Acusada Acusada Gonzalo Tobal Producer Benjamin Domenech Lab Edition 5 , 2016 SCENE PITCH Production Country Argentina SYNOPSIS A young student is the only one accused of the brutal murder of her best friend, a case that is excessively reported by the media. Cornered by the evidence, she must face her own doubts about what really happened. DIRECTOR'S NOTE LOG LINE A young student is the only one accused of the brutal murder of her best friend, a case that is excessively reported by the media. Cornered by the evidence, she must face her own doubts about what really happened. ABOUT THE FILMMAKER PRODUCER Benjamin Domenech PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Birth Right Birth Right Inbar Horesh Producer Maya Fischer Lab Edition 10 , 2022 SCENE PITCH Production Green productions Country Israel SYNOPSIS Every year the state of Israel sponsors educational tours for thousands of young diaspora Jews, connecting them to Jewish identity, encouraging immigration to Israel and preventing intermarriage in their home countries. After learning that her deceased father was Jewish, Natasha (18) joins a tour with a group of young adults from former USSR countries, hoping to find a new home. On a road trip throughout Israel, Natasha will struggle to fit in with her group and with the country she is discovering to be so different from the one she imagined. DIRECTOR'S NOTE Growing up in a society that sanctifies the concept of belonging yet not feeling that I actually belong, lead me to develop this script about newcomers arriving to Israel in search for a homeland. This group of strangers on the bus turn into a mirror of society, where their universal need for a sense of belonging is manipulated for political gain. With tender humor and irony, I am looking to address taboos regarding the Jewish and Israeli identity. Even though Birth Right has a critical undertone, this film is a love song to my bleeding home, to the powerful landscapes of my childhood, and to the wounded melting pot of people sharing this land. LOG LINE A group of young adults from the former USSR countries embark on a tour in Israel that encourages immigration. On a road trip from north to south, sexual experiences clash with Jewish nationalism as the group members try  to figure out if Israel is their promised land. ABOUT THE FILMMAKER PRODUCER Maya Fischer Green Productions specializes in developing and producing quality content for television and film. With offices in Israel and Australia/NZ, we consider ourselves a home to film and TV creators. We are committed to identifying and nurturing new talent alongside working with acclaimed auteurs. We look to bring to the screen emotionally charged stories, told with a unique and authentic voice that captures the spirit of the times while offering an original and fresh look at our reality. Alona Refua is a producer and a lecturer, graduated with honors from the Sam Spiegel Film & TV School where she is now teaching production. During her last year of studying, she created and produced the series of short films Love Letter to Cinema which participated in hundreds of festivals including Berlinale, Locarno and more. Alona was the Head of productions at Black Sheep where she produced award-winning feature films, TV series and documentaries. Since 2021, Alona has been aproducer and the Head of Development at Green Productions. PRODUCTION COMPANY PROFILE Green Productions, Givatayim contact email: Alona@greenproductions.co.il contact telephone number: +972-542131668 The production budget in USD: 1,030,000 confirmed budget in USD and source: 20,000$ Rabinovich Film Foundation, CNC, Cinemed PRODUCTION BUDGET LANGUAGE Russian, English, Hebrew, Arabic Comic Drama GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Dark Room Dark Room Itamar Alcalay Producer Amir Harel Lab Edition 4 , 2015 SCENE PITCH Production Country Israel SYNOPSIS DIRECTOR'S NOTE LOG LINE ABOUT THE FILMMAKER PRODUCER Amir Harel PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Shuchi Talati Shuchi Talati Director: 2021 Year of lab participation: 9 Lab edition: India Country: Sanjay Gulati Producer: Girls Will Be Girls Follows the journey of 16 year old Mira, whose sexy, rebellious coming of age is disrupted by her young mother who never got to come of age herself. Synopsis Sundance Film Festival 2024 - Audience Award for World Cinema Dramatic, Special Jury Award for Acting Goteborg Film Festival 2024 South by Southwest Film Festival 2024 Sofia International Film Festival 2024 - Best Director Cleveland International Film Festival 2024 Minneapolis St. Paul International Film Festival 2024 - Emerging Filmmaker Award Miami Film Festival 2024 Seattle International Film Festival 2024 Karlovy Vary International Film Festival 2024 Nashville Film Festival 2024 Thessaloniki International Film Festival 2024 Festivals & Awards 2024 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Oasis Oasis Screenwriters: Nur Fibak, Mae Palty Producer: Orly Arbel , SIPUR Language: Hebrew Format: Send PITCHDECK LOGLINE When the daughter of a passionate park ranger discovers her father died in an explosion in the middle of the desert, she leaves her hectic city life and returns to her hometown to uncover the real cause of his death. SYNOPSIS Maya Shushan (35) is a talented, cool journalist who wrote an article three years ago that was so powerful it was picked up by the New York Times. However, since then, her journalistic career seemed to dry up. She is burned out, her boss threatens to fire her, and her life, in general, is not really as she planned. But then, she gets informed that her father, a passionate Park Ranger, had died in an explosion in the middle of the desert. She leaves her hectic city life and returns to her deserted hometown, even though she really doesn't want to confront her past. When she gets there, it appears that police are spouting nothing but nonsense and lies about her father’s death. She discovers that shady investors with sharp snake boots are starting to build a fancy spa hotel around the beautiful Oasis of the "Ein Devora" reserve, the iconic magical reserve her father protected his entire life. Her instincts awaken: something doesn't feel right. Maya realizes that she needs to stay there a little longer before returning to her dying career in the city. There, in the heart of the desert, alongside her post-traumatic little brother and her long-time high school sweetheart, she tries to come to terms with her mother—a religious and terrifying woman by all accounts. She will do anything to investigate the real cause of her father's death. Soon, Maya finds herself taking up her father's fight in a conflict that is as old as time, the war over one small piece of land. Humanity against nature. Disparate groups fight for control— The hotel investors, the police, the nearby military base, the religious Jewish community, the desert Bedouins, and even the Nature and Parks Authorities. Maya discovers that her sense of purpose, extinguished by city life, has been reignited. After years in Tel Aviv, she discovers that her father's death brings her back to life. WRITER'S STATEMENT ABOUT THE WRITERS PRODUCER'S STATEMENT Our mission at SIPUR is first and foremost to lead great productions with global appeal, and as Israel’s biggest private investor in content, we are always looking for exciting new creators with new stories to tell. From the very first read, "Oasis" immediately caught our attention. Nur and Mae’s unique voice and fresh perspective stood out from the pack, and we’ve been thrilled to support their journey over the last year. "Oasis" is a project that blends personal experience with imaginative storytelling, all presented in a way that we believe will captivate viewers around the world and even inspire local adaptations. With "Oasis" at the front of our slate, we’re excited to continue pushing forward and leaving our mark on the industry. Together with Nur, Mae, and other amazing young voices, we’re poised to back content that will be seen by audiences everywhere. PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Holy Socks Holy Socks Screenwriters: Feigi Kozlovski, Ron Ninio Producer: Hagai Arad, Aharon Peer, Elad Peleg , Daroma Productions Language: Hebrew, Yiddish Format: 8 Episodes x 30 Minutes Send PITCHDECK LOGLINE A Hasidic woman, carrying a dark secret, and a stubborn secular kibbutznik, form an unlikely partnership to create the perfect pantyhose, unraveling the threads holding their worlds together. SYNOPSIS Holy Socks follows Shprintze (30), a Hasidic woman from Jerusalem, and Edna (65), a secular Kibbutznik from northern Israel -- two women from communities where collective principles outweigh individual needs, yet worlds apart in religion and culture. Shprintze carries an unresolved childhood trauma -- sexual abuse silenced by her community -- buried beneath an obsession with the runs in her pantyhose. When a disastrous job interview ends with yet another ruined pair of premium stockings, she travels to the kibbutz that manufactured them, where she meets Edna, a stubborn retiree who once managed the kibbutz hosiery factory. Despite their explosive first encounter, a bond forms. To her husband Shimshon's horror, they embark on a joint mission to create the perfect pantyhose that will never tear. Against a backdrop of barking dogs and flying falafel balls, they navigate family opposition and institutional obstacles. As their startup advances, Shprintze's buried trauma resurfaces. She reveals her secret to Edna, deepening their bond into a soul friendship. Together they produce a prototype, file a patent, and secure funding. But when they travel to Sri Lanka for manufacturing, money runs out and their conflicting natures ignite battles over control. Edna abandons the project in fury. Shimshon seizes the opportunity to distance Shprintze from Edna, arranging new funding. Shprintze launches the Golden Pantyhose alone to meteoric success -- until she discovers the truth behind the money. The revelation detonates her marriage in ways neither expected. Until Edna knocks on Shprintze's door. Because the triple-threaded pantyhose will never be torn apart. Told in a dark comedic Jerusalemite tone with pure sarcasm, the series has no reasonable logic -- but it has a vision to fix the world. And that's what matters. WRITER'S STATEMENT There is a well-known conflict between the world of religion and science: how many years has the world existed? On the other hand, there is broad consensus that since the dawn of time, this planet has been ruled by men who shape the world to their liking. If you survey the map of figures ruling the political and economic world, you can make a sweeping statement: if you are a man, white and rich, you can be infantile, talk nonsense at the level of a three-year-old, and still be seen as a genius. I am an ultra-Orthodox creator, COVID-fired, ambitious and strange, who went to study screenwriting at a relatively late age. I don't think in political correctness -- I filter my thoughts through a filter as thick as 70-denier pantyhose. Why? Because I am a woman, and I know that a woman is expected to be nice and keep quiet. A Haredi woman is expected to be holy and modest. I have felt since childhood that the expectation is for me to accept having no representation in the public sphere. I walk on eggshells so my children will have schools and matchmaking proposals -- and above all, not to annoy the zealots near my husband's business in Haredi Geula. To voice my opinion, which refuses to remain as voices in my head, I wrote the story of Shprintze and her imaginary friends. I am skeptical, but she is more obsessive than me and endlessly convinces me that one day she will fix the world. Intact stockings are a product we all need, much like a story with dark Jewish humor. I believe in this story and its ability to touch the delicate heartstrings of all of us -- and truly change worlds. ABOUT THE WRITERS Faigy Kozlovsky is an ultra-Orthodox screenwriter and graduate of the Ma'aleh School of Film in Jerusalem. In 2024, she directed her first short film, Tamar, as part of the "A Kitser" incubator for ultra-Orthodox women creators. The film screened at the Jerusalem Women's Film Festival and subsequently at the UK Jewish Film Festival. Additionally, the film is shown at ultra-Orthodox women's screening events that Faigy produces independently. Currently, Faigy serves as a Script Reader for one of Israel's film funds, while dedicating her time to developing and writing various film projects that have gained recognition from multiple Israeli funds—most notably the series Holy Socks, which she first conceived during her studies. Alongside the series development, Faigy is writing a personal book and delivers lectures and workshops on meaning and self-motivation. Faigy is the sixth of ten children, married, mother of four sons, and a grandmother. Ron Ninio is an award-winning Israeli director and showrunner. He co-created and directed Your Honor (2 seasons), winner of the Grand Prix at Series Mania and the world's most successful scripted format since 2020, remade in over 12 countries including the U.S. (Showtime), Germany, France, India, and South Korea. Other series include Arab Labour (Best Drama, Haifa and Jerusalem Film Festivals), A Touch Away (Israeli Academy Award, Best Drama Series and Best Director), and Catching the Sky (Ophir Award winner). His latest feature Farewell Column premiered at Warsaw Film Festival 2024. PRODUCER'S STATEMENT At Daroma Productions, we have built our reputation on giving voice to unheard stories and bringing Israel's peripheral communities to the center of the screen. Holy Socks represents exactly the kind of bold, original storytelling that has defined our mission since 2010. This project draws on themes we have explored across our filmography of over 40 films -- the tension between individual desire and collective pressure, the collision of different Israeli worlds, and the power of dark humor to illuminate serious social issues. From A Whore Like Me (Ophir Award winner) which tackled human trafficking, to This City (Warsaw IFF, Chelsea Film Festival triple winner) which reimagined Israeli urban culture through hip-hop noir, we have consistently proven that challenging content can find both critical acclaim and wide audiences. Holy Socks has the potential to be a breakout international series. The satirical comedy wrapped around a trauma narrative speaks a universal language -- the struggle for self-expression against oppressive systems exists in every culture. The unique Israeli setting, combining ultra-Orthodox Jerusalem with Kibbutz life, offers international audiences a fresh, visually rich world they have not seen before. We envision the series as an 8-episode series, each 30 minutes, perfectly suited for premium platform distribution. The dark comedy tone places it alongside internationally successful shows that balance humor with social commentary. With our extensive experience in international co-productions -- currently developing projects with partners in India, France, Germany, and the USA -- we are well positioned to bring Holy Socks to a global audience while maintaining the authentic Israeli voice that makes it special. We are seeking co-production partners, broadcasters, and platforms who share our passion for distinctive, character-driven storytelling that challenges conventions while entertaining audiences worldwide. PRODUCER PROFILE Founded in 2010, Daroma Productions is an award-winning Israeli company with over 40 productions -- features, documentaries, and series -- premiering at Berlinale, Busan, Tallinn, Warsaw, and DOC NYC, earning multiple Ophir Awards (Israel's Oscar equivalent). Daroma's series work includes Don't Care to Share (2021), an 8-episode web series that won Best Web Series at NYFA, Paris Play, and Black Swan festivals, with a nomination at the Indie Series Awards in Los Angeles. The company is developing a strong series slate: Holy Socks, a satirical dark comedy; Roots in Sand, a 6-part Bedouin crime drama; and Spies R Us, an international action-comedy. With co-production experience spanning India, France, Germany, and Portugal, Daroma is positioned to bring distinctive Israeli stories to global audiences through series partnerships. PRODUCTION CONTACT DETAILS va.elad@gmail.com Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Good Girls Go To Hell Good Girls Go To Hell Screenwriters: Bar Cohen, Tohar Sherman-Friedman Producer: Shlomit Arviv , Dori Media Group Language: Hebrew Format: 10 Episodes x 30 Minutes Send PITCHDECK LOGLINE Tohar (17), the youngest daughter of the chief rabbi in a small West Bank settlement, decides to end her most significant relationship, and break up with God. SYNOPSIS In a West Bank settlement, Tohar (17), the chief rabbi's daughter, decides to break up with God after her mother's Parkinson's diagnosis. She embarks on a 10-step liberation journey, breaking the fourth wall to address the Almighty directly. Navigating her Orthodox community, all-girls school, family expectations, and first love, Tohar challenges everything she's known. In a place where every decision is judged by both Heaven and Earth, can Tohar find her true self without losing it all? WRITER'S STATEMENT "Good Girls Go to Hell" is inspired by Tohar's upbringing in a settlement. This adaptation of her graphic novel follows 17-year-old Tohar as she navigates the clash between tradition and independence. With raw honesty and sharp humor, we witness her struggle against family expectations and community norms while grappling with her evolving beliefs. It's a love letter to every misfit and doubter who's felt trapped by circumstances. Imagine "Fleabag" in a settlement or "Derry Girls" with a kippa - a story as contradictory, messy, and beautifully human as life itself. ABOUT THE WRITERS Bar Cohen A screenwriter, Cohen’s debut feature, CLOUDS OF DUST, is an Israel-France co-production currently in production. An honors graduate of The Sam Spiegel Film School, her projects have been featured in the Jerusalem Film & Television Fund Series Lab and NFCT Docu Lab and more. Tohar Sherman-Friedman An author, illustrator, tattoo artist, and comic book creator. Friedman's first graphic novel, ""Good Girls Go to Hell"", was published and translated into various languages. The sequel, ""Angel of Sabotage"", was released last March in France. She is a graduate of the visual communication studies and the illustration department at Shenkar College. PRODUCER'S STATEMENT From the moment I encountered "Good Girls Go to Hell" by emerging talents Bar and Tohar, I was captivated. The playful title belies a profound coming-of-age story set in a world seemingly distant from my own—a large religious family on the fringes of Israeli society. Yet, Tohar's original dialogue with her "imaginary friend" God resonated deeply. This series promises to be a groundbreaking exploration of faith, family, and identity, told with wit and warmth. Bar and Tohar's authentic voices shine through, creating a story that's both uniquely local and globally relatable. Their fresh perspective offers a bold take on universal themes. PRODUCER PROFILE Dori Media Group is an international media company with offices in Israel, Switzerland, Argentina, Spain, and India. We produce and distribute TV and New Media content, broadcast channels, and operate video-content websites. Our catalog includes 7,500 TV hours, 7,500 short clips, 120 webisodes, and 556 cellular episodes. We offer series, reality shows, and children's programming. Our content reaches audiences in over 100 countries, making us a global leader in media production and distribution. PRODUCTION CONTACT DETAILS shlomit.a@dorimedia.com +97236478185 Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Barash (Blush) Barash (Blush) Michal Vinik Producer Amir Harel & Ayelet Kait Lab Edition 1 , 2012 SCENE PITCH Production Country Israel SYNOPSIS Trying to escape her tumultuous home life, Naama, 17, indulges in alcohol and drugs, but everything changes when she meets a sexy, free-spirited new girl at school and the two become more than fast friends. DIRECTOR'S NOTE LOG LINE Trying to escape her tumultuous home life, Naama, 17, indulges in alcohol and drugs, but everything changes when she meets a sexy, free-spirited new girl at school and the two become more than fast friends. ABOUT THE FILMMAKER PRODUCER Amir Harel & Ayelet Kait PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

3rd Generation PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

I'm Afraid That's Our Time PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

The Future The Future Noam Kaplan Producer Yoav Roeh Lab Edition 6 , 2017 SCENE PITCH Production Country Israel SYNOPSIS The Israeli secret service hires criminal profiler Nurit to question a young Palestinian woman suspected of killing a government official. Nurit learns some unsettling realities via their interactions. DIRECTOR'S NOTE LOG LINE The Israeli secret service hires criminal profiler Nurit to question a young Palestinian woman suspected of killing a government official. Nurit learns some unsettling realities via their interactions. ABOUT THE FILMMAKER PRODUCER Yoav Roeh PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Insignificant PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM