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  • New Year - New Edition!

    A big welcome to our participants from near and far- from Italy, Greece, North Macedonia, Belgium, France, Sweden, Hungary and Israel. We begin our 11th edition with a full work-week in Jerusalem. A big welcome to our participants from near and far- from Italy, Greece, North Macedonia, Belgium, France, Sweden, Hungary and Israel. We begin our 11th edition with a full work-week in Jerusalem. New Year - New Edition! NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

  • Merav Haddad

    Shtukit PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

  • L'OR ROUGE (Red Gold)

    L'OR ROUGE (Red Gold) L'OR ROUGE (Red Gold) Mathieu Volpe Producer Delphine Tomson (Les Films du Fleuve) Lab Edition 10 , 2022 SCENE PITCH Production Country Italy/Belgium SYNOPSIS After learning about the death of her son Isaac, Regina (45) travels from Burkina Faso to Southern Italy to arrange the repatriation of his body. Here, she discovers that he lived in “the Ghetto”, a slum where hundreds of immigrant workers are exploited for the harvest of tomatoes. / Our goal is to work with people from the Ghetto, as actors as well as members of the crew, and to shoot on location. By working on the border between documentary and fiction, we hope to stay true to the complexity of this unique place. DIRECTOR'S NOTE Each era has its slaves. That's what I thought when I discovered the Ghetto, a huge slum in the South of Italy, a few kilometres far from my childhood town. In 2015, I spent almost two months there to make my last short film (“Our territory”, Locarno 2019) in order to show the daily life of tomato workers who live in the slum. The Ghetto is a place that we, as Westerners, would rather not see: it is a system that crushes the lives of its workers and sacrifices them for the profit of capitalism. From that moment on, my intention is to keep exploring this reality in order to make it visible. ABOUT THE FILMMAKER PRODUCER Delphine Tomson (Les Films du Fleuve) Directors Jean-Pierre and Luc Dardenne founded Les Films du Fleuve in 1994 with the main goal of developing and financing their feature films. Afterwards, they decided to get involved in the co-production of international films in order to enlarge their catalogue by creating collaborations with renowned authors. Today, Les Films du Fleuve, wish to accompany more closely young authors as a major producer in the development and the realization of feature films with an international ambition. After studying photography, Delphine Tomson joined Les Films du Fleuve in 2002 as a production assistant. Since 2008, she has been working as a producer with Jean-Pierre and Luc Dardenne. PRODUCTION COMPANY PROFILE PRODUCTION BUDGET Production budget (USD) : 2 500 000 USD Confirmed budget (USD) and source : 100 000 USD (writing grant from the "Centre du Cinéma" of the Wallonia-Brussels Federation, development fund from RTBF, own funds) LANGUAGE Bissa, Mooré, French, English, Italian & others GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • PARTICIPANTS OBLIGATIONS | JSFL

    Throughout the JSFL activities, the participants from across the world and Israel will develop their scripts. 1. Participants in the JSFL (the "Lab" or "JSFL", "Participant" respectively) are obligated to make themselves fully available for all activities of the Lab for a period of seven to eight months, as detailed in the schedule of activities appearing in Lab's website ("Time Schedule"), or within any reasonable changes made to the said schedule. In this document– the term Participant shall mean a filmmaker which is working on his first feature. The term Producer shall mean a person or an entity who engages with the Participant to produce the said feature. 2. Throughout the entire duration of the Jerusalem based activities, the JSFL will host the participants from across the world and from Israel, and will provide local transportation, lodging, and board (full breakfast; lunch and/or dinner). 3. Due to the current circumstances in Israel, there is a possibility that one of the sessions will take place in Europe instead of Jerusalem. In such a case, during the session, the JSFL will host the participants from across the world and from Israel, and will provide local transportation, lodging, and breakfast. 4. All the Participants must pay all air-travel costs- whether to Israel and/or to Europe. In many countries bursaries and scholarships are available for this kind of training. 5. If objective circumstances (such as security situation or a pandemic, etc.) prevent the Lab to be held physically then the Lab shall be organized and held through interactive measures (i.e. zoom meetings) and participants are obliged to attend all interactive meetings and programs. 6. The Producers of the films are required to attend and participate in the third session which takes place in July including pitch preparation, one-on-one meetings, and the pitching event and in one meeting at each of the first two sessions- via zoom. The Producers must pay all air costs and any other costs. JSFL will cover two nights of lodging for the Producers. 7. Participation fee in the amount of EUR 1,000 will be paid one week after receiving the acceptance letter. The fee will be paid in one installment via bank transfer in net sum free of all bank transfer fees and taxes if applicable. This fee is nonrefundable. 8. JSFL participants understand that the work process in the Lab demands full cooperation with the script editors and the JSFL administration, adherence to the Time Schedule and to these regulations, and a full obligation to strive towards the common process with diligence, depth, and a positive spirit. 9. Participants pledge to refrain from participation in other writing workshops/labs during the work process of the JSFL and the writing of the scripts, unless with the written approval of the Film Lab administration. 10. JSFL participants understand that all activities of the Lab will be carried out in the English language. JSFL participants and Producers are personally responsible for any and all translation expenses incurred in the projects/presentation's material/previous films. 11. Participants will make English-language publicity information available to the JSFL administration, including a curriculum vitae, still photos, and excerpts from previous films. The JSFL reserves the right to use this information in its publications in Israel and abroad. Participants agree to be interviewed on their work, within the framework of the Film Lab. 12. The participants will take part in a wide range of activities of the JSFL work, including but not limited to: masterclasses, feedback on their colleagues' scripts, networking with the Israeli and worldwide film industry, film students from Israel, a tour in Jerusalem and more. 13. Within the frame of the JSFL third session, the participants (directors/writers and Producers) will participate in a pitch training session. 14. For the final session and the pitching event, the filmmaker and Producer will shoot one (3 min.) scene from the film, which is to be screened at the pitching. All expenses incurred will be borne by the filmmaker and the Producer. The rights will be of the Participant, but the Lab will be entitled to use it in any media it chooses to, with no charge. Both the scene and the pitch will be uploaded to the Lab’s website. 15. At the closing ceremony of the Lab, the chairperson of the jury will announce the winning projects. From the day of announcement, the winner of the production prizes donated by The Beracha foundation, project's filmmaker and Producer will have a period of 24 months in which they can request the grant from the Lab. 75% of the grant will be transferred to the personal bank account of the Participant on the first day of filming. The remaining 25% will be transferred to the personal bank account of the Participant after the Participant sends a final cut of the film, including the Lab's credits, according to the provided guidelines. In case the project is Israeli- the director/writer will issue an invoice for the Lab. The Award sum includes VAT. It is hereby clarified that the grant is a personal grant to the Participant and shall not be paid to any third party and/or to any legal entity (i.e company, partnership, etc.) 16. Should the shooting of the film not begin in a period of up to 24 months from the initial announcement, or if the film does not have a specific date to start principal shooting approved by the JFSL director, the JSFL is entitled to cancel the grant and under such cancelation, the Participant will not be entitled to take any legal claim against the Lab or its directors. 17. Notwithstanding the above mentioned, the Lab's director may, in writing, authorize a deferment of up to 6 months in giving the grant. Requests for a deferment of the grant funds will be sent, by the Participant, in writing, no later than 20 months after the initial announcement. 18. Once a film reaches production, participants and Producers commit to grant credit to the JSFL within the body of the film, stating the film was developed at the Sam Spiegel International Film Lab, in the JSFL credit format. Moreover, the production will note the development of the script at the JSFL in all film publicity, including all remakes / spin-off products from the film, should they be created (books, plays, etc.), and in any existing or future media: In the body of the film- Credits annex attached. On the film's poster- JSFL logo Press release- mentioning the fact that the film was developed in the JSFL. Commercial ads- JSFL logo Invitation for premieres- JSFL logo Festival's book- the Lab's name and logo IMDB Lab's credit: Production Company (Development at) 19. The Producer and Participant will be obliged to provide a link to the final film, and to authorize educational screenings at the Sam Spiegel School and Labs, free of rights fee. 20. The administration of the JSFL is authorized at any stage to cease the activities of a participant who does not meet all the conditions, or who was unable for any reason to work within the framework of the Lab, to maintain its scheduled timetable, and/or to advance in the writing of the script and/or to perform in the spirit of the JSFL. 21. A participant and/or a Producer who ceases his participation in the JSFL upon his own decision will be held fully liable for the expenses which were incurred by the Lab as a result of his participation. 22. JSFL and JSFS shall not be liable to any loss and/or expense and/or damage which was occurred to the Participant and/or Producer as a result of his/their participation in the Lab or as a result of their qualification to the Lab. Participant and/or Producer hereby waive any claim if whatsoever merit of claim (including without derogating of the generality of the above negligence) they might have against the Lab and/or JSFS with respect to the Lab. 23. The Program is subject to force majeure such as security issues and pandemics. PARTICIPANTS OBLIGATIONS LABS OBLIGATIONS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

  • Life is anywhere else

    Life is anywhere else Life is anywhere else Margarita Balaklav Producers Haim Mecklberg, Estee Mecklberg Lab Edition 5 , 2016 SCENE PITCH Production Country Israel SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCERS Haim Mecklberg, Estee Mecklberg PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • Congratulations to JSFL alumni who have been selected for L’Atelier- Cannes Film Festival 2022 for promising projects:

    Congratulations to JSFL alumni who have been selected for L’Atelier- Cannes Film Festival 2022 for promising projects: Ihab Jadallah (edition 9) with his project developed in the lab, Michal Vinik (edition 1), and Levan Koguashvili winner of WIP (edition 8) of the film lab. We are proud of you and wish you the best of luck. Congratulations to JSFL alumni who have been selected for L’Atelier- Cannes Film Festival 2022 for promising projects: Ihab Jadallah (edition 9) with his project developed in the lab, Michal Vinik (edition 1), and Levan Koguashvili winner of WIP (edition 8) of the film lab. We are proud of you and wish you the best of luck. Congratulations to JSFL alumni who have been selected for L’Atelier- Cannes Film Festival 2022 for promising projects: NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

  • The Current Love of My Life

    The Current Love of My Life The Current Love of My Life Talya Lavie Producer Eitan Mansuri Lab Edition 3 , 2014 SCENE PITCH Production Country Israel SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Eitan Mansuri PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • The Vacation

    The Vacation The Vacation Dénes Nagy Producers Sára László, Olivier Dubois, Marcell Gerő, Jean-Laurent Csinidis Lab Edition 12 , 2024 SCENE PITCH Production Campfilm, Hungary; Films De Force Majeure, France; Novak Prod, Belgium Country Hungary, France, Belgium SYNOPSIS A Hungarian farm worker in his 40s goes on an organized trip to Provence with his wife. It's the first time they've been abroad, and they speak no language other than their own. During the trip, they make friends with another Hungarian couple, who seem to be more experienced travelers than they are. While his wife is excited by this new acquaintance, he feels more and more lost. He observes his wife slowly drifting away from him, which triggers an inner voyage of self-discovery. DIRECTOR'S NOTE The basic premise of the film is that it will be working with an amateur cast: to build on the presence of these characters, to record their inner uncertainties. Another important element is the comedy which stems from the protagonists’ ignorance. Our hearts open to these people: they are lost characters who try to stand their ground, but in the meantime, attempt to cover up their clumsiness. What can we do with realities that are alien to us? What do we do with the foreignness of ourselves? ABOUT THE FILMMAKER Award-winning scriptwriter-director Dénes Nagy graduated from the University of Theatre and Film Arts of Budapest in 2009. His debut feature "Natural Light" had its world premiere at the 2021 Berlinale where it won the Silver Bear Award for Best Director as well as the European Film Awards Best Production Design Award. He has made several short films, both documentary and fiction, which were screened and awarded at many significant national and international festivals. PRODUCERS Sára László, Olivier Dubois, Marcell Gerő, Jean-Laurent Csinidis Sára László and Marcell Gerő founded the Budapest based production company, Campfilm in 2007. The company’s credits include "Soft Rain" by Dénes Nagy (45th Directors’ Fortnight in Cannes), "Cain’s Children" by Marcell Gerő (62nd San Sebastian IFF), "The Euphoria of Being" by Réka Szabó (Grand Prix of the 30th Semaine de la Critique of the Locarno International Film festival) and "Natural Light" by Dénes Nagy (72nd Berlinale Competition Silver Bear Award for Best Director, EFA Best Production Design Award). In 2010, Jean Laurent Csinidis co-created Films de Force Majeure, a production company focusing on auteur films and international collaborations. He has produced or co-produced 30 films, most of which have been shown in Cannes, Berlin, Locarno, Venice, as well as at the IDFA, Visions du Réel, Rotterdam, Cinéma du Réel or Annecy. PRODUCTION COMPANY PROFILE ○ Campfilm, Budapest ○ sara@campfilm.eu | marcell@campfilm.eu | dini.nagy@yahoo.com ○ +36209922655 | +36209922629 | +36208234118 PRODUCTION BUDGET ○ Total budget: 2,110,837 USD ○ Confirmed budget and source: 105,076 USD (Filmjus Foundation - Hungary, Creative Europe - MEDIA, Baumi Script Development Award, Région Sud development support) LANGUAGE Hungarian, English, French GENRE Comedy Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • Benjamin Freidenberg and Ihab Jadallah

    Territory X PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

  • Shira Porat

    Moods PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

  • Mr. Kaplan

    Mr. Kaplan Mr. Kaplan Alvaro Brechner Producer Mariana Secco Lab Edition 1 , 2012 SCENE PITCH Production Country Uruguay SYNOPSIS A grumpy old man sees opportunity when he learns of a mysterious German man he suspects is a Nazi in hiding. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Mariana Secco PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

  • JSFL alum Yona Rozenkier and his producer Kobi Mizrachi winning best Israeli Feature at the 2022 Jerusalem Film Festival

    So proud of our JSFL alum Yona Rozenkier and his producer Kobi Mizrachi for winning the Haggiag Award for best Israeli Feature at the 2022 Jerusalem Film Festival. 35 Downhill was developed at our 2016 Lab. Good job guys! Can't wait to see more from this team! SWISS FILMS - Home | Facebook https://www.facebook.com/kobimiz https://www.facebook.com/yona.rozenkier So proud of our JSFL alum Yona Rozenkier and his producer Kobi Mizrachi for winning the Haggiag Award for best Israeli Feature at the 2022 Jerusalem Film Festival. 35 Downhill was developed at our 2016 Lab. Good job guys! Can't wait to see more from this team! SWISS FILMS - Home | Facebook https://www.facebook.com/kobimiz https://www.facebook.com/yona.rozenkier JSFL alum Yona Rozenkier and his producer Kobi Mizrachi winning best Israeli Feature at the 2022 Jerusalem Film Festival NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

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