The second edition of the Series Lab is thrilled to come to life, and is open for submissions!  This is your time to work on your project, and submit it for candidacy. The lab will provide the selected projects with intensive script development mentoring from the best Israeli and International TV professionals. We are waiting to read your stories for a TV Series!  The submission is open until 27/03/2023 at noon. For any quetions : lab@jsfs.co.il The second edition of the Series Lab is thrilled to come to life, and is open for submissions! This is your time to work on your project, and submit it for candidacy. The lab will provide the selected projects with intensive script development mentoring from the best Israeli and International TV professionals. We are waiting to read your stories for a TV Series! The submission is open until 27/03/2023 at noon. For any quetions : lab@jsfs.co.il The Series Lab Call for Submission is Open! NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

Oded Binnun and Mihal Brezis Oded Binnun, Mihal Brezis Director: 2015 Year of lab participation: 4 Lab edition: Israel Country: Yael Abecassis Producer: Dead Language A chance encounter leads Aya to pick up a stranger at the airport. When he disappears, he leaves behind a gnawing hunger-one which perhaps only a complete stranger could fulfill. Synopsis Tribeca Film Festival 2025 Jerusalem Film Festival 2025 - Best Screenplay Festivals & Awards 2025 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Horse Parade Horse Parade Luciana Vieira, Gabriela Matarazzo Producer Claudia Chakmati Lab Edition 14 , 2026 SCENE PITCH Production Rhiza Country Brazil SYNOPSIS DIRECTOR'S NOTE LOG LINE A gifted young woman jockey from northeastern Brazil, rises through the ranks of competitive amateur horse racing, but as her father’s gambling addiction, a secret pregnancy, and power struggles off the track threaten to derail her dreams, she must risk everything to take back control of her future. ABOUT THE FILMMAKER ○ Luciana Vieira is a Brazilian screenwriter and director, one of the La Factory Directions Fortnight, Cannes 2025 directors with the short Blind Spot (Quinzaine des Cinéastes/ Best short Novos Rumos in Festival do Rio). She co-wrote series such as Se Avexe Não (Netflix/TV Brasil), Meninas do Benfica (Canal Brasil), and Guerra da Tapioca (Globoplay). Currently in post-production with her next short Joqueta. She previously edited The Party and the Barking (Best Short, Cinéma du Réel 2015). She’s an alumna of Produire au Sud, Varilux, and Brasil CineMundi. ○ Gabriela Matarazzo is a Brazilian writer, producer, and creative executive. She is currently the Director of Content at Pródigo Films, where she leads the creative development of original series and feature films for both Brazilian and international markets. Gabriela also oversees Pródigo’s International Division, focused on fostering global co-productions and expanding Brazil’s presence in the international landscape. PRODUCER Claudia Chakmati Rhiza is an independent production company. La Perra (2024), an animated short executive produced by Carlos Saldanha, premiered at Cannes and won 40+ awards worldwide. Ashes of the Forest, our debut feature documentary, screened widely and secured international licensing. Co-founded by Claudia Chakmati (LA) and Gabriela Matarazzo (São Paulo), Rhiza bridges Latin American creatives with European and U.S. markets through development financing, production oversight, and distribution. PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Don’t Forget Flora Don’t Forget Flora Yotam Knispel Producer Harel Ben Melech Lab Edition 14 , 2026 SCENE PITCH Production Tiarafilms Country Israel SYNOPSIS DIRECTOR'S NOTE LOG LINE A free-spirited wildlife photographer lives with her beloved husband in an isolated desert trailer, and prefers birds over humans. When his fading memory threatens to erase her, she discovers he has a secret daughter. Seeking her, ignites a bond that redefines loss and freedom, and blurs the line between living life and observing it. ABOUT THE FILMMAKER Screenwriter, director, and lecturer. Nominated twice for an Israeli Academy Award for his short films Love Has Nothing to Do With It (2023) and Girl with a Fork in a World of Soup (2019), which screened at over 100 film festivals and won 35 awards combined. In 2025, he co-wrote the documentary-animated feature Kafka’s Last Trial. Currently he's co-writing "Now More Than Ever", produced by American comedian Amy Schumer. Won various grants and residencies in Europe and the USA. Among his short films: Drop, Bambina, Fuck Buddies and Invisible Album, a five-episode musical web series that premiered at KAN 11. PRODUCER Harel Ben Melech Harel Ben Melech is an independent producer and founder of Tiarafilms. Her recent works include The Visit (Cannes, Palm Springs, HollyShorts), The Sun Rises Down Below (Best Short, Jerusalem FF), and The Holiness (Israeli Academy Award nominee). Her films and music videos have screened and won awards at Cinequest, Leeds, Aesthetica, Mecal Pro, and numerous other festivals. Tiarafilms produces features and short films, music videos, and commercials, focusing on bold storytelling, emerging voices, and international collaborations. PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Striker No. 7 Striker No. 7 Nitzan Rozen Producer Shira Hochman Lab Edition 11 , 2023 SCENE PITCH Production MINA Films Country Israel SYNOPSIS An outstanding football player is signed by the best football club in the Israeli premiere league. But his unusual identity causes the Ultras of the club to violently resist him. They even threaten his life, but he doesn't give up. He is determined to play for his city, and is sure that the triumph he brings will win their hearts. He is looking for a home, where he can be himself. In his attempt to belong, he is forced to confront who he really is. DIRECTOR'S NOTE I always wanted to be a football player. Football has it all: camaraderie, a wish to excel, a blind belief in one's tribe. When belonging to a club, you always have a home. A home is what my hero is seeking. This feeling of foreignness has always been part of my self-image. I wish to tell the story of a person who longs to change the rules of the game, but stay on the field. LOG LINE An unstoppable football player joins the best club in Israel. He brings triumph and chaos to the club that is riven by the hatred between the two sides of the city. In his battle to win his place, he is forced to question who he really is. ABOUT THE FILMMAKER Graduated with honors from the Sam Spiegel Film School 2017, Nitzan directed 4 shorts that were screened in festivals worldwide. Striker No. 7 , her debut feature, was awarded the Rabinovich Foundation development grant. In 2022 it was selected to the international film lab LIM, and to the Berlin Artist in Residence program of the Israeli Film Fund and Medienboard Brandenburg Berlin Film Fund. Nitzan works as a documentary director, and teaches directing at Minshar School of Art PRODUCER Shira Hochman Shira Hochman is a film editor, producer, and consultant. In 2018 she started MINA Films, a creative platform focusing on development and post-production. Her films as producer and editor exhibited in festivals such as Cannes, Locarno, Berlin, San Sebastian, SXSW and more. Shira edited and produced the Oscar-nominated short film White Eye (2019) by Tomer Shushan. In 2020 she received the Editing Award at the Jerusalem FF for High Maintenance by Barak Heymann. She was nominated for the Editing Award in the Israeli Academy awards for Next to Her by Asaf Korman (Cannes 2014). Among others, she produced and edited: It's Time You Died Already by Hadar Morag (Krakow 2022, Best Short Haifa IFF 2021), Horst by Miki Polonski (DocAviv 2020 Honorary mention), associate producer and editor of Mison a Martre by Amat Vallmajor del Pozo (FICXix?n IFF 2022, Berlin Critics' Week 2023, IndieLisboa 2023). PRODUCTION COMPANY PROFILE Company name, city MINA Films, Israel, Tel Aviv contact email Shira.minafilms@gmail.com contact telephone number +972523577042 +34722413144 PRODUCTION BUDGET The production budget in USD 800,000 USD confirmed budget in USD and source 30,000 USD Development grant from the Rabinovitch film fund, Private investment LANGUAGE Hebrew, Arabic Drama GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Life is anywhere else Life is anywhere else Margarita Balaklav Producers Haim Mecklberg, Estee Mecklberg Lab Edition 5 , 2016 SCENE PITCH Production Country Israel SYNOPSIS DIRECTOR'S NOTE LOG LINE ABOUT THE FILMMAKER PRODUCERS Haim Mecklberg, Estee Mecklberg PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Ivan Marinović Ivan Marinovic Director: 2014 Year of lab participation: 3 Lab edition: Montenegro Serbia Country: Mina Dukić Producer: Black Pin When misanthropic Orthodox priest Peter returns to his idyllic Montenegrin peninsula to nurse his demented mother, he quickly gets into a conflict with superstitious villagers who seek creative ways to chase him away. Synopsis Sarajevo International Film Festival 2016 Santa Barbara International Film Festival 2016 Bosphorus Film Festival 2016 - Best Actor Valletta Film Festival 2017 - Best Actor Jerusalem Sam Spiegel Film Lab 2014 - 2nd Prize Winner Festivals & Awards 2016 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Aranchi and Reem Aranchi and Reem Timna Rose Perets Producers David Silber, Sivan Cohen, Talia Bernstein Lab Edition 11 , 2023 SCENE PITCH Production Metro Communications Country Israel SYNOPSIS When Aranchi (13), a charismatic and wild Eritrean refugee with a passion for dance gets kicked out of the school dance show, she feels her life is over. But then she meets Reem (13), an isolated Sudanese girl undergoing a horrible family tragedy, and realizes just how evil life can get. Together, Aranchi and Reem find their way into the crime scene of South Tel-Aviv. In search for freedom and expression, they discover the power of friendship DIRECTOR'S NOTE 10 years ago, I was managing an afterschool program for refugee kids in my neighborhood. Aranchi, Reem and Dillet are some of the kids I witnessed growing up -from toddlers to teenagers, they became a huge part of my life. The film is a window to a world usually unseen, through their eyes, taking place in the neighborhood which taught me to find beauty in unexpected places, and to discover hidden worlds. LOG LINE Aranchi and Reem, two teenage African refugees, meet at the beginning of a fateful journey to learn about survival, friendship, and sacrifices in the intimidating and magical streets of south Tel Aviv. ABOUT THE FILMMAKER Born in Jerusalem in 1987. Timna Rose Perets is a filmmaker and social activist. Graduated from Minshar School of Art in Tel Aviv. Her short independent film, Daughter of the Bride was screened at Director’s Fortnight, Cannes Film Festival 2016. She now lives between Tel Aviv and the Jerusalem hills, working on a short film and her first feature. PRODUCERS David Silber, Sivan Cohen, Talia Bernstein Metro Communications is an Israeli film production company based in Tel Aviv, specializing in international co-productions of full length feature films. David Silber, Metro's director, together with his partners Moshe and Leon Edery (United King Films) have created an energetic, broad based production organization, and one of the leading production companies in Israel. Metro‘s main titles include Academy award nominee and Silver Bear winner Beaufort (2007), Golden Lion and European Academy Awards winner Lebanon (2009), Tribeca Film Festival winner and Berlin Film Festival Panorama featured Junction 48 (2016), Israeli Academy Awards winner Bana Joon (2015), alongside box office hits such as Avi Nesher‘s The Other Story, the top selling Israeli film of 2018, and This Is Sodom (2010) and Turn Left at the End of the World (2004), two of Israel‘s top grossing films ever. PRODUCTION COMPANY PROFILE Company name, city: Metro Communications LTD. Tel-Aviv, Israel. contact email: Sivan@metrocom.co.il ? contact telephone number: +972-54-320-0035 PRODUCTION BUDGET Production budget in USD: $675,000 LANGUAGE Hebrew, Tigrinya, Arabic Drama GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Come Closer Come Closer Tom Nesher Producers Haim Mecklberg, Estee Mecklberg Lab Edition 9 , 2021 SCENE PITCH Production Country Israel SYNOPSIS When Eden's brother tragically dies, her grief spirals into obsession after discovering his secret girlfriend. A haunting exploration of love, loss and fixation with stunning visuals. DIRECTOR'S NOTE Director’s Note This is a very personal story. A year and a half ago my beloved younger brother was killed in an accident. My brother and I looked like twins, and lived an adventure-filled life together. We didn't have secrets from each other, or at least so I thought. This is a story of loss. Immediately after my brother died, I started writing. Some of my friends and family said I should leave it alone, because it only causes me pain. But this exact pain is the one that Inbar chooses to experience over and over, while deepening her relationship with her brother’s girlfriend, Maya. As Roland Barthes put it in his book "Mourning Diary": “I ask for nothing but to live in my suffering”. This is a story about youth. Youth is twilight time. If childhood is morning, and adulthood is night, the characters in my story exist at sunset. They know for sure that something is over and they are toying reluctantly of the idea of a new beginning. The teens in the film are constantly examining their boundaries: sexuality, friendship, dependency, loyalty, humiliation, and self-sacrifice. This is a story about love. I once read that spousal love increases twice as much when the couple loves a third person together - their child. If so, can two lovers of the same “child” bond together through an odyssey, and thus discover true love with each other? This is the way I see my story. Finally aims to be an exuberant, feisty, provocative, lively cinematic experience. I know this might sound totally contradictory to what one might expect from a film that is driven by mourning. Yet life has very little respect to conventions and expectations, and in my mind, movies should follow suit. LOG LINE When Eden's brother tragically dies, her grief spirals into obsession after discovering his secret girlfriend. A haunting exploration of love, loss and fixation with stunning visuals. ABOUT THE FILMMAKER PRODUCERS Haim Mecklberg, Estee Mecklberg Producer profile Haim and Estee Mecklberg are veteran Israeli producers. They have started 2-TEAM PRODUCTIONS in the beginning of 2005 in the intention of producing cross-over feature films – films with highly artistic and social content, yet outstanding audience appeal. Their past successful film include Eran Riklis's THE HUMAN RESOURCES MANAGER, Asaf Korman's NEXT TO HER, Sharon Maymon & Tal Granit's THE FAREWELL PARTY and Elite Zexer's SAND STORM. PRODUCTION COMPANY PROFILE Production company profile 2-Team Productions is one of the leading Israeli film production companies. Our films have participate in all major international film festivals, including Cannes, Berlin, Venice, Toronto and Sundance, won numerous international and Israeli awards (including Sundance Grand Jury Prize, Venice Audience Award and Israeli Academy Best Film Awards) and, at the same time, were successfully distributed in Israel and around the world. Production Company 2-Team Productions, Tel Aviv, Israel office@2-team.com +972-3-787-5111 PRODUCTION BUDGET Production Budget $1,150,000 Secured funds $ 15,000, Rabinovitch Film Fund development grant LANGUAGE Hebrew Coming of age GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

ŻEJTUNE ŻEJTUNE Alex Camilleri Producers Rebecca Anastasi (Luzzu Ltd), Ramin Bahrani (NORUZ FILMS) Lab Edition 10 , 2022 SCENE PITCH Production Country Malta SYNOPSIS A young woman set on leaving Malta meets an aging troubadour whose music reawakens a love for the country she is determined to escape. DIRECTOR'S NOTE As I did in my debut, LUZZU, I will take audiences past the touristic view of Malta — in ŻEJTUNE we’ll discover charming non-actors and a totally unique musical tradition. I want to surprise viewers with complex characters, unexpected humor, and a fresh twist on genre.  ŻEJTUNE is a “neorealist musical” combined with a road movie. It’s also a deeply personal, universal story about finding hope after your world ends — a pandemic film that isn’t about the pandemic at all. I can’t wait to take you on the road to ŻEJTUNE. LOG LINE ABOUT THE FILMMAKER PRODUCERS Rebecca Anastasi (Luzzu Ltd), Ramin Bahrani (NORUZ FILMS) Rebecca Anastasi (Nizza Films, Malta) worked in international film production for seventeen years. She was a programmer for Valletta Film Festival, spearheading events including the conference on the Cinema of Small Nations. In 2021, she produced LUZZU, a Sundance-winner and international festival breakout, which sold in territories worldwide. She is a visiting film lecturer at the University of Malta working towards her doctorate, and an alumna of Berlinale Talents (2021). In 2022, she established her company, Nizza Films. Ramin Bahrani (Noruz Films, USA) is an Oscar-nominated writer, director and producer. His films have premiered in either the Cannes or Venice Film Festivals, where he has also served as President of the Debut Film jury. Film critic Roger Ebert named Bahrani “the director of the decade,” and his cinematic work is housed in the permanent collection at the Museum of Modern Art in NYC. Bahrani’s latest film, THE WHITE TIGER, was nominated for an Oscar, BAFTA, and was viewed globally 27 million times on Netflix. He was a producer of LUZZU. Alex Camilleri (Malta) will also produce through Solari Productions. PRODUCTION COMPANY PROFILE Company name & city: Solari Productions Sliema, Malta Contact email: alex.p.camilleri@gmail.com Contact telephone number: +1 507-261-3363 PRODUCTION BUDGET The production budget in USD: $950,000 Confirmed budget in USD and source: $47,350 — Malta Film Fund (Screen Malta), Development Grant LANGUAGE Maltese Comedy-Drama/Musical GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

I'm Afraid That's Our Time PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Safe Harbor Add a Title Add a Title Send Send Yoav Roeh, Aurit Zamir Producers: Yoav Roeh , Asaf Saban Safe Harbor Lab Edition 4 2025 PITCH LOGLINE Two Mossad agents pose as a married couple seeking to foster a nine-year-old Lebanese boy. The child is their gateway to recruit his mother; a woman deeply embedded in Hezbollah's organization. SYNOPSIS Mossad agents Yulia and Ori, late 20’s, are dispatched by their commander Amiram (60), to a peaceful Greek island. Their mission is to pose as a couple and foster Amin (9), a Lebanese survivor of the IDF missile attack which killed his father, an high ranking Hezbollah member. Amin was pulled from the rubble by his mother Salma (29), who then smuggled her traumatized son to a UN refuge in Greece, which promises a safe harbor for children from war zones. Yulia and Ori give Amin a home and gradually develop an emotional bond with him. This helps them gain access to Salma who comes to know and trust them. Unbeknownst to her, she supplies them with crucial information regarding a Hezbollah-planned attack. As the mission deepens, something else begins to shift. Caring for the child forges a genuine bond between Yulia and Ori. What began as sexual tension in their first meeting evolves into intimacy and emotional closeness. They lose the distance and clarity the mission demands, failing to notice that their cover has been compromised. As the operation unravels, Salma discovers the truth about them and is coerced into collaboration when they use a visit with Amin as leverage. When Salma is finally able to come to the island for the much-awaited visit with Amin, a Hezbollah elite unit assassinates her, and abducts Amin. Apparently, they discovered her breach of loyalty. Amin is once again orphaned and the agents are left missing key information regarding the upcoming attack. Haunted by guilt, Yulia and Ori break away from command, choosing to save Amin from his kidnappers. But then they discover a devastating truth- Amin's biological father, a high-ranking terrorist presumed dead—is alive. The couple are now torn between loyalty to their country and their new “family” and must confront the most agonizing question: What truly serves the child's best interest? WRITER'S STATEMENT SAFE HARBOR is led by two strong protagonists who feel a deep sense of belonging and loyalty to their country, who are willing to risk their lives for it. For whom the country is their true family. During the season, despite themselves, they create their own makeshift, improvised family, which starts through deception but develops into true emotion. As the needs of these two “families” conflict, our characters question the truths and ideologies their identities are built on. Through this narrative setup, we are interested in exploring the idea of family, loyalty and betrayal. As Israelis, like our characters, we are familiar with having complex relationships with our national identities. We believe these questions resonate with viewers worldwide today, Character driven and propulsive, SAFE HARBOR will explore the deep, emotional journeys of its characters through a twisty spy plot. The series uses the contrast between the cold, sterile world of espionage and the warm, hopeful moments of the couple's personal journey to visually underscore its themes. The dramatic contrast between the fast-paced tone and the psychological complexities will make this series as thought-provoking as entertaining. PRODUCER'S STATEMENT Shot fully on location in Greece, SAFE HARBOR will allow us to observe the complex reality of our region seemingly from the outside, from the safety of a peaceful Greek island, but in fact while looking deeply from within. The series throws a light on the lives of children in war zones, a topic which has become painfully relevant to us in the past years. Traumatized, orphaned, hurt- children are the most vulnerable victims of their parents’ wars and conflicts. SAFE HARBOR will reveal the cynical mechanisms behind the war machine, in which one child, Amin, is being used as collateral. During the season, our characters will have to face their own experiences as children, address how those shaped them, and lead them to reexamine their loyalties, hopefully giving Amin hope for a different future. Zig-zagging at fast speed between the personal and the national, the show will be as compelling as it will be unsettling, it’s power stemming from viewers connection to the strong characters who will ask themselves- is there a SAFE HARBOR to be found anywhere in this world? Or does that space exist only within their personal identity, within their own family? We look forward to embarking on this project which has a wide international appeal in terms of genre, language as well as tone, while maintaining core values of honest storytelling. LOOKING FOR Sales Agents, Co-producers, Broadcasters, National and/or regional fund Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS