Girl and Child Girl and Child Filmmakers: Noam Ellis Producers Mika Timor, Jean Baptiste-Legand Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 5 , 2016 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCERS Mika Timor, Jean Baptiste-Legand PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Pirates Pirates Filmmakers: Myriam Gharbi's Producers Claire Gadea, Marie-Pierre Macia Production Company: SCENE PITCH Country: France Language: Genre: Lab Edition: 6 , 2017 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCERS Claire Gadea, Marie-Pierre Macia PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Photograph Photograph Filmmakers: Ritesh Batra Producer Seher Latif Production Company: SCENE PITCH Country: India Language: Genre: Lab Edition: 3 , 2014 LOG LINE A struggling street photographer in Mumbai, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develop a connection that transforms them in ways they could not expect. SYNOPSIS A struggling street photographer in Mumbai, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develop a connection that transforms them in ways they could not expect. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Seher Latif PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

At the Edge of the World At the Edge of the World Filmmakers: Amelia Nanni Producer Isabelle Truc Production Company: IOTA PRODUCTION, Belgium SCENE PITCH Country: Belgium, Italy Language: French, Italian Genre: Coming of age Lab Edition: 11 , 2023 LOG LINE Axelle (9 years old) spends the summer with her grandparents in Italy. It is said that a curse strikes their village: every summer, one person must die. For the first time, she will face death. SYNOPSIS Nine year old Axelle spends the summer separated from her mother. She is entrusted to her grandparents: the extravagant Paolina and the shy Natale, living in Stiappa. It is said that a curse strikes this tiny Toscan village: every summer one person must die. Axelle, with the help of a small group of children led by Ambra, will do her best to ward off the evil eye of her grandparents. Axelle and Ambra will have to face death for the first time. DIRECTOR'S NOTE My project here is to adopt a child's point-of-view to tell her first meeting with death. Death is a taboo in our Western societies. We count our dead but we don't know how to prepare mourning and how to deal with it. However, it is only by collectively assuming death that we can really live with it and, above all, take care of the living whatever their age. In this film, I wish to put death back at the heart of life. ABOUT THE FILMMAKER Franco-Italian and from the 3rd generation of immigrants, Amelia spent many holidays in Stiappa, a small, isolated village, where she saw her grandparents die. This village is increasingly depopulated, to the point where she knows more dead people than alive. The ruins multiply and urge her to make her first feature film in this place. Amelia is graduated from the University of Paris 7 in cinema, and also has a masters degree in directing from the INSAS (Brussels). PRODUCER Isabelle Truc Created in 2000 in Belgium by Isabelle Truc, Iota Production has produced around fifty documentary films. While maintaining a particular focus on this activity, the company has opened to fiction, animation, and TV series. Most recently, the documentary Hawar, Our Banished Children by Pascale Bourgaux had its world premiere at Visions du Reel 2023. We have also produced 11 shorts and a dozen fiction films, including Our Struggles by Guillaume Senez selected at the Critics' Week of Cannes in 2018 and Oleg by Juris Kursietis, as a co-production, selected at the Cannes Director’s fortnight, 2019. On the animation side, we have participated in the production of Tomm Moore's previous animated feature films, Brendan and the Secret of Kells and The Song of the Sea, nominated for Oscars and Cesars and awarded the prize for best European animated film in 2015. PRODUCTION COMPANY PROFILE Iota production, La hulpe (Belgium) contact email : contact@iotaproduction.com contact telephone number : +32 2 344 65 31 PRODUCTION BUDGET The production budget in USD : 2.245.820 USD confirmed budget in USD and source : 824.130 USD (Media development, Belgian Tax Shelter, Belgian cinema center (writing support, artistic development support, production development support). Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

AFTER DARK AFTER DARK Filmmakers: Erenik Beqiri Producers Olivier Berlemont (Origine Films), Pierre Mourey (On Film Production) Production Company: SCENE PITCH Country: France / Albania Language: Albanian Genre: Fiction, Drama Lab Edition: 10 , 2022 LOG LINE Anna wants to make her relationship with Tom official by meeting his father. The problem is : Anna is a vampire. In the midst of Tirana’s chaos, she fights her own nature to keep her love alive. SYNOPSIS After Dark is both singular and universal. Singular because of its territorial anchoring and the city of Tirana being a whole character, Albania being rarely shown in mainstream movies. But mostly because of its artistic proposal and the way it uses and twists the fantastic element, in an intimate and naturalistic way. It is also universal because of its topic of a love story, although it involves here a vampire woman. DIRECTOR'S NOTE In After Dark, there won’t be any fangs, crucifixes... The vampires are not immortal, they are a cursed extension of our society that cannot find where they fit in. I want to describe them as flawed sensitive beings, with desires and needs just like us, evolving in a chaotic city which is also struggling to find its identity. The story also asks : can we really feel the same towards each other when we are so different ? ABOUT THE FILMMAKER PRODUCERS Olivier Berlemont (Origine Films), Pierre Mourey (On Film Production) Origine Films has produced and co-produced 50 fiction shorts films to this day. We take great pride in defending different genres with strong individuality and 50% of our production catalogue consists of international coproductions. Our catalogue includes several multi award-wining short films, including three Palme d’or nominees : 37°4S by Adriano Valerio, Sali by Ziya Demirel, and more recently Erenik’s The Van that we developed from the very beginning of the project. We are now developping our first international feature coproductions. PRODUCTION COMPANY PROFILE Origine Films / 21 Avenue du Maine 75015 Paris, France olivier@originefilms.fr / pierre@originefilms.fr +33688744401 +33610641526 PRODUCTION BUDGET Production Budget in USD : 912 079 $ Confirmed Budget and source : CNC : 24 582 $ Auvergne-Rhône-Alpes Région : 8 550 $ Albanian Cinema Center Development Fund : 21 376 $ Euro Media Co-Development Fund : 71 593 $ Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Goodbye, Boys Goodbye, Boys Filmmakers: Sacha Amaral Producers Agustin Gagliardi & Ricca Galdeano, Isabel Machado, Romain Bent Production Company: Quadrophenia Films, C.R.I.M, Solal Films SCENE PITCH Country: Brazil, Portugal, France Language: Portuguese Genre: Drama Lab Edition: 13 , 2025 LOG LINE After losing their mother, Ian and Noah set out to find their father, drifting through broken homes and uncertain ties — not in search of rescue, but of somewhere they might finally belong. SYNOPSIS After their mother’s death, Ian (12) and Noah (14) are shuffled between unwilling guardians. From their grandmother’s decaying rural home to the sterile luxury of their aunt’s estate, each stop reshapes them. Bound by a fierce loyalty, the brothers set off to find their estranged father—only to confront the deeper weight of grief, affection, and the quiet ache of not having a place to call their own. DIRECTOR'S NOTE This film was born from a childhood memory—an act of blind trust between brothers that ended in cruelty. Told through Ian’s eyes, it follows two siblings navigating grief, absence, and the quiet, often invisible violences of family life. As their bond begins to crack, they confront a world that feels increasingly unjust. Childhood here isn’t innocence, but the first brush with betrayal and beauty alike. The film lingers in that space—fragile, uncertain—where memory and emotion shape who we become. ABOUT THE FILMMAKER Sacha Amaral is a Brazilian director, screenwriter, and teacher based in Argentina. His debut feature, “The Pleasure is Mine” (2024), won the Grand Prix at BAFICI. As a writer, he made his debut with “So Long Enthusiasm” (Berlinale 2017). His short film “Billy Boy” (2021) was part of the Official Selection at Cannes. Other works include “Plurabelle" (2022), awarded at the Drama International Short Film Festival, and “Great Are the Deserts” (2019). He currently teaches screenwriting at the Film University of Buenos Aires (FUC). PRODUCERS Agustin Gagliardi & Ricca Galdeano, Isabel Machado, Romain Bent Agustín Gagliardi is an Argentine producer focused on auteur-driven projects. His credits include “The Pleasure Is Mine” by Sacha Amaral (Grand Prix, BAFICI 2024); “The Face of the Jellyfish” by Melisa Liebenthal (Berlinale Forum 2023); “Long Time No Sleep” by Agustín Godoy (Tallinn Black Nights 2022); “Atlas” by Masllorens & Gaona (Mar del Plata 2021); “Provincial City” by Rodrigo Moreno (Rotterdam 2018); and “The Gold Bug” by Alejo Moguillansky (Locarno 2014). He also worked as assistant director on “The Flower" by Mariano Llinás (Locarno 2018), “Other People’s Care” by Mariano González (Thessaloniki 2020), and “The Omission” by Sebastián Schjaer (Berlinale Panorama 2018). Quadrophenia Films is a Brazilian production company led by producer Ricca Galdeano. Born from the film “The Pleasure Is Mine”, it develops Latin American films with strong international potential. PRODUCTION COMPANY PROFILE ○ Quadrophenia Films / São Paulo, Brazil ○ +54 9 11 3517-4475, +55 11 99913-6317 ○ ricca@quadropheniafilms.com , agu.gagliardi@gmail.com PRODUCTION BUDGET ○ Total budget: 1,140,000 USD ○ Confirmed budget and source: 500,000 USD Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Sea The Sea Filmmakers: Shai Carmeli Pollak Producer Baher Agabria Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 5 , 2016 LOG LINE Khaled (12), a Palestinian boy is on his way to visit the sea for the first time in his life, at the checkpoint, the Israeli authorities deny his entry. Determined, Khaled sneaks into Israel and embarks on a dangerous journey to the sea. Meanwhile, Ribhi, his father, is trying to trace his whereabouts, putting himself at risk of being arrested and losing his job. SYNOPSIS Khaled (12), a Palestinian boy is on his way to visit the sea for the first time in his life, at the checkpoint, the Israeli authorities deny his entry. Determined, Khaled sneaks into Israel and embarks on a dangerous journey to the sea. Meanwhile, Ribhi, his father, is trying to trace his whereabouts, putting himself at risk of being arrested and losing his job. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Baher Agabria PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Under the Shadow of the Sun Under the Shadow of the Sun Filmmakers: Shalom Hagar Producer Yael Abecassis Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 4 , 2015 LOG LINE Matko (42) is released from prison 15 years after murdering his wife. He sets out to find his only son Mesgenaw who was 2 at the time of the murder. After a long and arduous journey, he discovers what his son underwent over the years. SYNOPSIS Matko (42) is released from prison 15 years after murdering his wife. He sets out to find his only son Mesgenaw who was 2 at the time of the murder. After a long and arduous journey, he discovers what his son underwent over the years. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Yael Abecassis PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Boyfriend The Boyfriend Filmmakers: Ashim Ahluwalia Producer Pinaki Chatterjee Production Company: SCENE PITCH Country: India Language: Genre: Lab Edition: 4 , 2015 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Pinaki Chatterjee PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Hunter's Son The Hunter's Son Filmmakers: Ricky Rijneke Producer Mildred Van Leeuwaarden Production Company: SCENE PITCH Country: Netherlands Language: Genre: Lab Edition: 6 , 2017 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Mildred Van Leeuwaarden PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Quinn of the West Quinn of the West Filmmakers: David Wagner, Magda Woitzuck Producer Arash T. Riahi Production Company: Golden Girls Filmproduktion & Filmservices GmbH SCENE PITCH Country: Austria Language: English, German, Italian Genre: Postapocalyptic Western Lab Edition: 14 , 2026 LOG LINE In a post-apocalyptic Europe, a young woman finds a way to reconnect with her long presumed dead mother. The estranged pair sets out into a dangerous world to find fortune and overcome their hurtful past. SYNOPSIS In a scorched, post-digital Europe, a wanted poster reveals that 19-year-old Nisma's mother, long believed dead, is alive: "Quinn of the West", hunted for sabotaging the biggest telegraph network company. Nisma trades her home for the road – only to discover Quinn can't heal the wounds she carries. Believing her beyond redemption, Nisma makes a choice that sends her mother to the gallows, until she realises the real question was never who Quinn is, but who Nisma wants to become. DIRECTOR'S NOTE I've always wanted to make a western—not to revisit its myths, but to question who has been allowed to inhabit them. Meeting Vera Gemma, daughter of Giuliano Gemma, one of the great icons of Italian western cinema, felt less like coincidence than fate. With my co-writer Magda Woitzuck, we found a story where dust and myth become the landscape for something intimate: a woman reclaiming her future—and a genre that has rarely belonged to her. Because the struggle of women for autonomy is not a relic of the past. ABOUT THE FILMMAKER ○ David Wagner is an Austrian director and scriptwriter who studied film in Hamburg & NYC. The world premiere of his feature debut "Eismayer" was at Venice Settimana 2022 It won the main award in Settimana, as well as several awards at renowned international festivals, and was sold to UK, and USA. His short films have been shown at many short film festivals including the Tel Aviv Student Film Festival and have received numerous awards. ○ Magda Woitzuck writes dramatic scripts for radio plays, theater and film, as well as prose. Her short radio play "In Winter" (ORF 2019) was finalist for the Best European Drama at the BBC Audio Drama Awards 2021. In the same year, she was nominated for the Ingeborg Bachmann Prize. In 2018, her radio play "The Bride’s Shoes" won the ARD German Radio Play Prize. With a series-project based on her successful podcast Shit happens (SWR 2021) she participated in the Co-Pro Series Berlinale 2025. PRODUCER Arash T. Riahi Golden Girls Film is a collective of writers/directors and producers, combining artistic and technical skills. The team around Arash & Arman T. Riahi, Julia Horvath and Jakob Serdaroglu is focusing on timeless social and political issues. Golden Girls Film has won more than 200 international awards. Their recent films are "Girls & Gods" (CPH:Dox 2025, Main Award at Biografilm 2025), “How to be Normal and the Oddness of the Other World" (Berlinale 2025 – Perspectives), "Perla“ (Tiger Competition Rotterdam 2025, 8 Austrian Film Awards), "The Last Ambassador" (HotDocs 2025) and “The Witness“ (Audience Award Orizzonti Extra 2024). Arash T. Riahi is an Austrian filmmaker, producer & screenwriter of Iranian origin and CEO of Golden Girls Film. He is also working as a dramatic advisor for the Creative Europe script-development programs EAVE, Sources 2, Berlinale Talents and Doc-Incubator. PRODUCTION COMPANY PROFILE ○ Golden Girls Filmproduktion & Filmservices GmbH ○ Seidengasse 15/3/20; 1070 Vienna, AUSTRIA ○ office@goldengirls.at ○ +43-18105636 PRODUCTION BUDGET ○ Total budget: 7,500,000 USD ○ Confirmed budget and source: 65,000 USD (ÖFI -Austrian Film Institute) Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Run Run Filmmakers: philippe lacôte Producer Claire Gadea Production Company: SCENE PITCH Country: Ivory Coast Language: Genre: Lab Edition: 1 , 2012 LOG LINE Run escapes... He just killed the Prime Minister of his country. In order to do so, he had to act as if he was a crazy man, wandering through the city. His life comes back by flashes. SYNOPSIS Run escapes... He just killed the Prime Minister of his country. In order to do so, he had to act as if he was a crazy man, wandering through the city. His life comes back by flashes. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Claire Gadea PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ