Exile Exile Oz Zirlin Producer Dor Levy Lab Edition 11 , 2023 SCENE PITCH Production Goosebumps Productions Country Israel SYNOPSIS In the harsh city of Hadera, three interlocking stories will change the lives of their characters forever: Jackie (45) is up against time as he finds his best friend- after he took the money they invested in crypto, has gone missing. Oleg (22) has to take care of his mentally ill mother just as, out of nowhere- his dominate father comes back from ten years abroad. Adane (28) wants to solve his anxiety issues so he can provide for his family. Instead- he gets his younger brother and himself entangled with the police. DIRECTOR'S NOTE This film is for my friends and family, the tired souls we lost along the way, and those who stayed with us, still struggling to make ends meet. This film is for my childhood heroes - flawed and anxious individuals, filled with doubts and a false sense of security, trying to do what's right by their families, but not always succeeding. This is Israel as they experience it, down here, in the streets . A place of never-ending turmoil and pressure. This film is for them. LOG LINE Three heroes from three different communities trying to provide for their families in every way possible and discovering- there is no “going out” of the project’s city of Hadera and its never-ending pressure ABOUT THE FILMMAKER Oz graduated with distinction from the Minshar School of Arts. He is a writer, director, cinematographer, and dditor. His graduation film Adane and Yaleo was an official selection at the Jerusalem Film Festival, Munich Film Festival, and Tel Aviv Film Festival,amongst others. PRODUCER Dor Levy Goosebumps Productions is an independent production company based out of Tel Aviv. With a dedicated pursuit of impactful and emotionally evocative storytelling, I seek out emerging talents who possess a distinctive voice and offer a fresh perspective on our shared human experience. Among the company's notable projects are To the Grave (2020), Empty Spaces (2022), and Auto da fe (2022). These and others gained recognition in leading film festivals worldwide, such as Biennale Cinema, Busan IFF, Adelaide, Encounter FF, and BFI: Flare; as well in local festivals, such as Jerusalem IFF, Haifa IFF, TLV FEST, and Yes Israeli PRODUCTION COMPANY PROFILE Company name, city: Goosebumps Productions (Tel Aviv, Israel) Contact email: dor@gsbumps.art Contact tel.: +972-52-3883-089 PRODUCTION BUDGET Estimated Budget: $1,000,000 Existing: $10,000 Israeli Film Fund LANGUAGE Hebrew, Russian, Amharic Anthology drama GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Let go Baby Let go Baby Yair Agmon Producer Tal Becher (Yalla Films) Lab Edition 10 , 2022 SCENE PITCH Production Country Israel SYNOPSIS This is the story of Racheli and Noach, a young couple from Jerusalem, and the termination of their pregnancy. During a routine ultrasound, they discover a severe birth defect in their unborn child and find themselves forced into a tragic, unreal, and rattling odyssey - a stillbirth. Racheli and Noach’s journey together through the medical and mental bureaucracy of terminating the pregnancy drags their relationship into abysses of alienation and closeness, realism and surrealism. Their journey creates an intimate cinematic experience of substance. DIRECTOR'S NOTE The film “Let go baby” is based on the most traumatic experience I’ve ever had, and yet, my goal is to write and direct a film that is neither “heavy” nor sad, maybe even a happy film. I want to create a film with sweet, beautiful, and intimate moments. Moments of grace and love. I believe that many viewers will be able to find peace and comfort in this film. The comfort of the misery of life. I believe this film will encourage and enable a new discussion on one of the most repressed phenomena in our lives, one that no one talks about. I feel, simply, in every fiber of my being, that this is a story that must be told. LOG LINE During a routine ultrasound, a young Israeli couple discovers a severe birth defect in their unborn child that leads them down a surreal, tragic, and yet optimistic journey. ABOUT THE FILMMAKER PRODUCER Tal Becher (Yalla Films) Yalla Films is a young, fast, fun and daring production company that specializes in quality boutique productions, and accessible, direct, poignant, human-loving cinema. Tal Becher - Born in 1985. Married to Shunit, father to Roni. BA in communication from the College of Management Academic Studies, and The Production Track in The Sam Spiegel Film & Television School. Founded the production company “Yalla Films”. Produced a documentary TV series (“YYY”), Three documentary features, several web-series, and several of short films (including one VR film that participated in The Venice Film Festival 2019). These days, he produces a documentary feature and directing  one, also works on the development of the awards winning director Dror Shaul’s new feature. PRODUCTION COMPANY PROFILE Producer: Tal Becher Production company: Yalla Films Address: Yitzhak Sade 34, Tel Aviv PRODUCTION BUDGET Budget: 350,000$ LANGUAGE Hebrew Drama GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Don't Be A Stranger 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Don't Be A Stranger Filmmaker Fellipe Fernandes Producers Dora Amorim, Julia Machado Production Company Zebra Films Country Brazil Lab Edition 13 , 2025 SCENE PITCH SHORT SYNOPSIS Frightened by a series of murders in the queer community of a coastal city, the ex-addicted nurse Luca, 29, worries when his ex-boyfriend goes missing and decides to search for him. Gradually, he develops a dangerous attraction to risk: despite all warnings, he continues using dating apps. The possibility that one of his matches might be a killer both terrifies and excites him. In contrast to the tenderness he offers his patients, the brutality of his sexual experiences begins to blur the line between fear and desire. DIRECTOR’S NOTE I feel that facing death's mysteries is unavoidable for people like me, LGBTQ Brazilians from underprivileged backgrounds. Fear and desire dance together in the construction of dissonant sexualities and we must learn to live by blurring the boundaries of the margins. I'm really interested in how Luca gradually pushes his physical and moral boundaries in this journey, until he learns that to really feel alive it's necessary to face the mirror honestly and never become a stranger to oneself. ABOUT THE FILMMAKER Raised in the outskirts of Recife, Fellipe Fernandes premiered his first film, “Delusion is Redemption to Those in Distress”, at 2016 Cannes Film Festival’s Critic’s Week. After his second short, “Tempestade” (2019), he launched his first feature film, “Rio Doce” (2021), at the Olhar de Cinema – Curitiba International Film Festival, where it was awarded Best Film and Best Brazilian Feature. It also received the grand prize at the Rio Film Festival’s New Directions and the FIPRESCI award at the Toulouse Latin American Film Festival. ABOUT THE FILMMAKER PRODUCERS Dora Amorim, Julia Machado Dora Amorim is a partner at Zebra Filmes, working as an audiovisual producer since 2010. Her films have been shown at over 100 festivals, including Cannes Critics' Week and Rotterdam IFF. She collaborated with Emilie Lesclaux and Kleber Mendonça Filho at Cinemascópio Produções, and was the executive producer of “O agente secreto”. Dora is part of Berlinale Talents, Eave+, and the Paradiso Talent Network, and was recognized by LatAm Cinema as one of the five standout Latin American producers at Cannes 2025. Júlia Machado is a partner at Zebra Filmes, studied Audiovisual and Public Relations. An audiovisual producer since 2009, she was part of the team for the feature films “Bacurau” and “O Agente Secreto”, directed by Kleber Mendonça Filho. Recently she produced the features "Salomé" and "Ainda não é amanhã" Júlia has participated in BRLab and CineMundi and her films have been exhibited in many national and international festivals, including Cannes Critics' Week. Zebra Filmes was founded in 2024 by Dora Amorim and Júlia Machado, independent producers with extensive experience in the industry. They are currently developing projects by Fellipe Fernandes, Milena Times, André Antonio, Nathália Tereza, and other filmmakers. PRODUCTION COMPANY PROFILE ○ Zebra Films / Recife, Brazil ○ +55 81 7901-7700, +55 81 8561-4805 ○ dora@zebrafilmesbr.com , julia@zebrafilmesbr.com PRODUCTION BUDGET ○ Total budget: 1,069,000 USD ○ Confirmed budget and source: 66,000 USD (Brazilian Copruduction - development) LANGUAGE Portuguese GENRE Thriller Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Insignificant Add a Title Add a Title Send Send Efrat Dror Producers: , Mindi Ehrlich Insignificant Lab Edition 1 2022 PITCH LOGLINE A legal drama television series which portrays how the ancient laws of the Halacha (the Jewish laws) constantly collide and clash with the modern Israeli everyday reality. This collusion will occur mainly through the eyes of Nechama (43), an ultra-orthodox and legal representative of women in Rabbinical courts, who feels transparent and powerless in her position. She will choose to hide behind a man, a secular lawyer, with the hope he will be able to sound her voice for her. But as things progress, Nechama will realize she is no longer willing to hide. She will get out from behind the scenes, and fight for a change. SYNOPSIS Nechama (43) is an ultra-Orthodox legal representative in the rabbinical court and a mother of nine children. She is married to Motke (45), a Torah scholar and head of a distinguished Yeshiva. Nechama belongs to a conservative community where the man is expected to study Torah, therefore the burden of providing a livelihood falls on the woman's shoulders. In order for Motke to follow this tradition, Nechama has studied to be able to represent clients in the rabbinical court and was certified as a “rabbinical litigator”, much like an attorney in civil court (She is allowed to represent clients only in the rabbinical court and not in an ordinary court). At first, the profession of rabbinical litigator (for those uncertified to practice law) was reserved only for men (yeshiva graduates). It was only in the early 90s that authorization was granted to train women as well. For the first time women were considered equal to men by the religious establishment, although they were excluded from giving testimony. Since legal representation is a masculine, extravert profession that is not mindful of the ultra-Orthodox woman whose essence centers on modesty, the profession was less adopted by the women of the ultra-Orthodox sector. But Nechama, who was determined to let her husband study Torah, decided to become a rabbinical litigator, primarily because it's what she knows best – to study and litigate. Only in recent years have a minority of ultra-Orthodox female litigators appeared in the rabbinical courts, to the dismay of the “Dayanim” (rabbinical judges) who were slowly forced to surrender to this trend. Nechama looks like a typical ultra-Orthodox woman. At the age of 18 she married the only man she ever met. Motke is water that runs deep, a conservative patriarch who rules his family and students in his quiet way. While he's busy studying Torah and heading the Yeshiva, Nechama crumbles under the burden of providing a livelihood. In the absence of a budget, she works from home. This upsets all the family members who are forced to remain in their rooms while Nechama meets clients in the living room and must maintain their privacy as well as her family's. Nechama is imprisoned in a conservative and chauvinistic world. Her chances of succeeding as a woman are close to none. But she has no alternative, this is her world and this is her family. At home, Motke is the king and Nechama isn't necessarily the queen. Being opinionated and assertive aren't sexy qualities for an ultra-Orthodox woman in a conservative community. Nechama has no choice but to supply the goods, to be a modest wife and do her husband's bidding. Deep down, Nechama knows all too well that she wasn't destined to be a homemaker; cooking and cleaning aren't her forté. She would much prefer writing statements of claims or delving into an article or innovative ruling – that is her Strength. Nechama is not the woman of valor expected of her. Though she tries her best to please her family, once she completes her boring chores, she escapes to her legal cases, and that – definitely excites her. Here she excels For all intents and purposes Nechama has the skills to become the most sought after rabbinical litigator in town. But skills are one thing, reality is another. In reality, Nechama must battle it out with chauvinistic Dayanim to whom her voice doesn’t count. This infuriates her, because it is not for lack of proficiency, but because she is a woman. Despite her vast knowledge and excellent skills, she loses cases and this frustrates her. She knows that she has what it takes to win cases but the gap between her professionalism and what happens in practice makes her great potential irrelevant. It was Nechama's extensive knowledge, sharp wit and outstanding skills in arguing and wining that first brought her to the profession. Yet she doesn’t stand a chance with these Dayanim . She is a woman who was raised from infancy to lower her eyes before men. She doesn't have the "chutzpah" or the daring required of a rabbinical litigator. WRITER'S STATEMENT PRODUCER'S STATEMENT LOOKING FOR Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Dead Language Dead Language Oded Binnun, Mihal Brezis Producer Yael Abecassis Lab Edition 4 , 2015 SCENE PITCH Production Country Israel SYNOPSIS A chance encounter leads Aya to pick up a stranger at the airport. When he disappears, he leaves behind a gnawing hunger-one which perhaps only a complete stranger could fulfill. DIRECTOR'S NOTE LOG LINE A chance encounter leads Aya to pick up a stranger at the airport. When he disappears, he leaves behind a gnawing hunger-one which perhaps only a complete stranger could fulfill. ABOUT THE FILMMAKER PRODUCER Yael Abecassis PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Subject PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Tsivia Barkai 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Tsivia Barkai 2012 Year of lab participation: 1 Lab edition: Country: Israel Producer: Ronen Ben-Tal Red Cow Red Cow is a coming-of-age film that takes place in the days leading up to the assassination of Rabin and depicts the life of Benny, 16, orphaned from mother at birth and the only child of Joshua - a religious, right-wing extremist, in those critical junctures when she is forming her sexual, religious and political awareness. Lab edition: Tallinn Black Nights Film Festival 2018 Transilvania International Film Festival 2018 Poitiers Film Festival 2018 Monte Carlo International Film Festival 2019 Romanian Union of Filmmakers 2019 - Best Screenplay Synopsis 2018 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Veronica Kedar Veronica Kedar Director: 2013 Year of lab participation: 2 Lab edition: Israel Country: Mosh Danon Producer: Family It all began on one night, when Lily arrived at her therapist's house asking for an emergency session. She wants to explain why she killed her family. Synopsis Warsaw International Film Festival 2017 Imagine India International Film Festival 2018 - Best Director, Best Music Jerusalem Film Festival 2017 Brooklyn Horror Film Festival 2018 - Best Feature. Cinequest San Jose Film Festival 2019 - Best Sci-fi, Fantasy, Horror Feature Award. Jerusalem Sam Spiegel Film Lab 2013 - 1st Prize Winner Festivals & Awards 2017 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Insignificant Insignificant Screenwriter: Mindi Ehrlich Producer: Efrat Dror , Herzliya Studios Language: Hebrew Format: Send PITCHDECK LOGLINE A legal drama television series which portrays how the ancient laws of the Halacha (the Jewish laws) constantly collide and clash with the modern Israeli everyday reality. This collusion will occur mainly through the eyes of Nechama (43), an ultra-orthodox and legal representative of women in Rabbinical courts, who feels transparent and powerless in her position. She will choose to hide behind a man, a secular lawyer, with the hope he will be able to sound her voice for her. But as things progress, Nechama will realize she is no longer willing to hide. She will get out from behind the scenes, and fight for a change. SYNOPSIS Nechama (43) is an ultra-Orthodox legal representative in the rabbinical court and a mother of nine children. She is married to Motke (45), a Torah scholar and head of a distinguished Yeshiva. Nechama belongs to a conservative community where the man is expected to study Torah, therefore the burden of providing a livelihood falls on the woman's shoulders. In order for Motke to follow this tradition, Nechama has studied to be able to represent clients in the rabbinical court and was certified as a “rabbinical litigator”, much like an attorney in civil court (She is allowed to represent clients only in the rabbinical court and not in an ordinary court). At first, the profession of rabbinical litigator (for those uncertified to practice law) was reserved only for men (yeshiva graduates). It was only in the early 90s that authorization was granted to train women as well. For the first time women were considered equal to men by the religious establishment, although they were excluded from giving testimony. Since legal representation is a masculine, extravert profession that is not mindful of the ultra-Orthodox woman whose essence centers on modesty, the profession was less adopted by the women of the ultra-Orthodox sector. But Nechama, who was determined to let her husband study Torah, decided to become a rabbinical litigator, primarily because it's what she knows best – to study and litigate. Only in recent years have a minority of ultra-Orthodox female litigators appeared in the rabbinical courts, to the dismay of the “Dayanim” (rabbinical judges) who were slowly forced to surrender to this trend. Nechama looks like a typical ultra-Orthodox woman. At the age of 18 she married the only man she ever met. Motke is water that runs deep, a conservative patriarch who rules his family and students in his quiet way. While he's busy studying Torah and heading the Yeshiva, Nechama crumbles under the burden of providing a livelihood. In the absence of a budget, she works from home. This upsets all the family members who are forced to remain in their rooms while Nechama meets clients in the living room and must maintain their privacy as well as her family's. Nechama is imprisoned in a conservative and chauvinistic world. Her chances of succeeding as a woman are close to none. But she has no alternative, this is her world and this is her family. At home, Motke is the king and Nechama isn't necessarily the queen. Being opinionated and assertive aren't sexy qualities for an ultra-Orthodox woman in a conservative community. Nechama has no choice but to supply the goods, to be a modest wife and do her husband's bidding. Deep down, Nechama knows all too well that she wasn't destined to be a homemaker; cooking and cleaning aren't her forté. She would much prefer writing statements of claims or delving into an article or innovative ruling – that is her Strength. Nechama is not the woman of valor expected of her. Though she tries her best to please her family, once she completes her boring chores, she escapes to her legal cases, and that – definitely excites her. Here she excels For all intents and purposes Nechama has the skills to become the most sought after rabbinical litigator in town. But skills are one thing, reality is another. In reality, Nechama must battle it out with chauvinistic Dayanim to whom her voice doesn’t count. This infuriates her, because it is not for lack of proficiency, but because she is a woman. Despite her vast knowledge and excellent skills, she loses cases and this frustrates her. She knows that she has what it takes to win cases but the gap between her professionalism and what happens in practice makes her great potential irrelevant. It was Nechama's extensive knowledge, sharp wit and outstanding skills in arguing and wining that first brought her to the profession. Yet she doesn’t stand a chance with these Dayanim . She is a woman who was raised from infancy to lower her eyes before men. She doesn't have the "chutzpah" or the daring required of a rabbinical litigator. WRITER'S STATEMENT ABOUT THE WRITER PRODUCER'S STATEMENT PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Wonderful news and a big congratulations to our 9th edition participants Marianna Bernnand Fortes and Carolina Benevides! "Manas" just won the Venice Days director’s award. A powerful and important story, we are proud that this film began its journey with us - and can't wait to see what happens next! Wonderful news and a big congratulations to our 9th edition participants Marianna Bernnand Fortes and Carolina Benevides! "Manas" just won the Venice Days director’s award. A powerful and important story, we are proud that this film began its journey with us - and can't wait to see what happens next! "Manas" Wins Venice Days Director's Award NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

Myrsini Aristidou 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Myrsini Aristidou 2021 Year of lab participation: 9 Lab edition: Country: Cyprus Producer: Nathalie Dennes Hold Onto Me It's summer, and 11-year-old Iris is running wild through the streets with her older friend Danae when she learns her estranged father, Aris, is back in town for his own father's funeral. Lab edition: Sundance Film Festival 2026 - Audience Award in World Cinema Dramatic Competition Synopsis 2026 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

The Bride PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ