Veronica Kedar Veronica Kedar Director: 2013 Year of lab participation: 2 Lab edition: Israel Country: Mosh Danon Producer: Family It all began on one night, when Lily arrived at her therapist's house asking for an emergency session. She wants to explain why she killed her family. Synopsis Warsaw International Film Festival 2017 Imagine India International Film Festival 2018 - Best Director, Best Music Jerusalem Film Festival 2017 Brooklyn Horror Film Festival 2018 - Best Feature. Cinequest San Jose Film Festival 2019 - Best Sci-fi, Fantasy, Horror Feature Award. Jerusalem Sam Spiegel Film Lab 2013 - 1st Prize Winner Festivals & Awards 2017 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Insignificant Insignificant Screenwriter: Mindi Ehrlich Producer: Efrat Dror , Herzliya Studios Language: Hebrew Format: Send PITCHDECK LOGLINE A legal drama television series which portrays how the ancient laws of the Halacha (the Jewish laws) constantly collide and clash with the modern Israeli everyday reality. This collusion will occur mainly through the eyes of Nechama (43), an ultra-orthodox and legal representative of women in Rabbinical courts, who feels transparent and powerless in her position. She will choose to hide behind a man, a secular lawyer, with the hope he will be able to sound her voice for her. But as things progress, Nechama will realize she is no longer willing to hide. She will get out from behind the scenes, and fight for a change. SYNOPSIS Nechama (43) is an ultra-Orthodox legal representative in the rabbinical court and a mother of nine children. She is married to Motke (45), a Torah scholar and head of a distinguished Yeshiva. Nechama belongs to a conservative community where the man is expected to study Torah, therefore the burden of providing a livelihood falls on the woman's shoulders. In order for Motke to follow this tradition, Nechama has studied to be able to represent clients in the rabbinical court and was certified as a “rabbinical litigator”, much like an attorney in civil court (She is allowed to represent clients only in the rabbinical court and not in an ordinary court). At first, the profession of rabbinical litigator (for those uncertified to practice law) was reserved only for men (yeshiva graduates). It was only in the early 90s that authorization was granted to train women as well. For the first time women were considered equal to men by the religious establishment, although they were excluded from giving testimony. Since legal representation is a masculine, extravert profession that is not mindful of the ultra-Orthodox woman whose essence centers on modesty, the profession was less adopted by the women of the ultra-Orthodox sector. But Nechama, who was determined to let her husband study Torah, decided to become a rabbinical litigator, primarily because it's what she knows best – to study and litigate. Only in recent years have a minority of ultra-Orthodox female litigators appeared in the rabbinical courts, to the dismay of the “Dayanim” (rabbinical judges) who were slowly forced to surrender to this trend. Nechama looks like a typical ultra-Orthodox woman. At the age of 18 she married the only man she ever met. Motke is water that runs deep, a conservative patriarch who rules his family and students in his quiet way. While he's busy studying Torah and heading the Yeshiva, Nechama crumbles under the burden of providing a livelihood. In the absence of a budget, she works from home. This upsets all the family members who are forced to remain in their rooms while Nechama meets clients in the living room and must maintain their privacy as well as her family's. Nechama is imprisoned in a conservative and chauvinistic world. Her chances of succeeding as a woman are close to none. But she has no alternative, this is her world and this is her family. At home, Motke is the king and Nechama isn't necessarily the queen. Being opinionated and assertive aren't sexy qualities for an ultra-Orthodox woman in a conservative community. Nechama has no choice but to supply the goods, to be a modest wife and do her husband's bidding. Deep down, Nechama knows all too well that she wasn't destined to be a homemaker; cooking and cleaning aren't her forté. She would much prefer writing statements of claims or delving into an article or innovative ruling – that is her Strength. Nechama is not the woman of valor expected of her. Though she tries her best to please her family, once she completes her boring chores, she escapes to her legal cases, and that – definitely excites her. Here she excels For all intents and purposes Nechama has the skills to become the most sought after rabbinical litigator in town. But skills are one thing, reality is another. In reality, Nechama must battle it out with chauvinistic Dayanim to whom her voice doesn’t count. This infuriates her, because it is not for lack of proficiency, but because she is a woman. Despite her vast knowledge and excellent skills, she loses cases and this frustrates her. She knows that she has what it takes to win cases but the gap between her professionalism and what happens in practice makes her great potential irrelevant. It was Nechama's extensive knowledge, sharp wit and outstanding skills in arguing and wining that first brought her to the profession. Yet she doesn’t stand a chance with these Dayanim . She is a woman who was raised from infancy to lower her eyes before men. She doesn't have the "chutzpah" or the daring required of a rabbinical litigator. WRITER'S STATEMENT ABOUT THE WRITER PRODUCER'S STATEMENT PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

‬Congratulations to Jonathan Dekel, graduate of the Sam Spiegel International Film Lab, whose film "Checkout" is screening theatrically. The film was developed as part of the 7th edition of the Lab and won first place that year. Wishing you great success! ‬Congratulations to Jonathan Dekel, graduate of the Sam Spiegel International Film Lab, whose film "Checkout" is screening theatrically. The film was developed as part of the 7th edition of the Lab and won first place that year. Wishing you great success! The film "Checkout" is out on theatres! NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

Congratulations to our alumnus nominated for this year's Israeli Academy Awards (Ophirs): "The Sea" by Shai Carmeli Pollak (developed in the 5th edition of the Lab) - with 13 nominations, including Best Film, Best Director and Best Screenwriter "Dead Language" by Mihal Brezis and Oded Binnun (developed in the 4th edition of the Lab) - with 12 nominations, including Best Film, Best Director and Best Screenwriter "Oxygen" by Netalie Braun (developed in the 9th edition of the Lab) - with 8 nominations, including Best Film, Best Director and Best Screenwriter Congratulations to our alumnus nominated for this year's Israeli Academy Awards (Ophirs): "The Sea" by Shai Carmeli Pollak (developed in the 5th edition of the Lab) - with 13 nominations, including Best Film, Best Director and Best Screenwriter "Dead Language" by Mihal Brezis and Oded Binnun (developed in the 4th edition of the Lab) - with 12 nominations, including Best Film, Best Director and Best Screenwriter "Oxygen" by Netalie Braun (developed in the 9th edition of the Lab) - with 8 nominations, including Best Film, Best Director and Best Screenwriter ״The Sea" Swipes Most Nominations For This Year's Israeli Academy Awards NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

Bad Blood Bad Blood Screenwriter: Osnat Saraga Producer/s Osnat Saraga , Paramount Israel (Ananey Studios) Language: Hebrew Format: 8 Episodes x 35 Minutes Genre Drama, Comedy Send PITCHDECK LOGLINE Ellie swore she’d never return to her hometown. But when her ex-bestie reopens the murder case that shattered their lives, she has to join the investigation. Because after all, Ellie is the killer. SYNOPSIS Ellie (38) doesn’t want to be here. She left her hometown as a rejected young woman with a big mouth and a dominant jawline. Now she’s back with the same big mouth and a jawline that cost her the last of her savings. And it’s all because Zohar (38) decided to stir up the past. As Zohar starts planning the special 20-year memorial of Dror Peretz’s death, she can’t shake the feeling she has had for years: something’s off. Sure, the police called it a tragic self-inflicted accident, but Dror was a star athlete, an outstanding student, and a really hot guy. Guys like him don’t just turn up half-naked and completely dead inside the trunk of their own car after a Purim costume party. And for Zohar, it’s personal. Dror was her husband Yiftach’s (38) adored older brother. Zohar is determined to reveal Dror’s real killer at the memorial event, taking place in one month. When Ellie gets a thrilled message from Zohar about her new investigation, she thinks it would be easy to talk her out of it. But Zohar is too stubborn, and Ellie realizes the only way to derail the case is to get on a plane and join it. Zohar has no idea that Ellie, the new Watson to her Sherlock, is the very person she’s trying to hunt down. And since Ellie’s already forced into what’s basically a never-ending high school reunion with the people who made her teenage years a living hell, she figures, why not use this opportunity to settle some scores and get revenge? Bad Blood, based on the graphic novel by Tamar Blumenfeld, is a dark detective comedy that pairs up the detective and the murderer, two ex-best friends, as they each confront the defining trauma that shaped their lives. It’s not a “whodunit”, but a “whydunit”. For Ellie, it’s also a coming-of-age story for someone who’s long overdue for one. She will have to finally stop using the past as an excuse and face the sins she’s worked so hard to bury. WRITER'S STATEMENT At first glance, Ellie is everything I want to be. Shameless, unapologetic, someone who knows her worth. But the more time I spent with her, I realized I’m not drawn to Ellie because she’s brave, but because she’s terrified. She’s constantly dodging responsibility, constantly refusing to grow up. And as much as it sucks to admit, I totally get that. I get not wanting to move forward. We live in a time when we’re finally, rightfully, shifting blame off victims and onto the people who wronged them. But sometimes it just feels good to be the victim. There’s comfort in it. The pain becomes a shield, a way to avoid risk, responsibility, growth. Victimhood is a hell of a drug, and a damn good excuse to stay in your comfort zone. It’s also a great way to escape accountability. As viewers try to understand Ellie and her actions, Ellie herself is undergoing a belated coming-of-age journey of her own. Even though Dror’s death occurred while she was trying to protect Zohar, and could technically be considered self-defense, Ellie still perceives herself as a murderer. That black-and-white view of herself is part of her defense mechanism. It reflects an inability to hold complexity and a method of avoiding true accountability. It’s easier for Ellie to see herself as a monster than to confront the messy truth. She prefers to stay in “everything happens to me” mode and let her trauma take the wheel as she plays the role of the child who is not responsible for anything. Ellie’s arc in the season demands that she stop running from that complexity and admit that during those awful, confusing moments, she killed Dror not only to save her friend but also because she was jealous of her. As horrifying as it sounds, Ellie envied the fact that Zohar was the one Dror chose as his victim, rather than her. Only when Ellie faces up to that truth and really owns it, can she finally move on. ABOUT THE WRITER Or Levy Berger is a screenwriter, director, and ginger. Graduated with honors as a screenwriting major from the Jerusalem Sam Spiegel Film School. Or was the head writer for Flashback Studio (Studio Amatzia, 2024+), a children’s comedy series that combines a live-action sitcom with anime-style animation, which aired on Kan Kids (Israeli Public Broadcasting). She also wrote for various other comedy series, including My Nephew from Hell and Bed & Biscuit. Or feels very self-conscious when she needs to write about herself in the third person, but she guesses that’s part of the format. PRODUCER'S STATEMENT "Bad Blood" expresses the voice of a generation. It is told through the perspective of a creator who belongs exactly to this generation of 30-somethings. The story reckons with the complexities of youth- its transgressions and the powerful, polar extremes ranging from deep insecurity and inferiority complexes to reckless overconfidence. Ellie tried to help Zohar but committed a "sin": she withheld critical information that could have completely transformed Zohar’s life, all under the guise of wanting to protect her. Zohar was raped without knowing she was raped. This raises a profound question: do we truly want to know the truths that could shatter the world we think we know and control? I believe this story, with its unique voice, is both universal and timeless. Yet, it remains specifically attuned to today’s 30-somethings and their capacity to face reality. This is a series that will be "must-watch" television in every home. PRODUCER PROFILE Ananey Studios, a Paramount company, is an award-winning studio that specializes in developing and producing innovative content across a wide range of genres and target audiences, including high-concept dramas, documentaries, live-action preschool shows, kids' and teen series, sitcoms, animation, lifestyle programs, and formats. Ananey Studios' portfolio includes productions that have reached major international platforms such as Netflix, Nickelodeon, MTV, CBBC, and HBO. Our productions uphold the highest standards and showcase the richness and diversity of Israeli storytelling, both within the Israeli market and globally. Notable productions include: Band of Spies (co-production with Paramount), Fireflies for HOT and Paramount+, On Our Own (five seasons) for Kan Kids, Malevolent Bride for Kan (commissioned by A&E), Telling Nuni, an award-winning documentary, and many others. PRODUCTION CONTACT DETAILS Osnat.Saraga@paramount.com Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Hot off the success of his first feature "Karaoke", Lab alum Moshe Rosenthal just finished principal shooting of his second feature film, "Independence", which he developed at our 7th edition. The film is produced by Green Productions. Best of luck to Moshe and the whole team! Hot off the success of his first feature "Karaoke", Lab alum Moshe Rosenthal just finished principal shooting of his second feature film, "Independence", which he developed at our 7th edition. The film is produced by Green Productions. Best of luck to Moshe and the whole team! Moshe Rosenthal's Film "Independence" Finished Principal Shooting NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

Big Crater PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

The Woodcutter's Story The Woodcutter's Story Mikko Myllylahti Producer Jussi Rantamaki Lab Edition 5 , 2016 SCENE PITCH Production Country Finland SYNOPSIS Pepe the woodcutter's life in his idyllic Finnish village is torn apart over the course of a few days, but he is seemingly fine with it all. As though he knows some profound truth about existence. DIRECTOR'S NOTE LOG LINE Pepe the woodcutter's life in his idyllic Finnish village is torn apart over the course of a few days, but he is seemingly fine with it all. As though he knows some profound truth about existence. ABOUT THE FILMMAKER PRODUCER Jussi Rantamaki PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

I'm Afraid That's Our Time I'm Afraid That's Our Time Screenwriters: Marc Grey, Nitai Gat Producer: Amir Ganor & Adi Bar Yossef , Endemol Shine Israel Language: Hebrew Format: 10 Episodes x 45 Minutes Send PITCHDECK LOGLINE Terrified by the implications of their psychologist’s suicide on their own well-being, four orphaned patients set out to prove that their therapist was in fact murdered. SYNOPSIS Yotam is obsessed with thoughts of suicide, but years of therapy have convinced him that he’s not in real danger – until his therapist goes and kills himself. Terrified he’ll suffer the same fate, Yotam teams up with three other orphaned patients to prove their shrink was actually murdered. As their bumbling investigation begins to bear fruit, the danger escalates, leaving the group exposed and vulnerable – with only each other to lean on. WRITER'S STATEMENT My therapist cancels a session for health reasons, and so begets a crisis: what happens when he dies? No Hallmark card for that. I imagine furtively seeking out other clients at the funeral. Who but they would understand my loss? These are the dramatic seeds for “I’m Afraid That’s Our Time,” planted with my writing partner Nitai in the well-tilled soil of murder-mystery, watered with comedic irony and existential dread, growing now, we hope, into a story about love, death, friendship - and becoming the humans we want to be. ABOUT THE WRITERS Marc Grey grew up in a home with a 3,000 title VHS collection because his father didn’t want to pay for cable. Now a screenwriter and director, Marc wrote episodes of the International Emmy winning series TEHRAN (Apple TV+ / Kan). His 2019 short-form series DRECKULA (Kan) was nominated for an Israeli TV Academy Award. He lives with wife in Tel Aviv. They don’t have cable. Nitai Gat is a Tel Aviv-based screenwriter and the creator of DRECKULA, a short-form comedy series that premiered on Kan 11 and was nominated for an Israeli TV Academy Award. He is currently developing various scripted series in collaboration with companies such as Endemol Shine Israel, Hadas Mozes’ ADD, and Paper Entertainment. A trivia buff, Nitai also writes for many of Israel’s top game shows. PRODUCER'S STATEMENT What we love about "I'm Afraid That's Our Time" is its ability to tackle the painful subject of suicide in an engaging and immersive way, without losing the depth of the dramatic questions that our protagonist, Yotam, and the audience face. The series' universal themes make it relatable to viewers worldwide, and we believe it will resonate across different cultures and audiences. PRODUCER PROFILE Endemol Shine Israel is part of the international BANIJAY Group, producing over 350 series annually across diverse genres, and collaborating with approximately 400 broadcasters, digital platforms, and channels worldwide. ES Israel specializes in creating original content that resonates in both local and international markets. It won numerous awards for acclaimed dramas like QUEENS, VALLEY OF TEARS, ORPHEUS PROJECT and International Emmy Awards for NEVSU (2018) and TRAFFIC LIGHT (2010). PRODUCTION CONTACT DETAILS Adi.b@endemolshine.co.il +972507348900 Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Jow Zhi Wei 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Jow Zhi Wei 2016 Year of lab participation: 5 Lab edition: Country: Singapore Producer: Fran Borgia Tomorrow is a long time A middle-aged widower whose relationship with his sensitive teenage son in the densely packed spaces of contemporary Singapore slowly becomes unbearable. Lab edition: Berlin International Film Festival 2023 Hong Kong International Film Festival 2023 Las Palmas de Gran Canaria International Film Festival 2023 Vancouver International Film Festival 2023 Pune International Film Festival 2024 Synopsis 2023 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Pini Tavger Director: 2017 Year of lab participation: 6 Lab edition: Israel Country: Haim Mecklberg Producer: More Than I Deserve After a boy's mother refuses to help him prepare for his bar mitzvah, he forms a bond with a religious neighbour who volunteers to help him. Synopsis Jerusalem Film Festival 2021 Warsaw Jewish Film Festival 2022 Jerusalem Sam Spiegel Film Lab 2017 - 1st Prize Winner Festivals & Awards 2021 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

László Nemes  László Nemes Director: 2013 Year of lab participation: 2 Lab edition: Hungary Country: Gabor Sipos Producer: Son of Saul A Jewish-Hungarian concentration camp prisoner sets out to give a child he mistook for his son a proper burial. Synopsis Cannes Film Festival 2015 - Grand Prize of the Jury, FIPRESCI Prize, François Chalais Award, Vulcain Prize for the Technical Artist American Academy Awards - Best Foreign Language Film of the Year Golden Globes 2016 - Best Motion Picture in Foreign Language BAFTA Awards 2017 - Best Film not in the English Language Palm Springs International Film Festival 2016 - Directors to Watch Polish Film Awards 2017 - Best European Film Sarajevo Film Festival 2015 Telluride Film Festival 2015 Toronto International Film Festival 2015 Festivals & Awards 2015 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ