Kleinhendler Lab Edition 1 , 2012 SCENE PITCH Production Country Israel SYNOPSIS A kindergarten teacher discovers in a five year-old child a prodigious gift for poetry. Amazed and inspired by this young boy, she decides to protect his talent in spite of everyone. DIRECTOR'S NOTE LOG LINE A kindergarten teacher discovers in a five year-old child a prodigious gift for poetry. Amazed and inspired by this young boy, she decides to protect his talent in spite of everyone. ABOUT THE FILMMAKER PRODUCER Talia Kleinhendler PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Yehonatan Indursky 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Yehonatan Indursky 2013 Year of lab participation: 2 Lab edition: Country: Israel Producer: Osnat Handelsman-Keren & Talia Kleinhendler Driver A 'Driver' in the oltra orthodox community takes his daughter on his nightly journey, exposing her to the more questionable members of this pious society in the dark alleys of Bnei Barak they each find, even if for a short moment, their lost childhoods. Lab edition: Israeli Film Academy Awards 2017 - Best Costume Design Nominee Synopsis 2017 Year of release: PITCH Trailer HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

The Good Fence The Good Fence Hillel Rate Producer Lev Orlov Lab Edition: 12 , 2024 SCENE PITCH Production Lev Orlov Films Country Israel SYNOPSIS Avner yearns to include his daughter’s name on the community’s monument, despite her suicide and burial outside of the cemetery’s fence. When his son, a left-wing activist, faces accusations of unlawful activities, Avner releases him on bail and allows him to serve house arrest at home. The Orthodox community reacts strongly to the son’s presence, forcing Avner to choose between his daughter and his son. DIRECTOR'S NOTE "The Good Fence" combines socio-political drama with a personal family story, highlighting society’s, and even a family’s, blindness to the "other." This is my story and my father’s, and, in my opinion, it’s the story of everyone who has chosen a path different from their parents. As a non-practicing Jew raised in a religious home, I experience firsthand the tension between my own worldview and the one I was raised with. I lost my father about a year and a half ago. Our relationship was complicated because I opposed many of his values. His passing was unexpected, and we didn’t have a chance to say goodbye or part amicably. This script is my attempt to give voice to the loss I experienced and that many who leave their religious affiliation still feel. It’s an opportunity to address the tension between traditional and modern views and a call to the hard work of Sh’lom Bayit, making peace with one’s home. ABOUT THE FILMMAKER Hillel Rate, an independent Israeli filmmaker graduated with honors from the Maaleh School of Cinema and Television and completed his master's degree (MFA) cum laude in documentary cinema from Tel Aviv University. In addition, He works with festivals around the world as a jury and selection committee member. His short films have been screened at festivals around the world including among others, the Jerusalem IFF, Doc Aviv IFF, Hot Docs Canadian FF and Astra FF. Hillel's films deal with firsthand stories and focus on marginalized figures in Israeli society. He believes that through personal stories and intimate experiences, it is possible to create narratives that have a broad social impact. His point of view and visual tone are subtle, full of compassion and respect for his characters. ABOUT THE CO-WRITER PRODUCER Lev Orlov Lev Orlov is an independent film producer based in Tel Aviv and head of Lev Orlov Films. A graduate of the Innovative Producing Studies at Sam Spiegel Film and Television School, he produced award-winning short films that have featured in festivals worldwide. Currently, Lev focuses on producing fiction, documentary, and animation films with promising young Israeli and Palestinian filmmakers. His first feature film, Clouds of Dust (IS-PL-FR-CO), directed by Inbar Horesh and written by Bar Cohen and Inbar Horesh, is currently in pre-production. PRODUCTION COMPANY PROFILE ○ Lev Orlov Films, Tel Aviv ○ orlov.lev95@gmail.com ○ +972544951604 PRODUCTION BUDGET ○ Total budget: 800,000 USD LANGUAGE Hebrew GENRE Drama Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS