Aranchi and Reem Aranchi and Reem Filmmakers: Timna Rose Perets Producers David Silber, Sivan Cohen, Talia Bernstein Production Company: Metro Communications SCENE PITCH Country: Israel Language: Hebrew, Tigrinya, Arabic Genre: Drama Lab Edition: 11 , 2023 LOG LINE Aranchi and Reem, two teenage African refugees, meet at the beginning of a fateful journey to learn about survival, friendship, and sacrifices in the intimidating and magical streets of south Tel Aviv. SYNOPSIS When Aranchi (13), a charismatic and wild Eritrean refugee with a passion for dance gets kicked out of the school dance show, she feels her life is over. But then she meets Reem (13), an isolated Sudanese girl undergoing a horrible family tragedy, and realizes just how evil life can get. Together, Aranchi and Reem find their way into the crime scene of South Tel-Aviv. In search for freedom and expression, they discover the power of friendship DIRECTOR'S NOTE 10 years ago, I was managing an afterschool program for refugee kids in my neighborhood. Aranchi, Reem and Dillet are some of the kids I witnessed growing up -from toddlers to teenagers, they became a huge part of my life. The film is a window to a world usually unseen, through their eyes, taking place in the neighborhood which taught me to find beauty in unexpected places, and to discover hidden worlds. ABOUT THE FILMMAKER Born in Jerusalem in 1987. Timna Rose Perets is a filmmaker and social activist. Graduated from Minshar School of Art in Tel Aviv. Her short independent film, Daughter of the Bride was screened at Director’s Fortnight, Cannes Film Festival 2016. She now lives between Tel Aviv and the Jerusalem hills, working on a short film and her first feature. PRODUCERS David Silber, Sivan Cohen, Talia Bernstein Metro Communications is an Israeli film production company based in Tel Aviv, specializing in international co-productions of full length feature films. David Silber, Metro's director, together with his partners Moshe and Leon Edery (United King Films) have created an energetic, broad based production organization, and one of the leading production companies in Israel. Metro‘s main titles include Academy award nominee and Silver Bear winner Beaufort (2007), Golden Lion and European Academy Awards winner Lebanon (2009), Tribeca Film Festival winner and Berlin Film Festival Panorama featured Junction 48 (2016), Israeli Academy Awards winner Bana Joon (2015), alongside box office hits such as Avi Nesher‘s The Other Story, the top selling Israeli film of 2018, and This Is Sodom (2010) and Turn Left at the End of the World (2004), two of Israel‘s top grossing films ever. PRODUCTION COMPANY PROFILE Company name, city: Metro Communications LTD. Tel-Aviv, Israel. contact email: Sivan@metrocom.co.il ? contact telephone number: +972-54-320-0035 PRODUCTION BUDGET Production budget in USD: $675,000 Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Hold Onto Me Hold Onto Me Filmmakers: Myrsini Aristidou Producer Nathalie Dennes Production Company: SCENE PITCH Country: Cyprus Language: Greek Genre: Drama Lab Edition: 9 , 2021 LOG LINE SYNOPSIS It's summer, and 11-year-old Iris is running wild through the streets with her older friend Danae when she learns her estranged father, Aris, is back in town for his own father's funeral. DIRECTOR'S NOTE Director’s Note A police siren shakes us into alert just like an anxiously barking dog. A wave crashes on the decadent shipyard’s shore, just as a horse races to the finish line. Distressed fences, a forced eviction, henchmen and lawyers, petty-theft and quick cash, blood smears, and an estranged father beside the drifting dust, permeate the world of this film; all before the adolescent eyes of defiant Iris. The parallel drawn across the absence of a father, and the lack of boundaries for young Iris thereof, is the primal drive of the story, just as it was for me at that age. Daringly crossing the threshold of physical and emotional boundaries, to merely understand the fragility that holds them together, Iris oscillates through chaos and order as a way of understanding where exactly she stands in this world. Since my early childhood, I couldn’t help but wonder how different my upbringing would be if I had my father around. This feeling of negligence, ambiguously led to my independent seeking self, an explosive temperament ceaselessly challenging the righteousness of authority. A deep-rooted curiosity to traverse things until the end with an innate desire to hold on tight to the reins. My exaggerated self-determination often led to adrenaline highs, full blown chaos, where I thrusted myself to the verge to merely feel something; anything. It was in my adolescent years that I began to know my father, and the acceptance of our bond, even if flawed, has made all the difference. Forever in the breath of my heroine, highlighting her visceral impulsiveness and delicate naiveté, I seek to portray her precarious journey from determination to defeat and finally acceptance; just as this delicate relationship with her father unveils. ABOUT THE FILMMAKER PRODUCER Nathalie Dennes Producer profile Nathalie Dennes, Producer France Producer, France Nathalie Dennes started her career within the Acquisitions department of Studiocanal in Paris before joining 3B Productions, mk2 and contributing to the launching of CG Cinéma where she managed within four years the production of a dozen critically acclaimed films such as Clouds of Sils Maria by Olivier Assayas, Mustang by Deniz Gamze Ergüven or Things to Come by Mia Hansen-Løve. PRODUCTION COMPANY PROFILE Production company profile The Living is a Paris-based production company founded in 2017 by Nathalie Dennes to produce directors of her generation and projects combining delicate aesthetics with worldwide appeal, with a focus on women. The company‘s slate currently includes shorts and features from French and foreign directors awarded in major international film festivals. Dennes partnered with 3B Productions on The Truth by Hirokazu Kore-Eda that premiered in 2019 Venice Film Festival. Production Company The Living, Paris, France ndennes@theliving.fr +33 6 74 39 02 71 PRODUCTION BUDGET Production Budget $1,177M Secured funds $555.582 Cypriot Ministry of Culture; $70.613 ERT (Greek Public Television) Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

ALIYA ALIYA Filmmakers: Dekel Berenson Producers Paul Wesley, Marek Rozenbaum, Alexander Rodnyansky Production Company: SCENE PITCH Country: Israel Language: Hebrew, Russian Genre: Drama Lab Edition: 9 , 2021 LOG LINE Aliya, an 18-year-old immigrant from Ukraine, finds meaning in her recently discovered Jewish identity and patriotism towards her newly adopted country. Training to become a drill sergeant in the Israeli army, she finds it hard to go on with her life, and considers her role in society, and in training young men in the military. SYNOPSIS Aliya, an 18-year-old recent immigrant from Ukraine, finds meaning in her newly discovered Jewish identity and in feelings of patriotism towards her adopted country. Wanting to do her share, she had volunteered to join the Israeli army and now trains to become a drill instructor, where she learns how to turn just out of high-school teenagers into toughened IDF soldiers. Still new in the country and unfamiliar with the nuances of Israeli society, she struggles to fit in and finds herself increasingly isolated, particularly as she intends on being the best soldier in the course. After weeks of intense physical and psychological training at the desert base, her company receives seventy-two hours leave, and Aliya returns to her family in Tel Aviv. At home, Aliya is confronted by her mother, who is much less enthusiastic than her about the family's move to Israel, and especially with her daughter's decision to join the military. Determined to have fun, Aliya heads into the city for a night out but ends up being assaulted by her date. After a turbulent and unsettling weekend at home, Aliya must return to the military base but struggles to complete her course as she re-evaluates her values, beliefs, and place in Israeli society. DIRECTOR'S NOTE In many ways, Aliya is an autobiographical film. I left my home country of Israel at the age of 21, days after completing my mandatory three years of service in the Israeli Defense Forces. The reasons I left are complex, yet they primarily have to do with my disenchantment with many of the values and beliefs I was brought up with, both social and political. Inversely, Aliya, who discovered as a teenager that she was Jewish, immigrates to Israel with her family so she could join the military. In its heart, deeply personal, Aliya is a coming of age story, yet it is one that also encapsulates the narrative of an entire country, in which interpersonal relationships are a metaphor for violence between nations and people. A militarized country, one which is in a constant state of war, is inherently violent, not only towards its adversaries but towards its own people as well. Put simply, the violence one inflicts upon others always ends up being inflicted upon oneself. While taking place in Israel, Aliya is a universally important and timely film that touches on themes that concern all people, regardless of race, gender, or background. Moreover, it is a story that is personal to me, and a strong reflection of my values as they relate to nationalism, religion, hierarchies, authority, and power. These are themes that I’ve explored for almost two decades, since my days in Budapest studying towards a Master’s degree in International Relations. I hope that by turning these cerebral ideas into film, audiences all over the world will gain insight not only into the double-edged nature of violence in the Middle East as it manifests itself in the lives of Israelis, but in their personal lives as well, whoever they are, and wherever they may be ABOUT THE FILMMAKER PRODUCERS Paul Wesley, Marek Rozenbaum, Alexander Rodnyansky Marek Rozenbaum holds a degree in Social work and Film from the Tel Aviv University. He has directed 2 films and produced over 40 feature films and international co-productions, among them award-winning films that have received worldwide recognition. Mr. Rozenbaum is the recipient of five Ophir Best Film Awards. He served as Chairman of Israel's Film and Television Producers Association and today is a Member of its Board as well as chairing the Israeli Academy of Film and Television for a decade PRODUCTION COMPANY PROFILE Transfax Film Productions was established in 1989 as an independent production company specializing in feature film production and co-production. The company has produced over 40 feature films and international co-productions -many winning international prizes including Keren Yedaya’s Or (Camera D’or)& That Lovely Girl, and A Strange Course of Events by Raphael Nadjari (Quinzaine des Realisateurs) and Our Father by Meni Yaish. Production Company Transfax, Tel Aviv, Israel mailto:marek@transfax.co.il +972 50 523 8766 PRODUCTION BUDGET Production Budget $1,400,000 Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Darwin Darwin Filmmakers: Oren Adaf Producer Shlomi Elkabez Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 4 , 2015 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Shlomi Elkabez PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Ich Bin Marika Ich Bin Marika Filmmakers: Hajni Kis Producer Júlia Berkes Production Company: Proton Cinema SCENE PITCH Country: Hungary Language: German, Hungarian, Turkish, English Genre: Drama Lab Edition: 11 , 2023 LOG LINE MARIKA (55) moves from Hungary to Germany to become the caregiver of a problematic elderly couple in order to make enough money to get her husband out of jail SYNOPSIS Marika (55) is cashier in a Budapest supermarket. One day, her long-lost love, Jani (55), re-appears in her life. He takes on a highway construction job in Germany, but causes a mass accident and is imprisoned. Marika decides to do what she can to get him out. In order to pay a lawyer, she goes to work for an elderly couple in Germany. Caring for Ulrich (85) and Susana (82) truly puts her to the test, and Marika’s life is turned drastically upside down. DIRECTOR'S NOTE I shot my first film in a nursing home for 6 months. Things I saw there changed my outlook on what to present in life. I consider old age to be one of the most important periods, when even the thickest walls we've constructed can collapse in an instant. I would like to highlight the interdependence we humans have, regardless of nationality, culture, language, religion, social class, or gender. ABOUT THE FILMMAKER Hajni Kis, director and scriptwriter, graduated from the University of Theatre and Film in Budapest as a director. Her short film Beautiful Figure was nominated for the Student Academy Award and invited to over 100 festivals; Last Call won the Best Student Film Award at the Sarajevo Film Festival and was broadcasted by ARTE and HBO. Her first feature film, Wild Roots, won 17 prizes internationally. Ich Bin Marika is her 2nd feature film project. PRODUCER Júlia Berkes Juli Berkes is a Hungarian producer. After finishing her studies, she began working at Proton Cinema as a line producer and made several international feature films. Since 2009, she has produced a series of shorts and feature films. Her passion lies in finding new young talents of Hungarian cinema. She has produced 5 short films and 3 feature films by Gabor Reisz as well as a short and the first feature film of Hajni Kis. Her latest features include Evolution by Kornél Mundruczó (Cannes, 2021) and Explanation for Everything by Gabor Reisz (premiering later in 2023). Juli is an EAVE and Producers on the Move alumni. Proton Cinema is a Budapest-based independent film and theatre production company. Established in 2003 by producer Viktória Petrányi and director Kornél Mundruczó, the company aims to provide opportunities for creative people who want to see the world and have it seen. PRODUCTION COMPANY PROFILE Company name, city Proton Cinema , Budapest, Hungary contact email berkesjuli@protoncinema.hu PRODUCTION BUDGET contact telephone number +3670 422 7110 The production budget in USD :2.582.122 USD confirmed budget in USD and source : 503.655 USD Creative Europe /Media Slate : 43.147 USD Filmjus Fund for scriptwriting: 1402 USD Tax rebate (automatic): 459.106 USD Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Checkout Checkout Filmmakers: Jonathan Dekel Producer Chilik Michaeli Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 7 , 2018 LOG LINE In this cheeky Mossad comedy, Dov is a Jewish American spy in Istanbul desperate to convince his Israeli peers that he has located a legendary terrorist. On the verge of being forced to retire, he is desperate to prove that he is the hero he always thought he would be. The film is inspired by the filmmaker’s own experience as an American who joined the Israeli Special Forces, and felt the clash between American culture and Israeli machismo. SYNOPSIS In this cheeky Mossad comedy, Dov is a Jewish American spy in Istanbul desperate to convince his Israeli peers that he has located a legendary terrorist. On the verge of being forced to retire, he is desperate to prove that he is the hero he always thought he would be. The film is inspired by the filmmaker’s own experience as an American who joined the Israeli Special Forces, and felt the clash between American culture and Israeli machismo. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Chilik Michaeli PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Every Step You Take Every Step You Take Filmmakers: Noa Gusakov Producer Leah Tonic Production Company: Leah Tonic SCENE PITCH Country: Israel Language: Hebrew Genre: Coming of Age Lab Edition: 14 , 2026 LOG LINE Facing unwanted relocation to America, 17-year-old Elinor vows to protect the intense, symbiotic bond with her reckless best friend, Sharona. In a desperate act of rebellion, the girls escape to a desert rave, pushing their bond to a breaking point. SYNOPSIS Elinor and Sharona are best friends bound by an intense, codependent bond. When Elinor's mother forces a US relocation to help evade the military draft, the girls refuse to part and decide to do whatever it takes to stay in Israel. Escaping to a desert rave to sabotage the move, Sharona gets in trouble, spiraling their night into high stakes. Meanwhile, their contrasting mothers unite to track them down, forcing Elinor to realize that breaking this bond is her path to freedom. DIRECTOR'S NOTE Standing at the equator between the teenager I was and the mother I am today, I set out to write this intimate coming-of-age dramedy. As a teen, my friends were my anchor, and my mother was the enemy; I constantly searched for a female role model to guide me. Through this film, I capture the raw, physical tension of youth - between an overbearing mother and an intensely codependent best friend - asking whether a tight, suffocating embrace isolates us or keeps us safe. ABOUT THE FILMMAKER Noa Gusakov is an award-winning Israeli film director, screenwriter, and Sam Spiegel Film and TV School graduate. She won the Israeli Academy Award for Best Directing and Writing in a Children’s Series, alongside two nominations for her acclaimed shorts "How to Swim" and "Large Soldier". Her narrative short films have screened and won awards internationally. She is an alumna of prestigious artists' residencies including MacDowell, Yaddo, and Berlinale Talents. "Every Step You Take" is her debut feature film. PRODUCER Leah Tonic Leah Tonic is an Israeli producer with over a decade of experience in independent cinema, specializing in acclaimed auteur-driven productions. Her work includes award-winning films screened at leading international festivals, including Cannes, San Sebastián, Toronto, Palm Springs, and Tribeca. Alongside her producing career, she has served as Project Manager for the Israeli Academy of Film and Television, lectures in production at the Sam Spiegel Film & Television School, and leads major cultural initiatives that connect cinema, education, and social impact. A graduate of the Sam Spiegel School, Leah has received recognition as one of Israel's most influential young changemakers. She is committed to developing bold cinematic voices and supporting original, socially engaged storytelling from script to screen. PRODUCTION COMPANY PROFILE ○ Leah Tonic Productions ○ 5 Dror st, Mitzpe Abirim, Israel ○ leahtonic@gmail.com ○ ⁦+972-507114707 PRODUCTION BUDGET ○ Total budget: 500,000 USD Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Pleasure is Mine The Pleasure is Mine Filmmakers: Sacha Amaral Producer Tomas Cohen Production Company: SCENE PITCH Country: Brazil Language: Genre: Lab Edition: 8 , 2019 LOG LINE What was at first a simple pursuit to regain stolen money becomes the chance for a dysfunctional family to finally reconcile. SYNOPSIS What was at first a simple pursuit to regain stolen money becomes the chance for a dysfunctional family to finally reconcile. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Tomas Cohen PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Protected species Protected species Filmmakers: Hristo Simeonov Producer Katya Trichkova Production Company: SCENE PITCH Country: Bulgaria Language: Genre: Lab Edition: 7 , 2018 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Katya Trichkova PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Heat of a Day The Heat of a Day Filmmakers: Or Sinai Producer Shlomi Elkabetz Production Company: SCENE PITCH Country: Israel Language: Genre: Lab Edition: 7 , 2018 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Shlomi Elkabetz PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Sweet Home Tennessee Sweet Home Tennessee Filmmakers: Joanna Jurewicz Producer Sara Murphy & Jessica Caldwell Production Company: SCENE PITCH Country: USA Language: Genre: Lab Edition: 3 , 2014 LOG LINE SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Sara Murphy & Jessica Caldwell PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Acusada Acusada Filmmakers: Gonzalo Tobal Producer Benjamin Domenech Production Company: SCENE PITCH Country: Argentina Language: Genre: Lab Edition: 5 , 2016 LOG LINE A young student is the only one accused of the brutal murder of her best friend, a case that is excessively reported by the media. Cornered by the evidence, she must face her own doubts about what really happened. SYNOPSIS A young student is the only one accused of the brutal murder of her best friend, a case that is excessively reported by the media. Cornered by the evidence, she must face her own doubts about what really happened. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Benjamin Domenech PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ