Sacha Amaral 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Sacha Amaral 2019 Year of lab participation: 8 Lab edition: Country: Brazil Producer: Tomas Cohen The Pleasure is Mine What was at first a simple pursuit to regain stolen money becomes the chance for a dysfunctional family to finally reconcile. Lab edition: BAFICI Buenos Aires Film Festival 2024 Gijón International Film Festival 2024 Paris Chéries Chéris Film Festival 2024 BFI Flare London LGBTQIA+ Film Festival 2025 Synopsis 2024 Year of release: PITCH Trailer HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

Clay Clay Chaim Elbaum Producer Haim Mecklberg Lab Edition 1 , 2012 SCENE PITCH Production Country Israel SYNOPSIS DIRECTOR'S NOTE LOG LINE ABOUT THE FILMMAKER PRODUCER Haim Mecklberg PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Insignificant HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Junfeng Boo 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Junfeng Boo 2013 Year of lab participation: 2 Lab edition: Country: Singapore Producer: Raymond Phathanavirangoon Apprentice Inevitably, a transfer to a maximum security prison will eventually challenge the integrity and ethics of a young correctional officer on his way to become a chief executioner. Lab edition: Cannes Film Festival 2016 Toronto International Film Festival 2016 BFI London Film Festival 2016 QCinema International Film Festival 2016 - Best Picture (Asian Next Wave) Hawaii International Film Festival 2016 - Narrative Feature Tallinn Black Nights Film Festival 2016 Fribourg International Film Festival 2017 - Critic's Choice Award, Grand Prix Asian Film Awards 2017 - Best Editor St. Louis International Film Festival 2016 - Best Feature Synopsis 2017 Year of release: PITCH Trailer HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

Dominga Sotomayor 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Dominga Sotomayor 2012 Year of lab participation: 1 Lab edition: Country: Chile Producer: Rebeca Gutiérrez Too Late to Die Young During the summer of 1990 in Chile, people begin to feel a growing sense of freedom and three teenagers face their first loves and fears. Lab edition: Locarno Film Festival 2018 Toronto International Film Festival 2018 BFI London Film Festival 2018 AFI Fest 2018 Rotterdam International Film Festival 2019 - KNF Award Cyprus Film Days International Festival 2019 - Best Director Award FICUMAN Festival International de Cine UNAM 2019 - Best Director Gijón International Film Festival 2018 - Best Director, Best Cinematography Synopsis 2018 Year of release: PITCH Trailer HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

Shai Carmeli Pollak Shai Carmeli Pollak Director: 2016 Year of lab participation: 5 Lab edition: Israel Country: Baher Agabria Producer: The Sea Khaled (12), a Palestinian boy is on his way to visit the sea for the first time in his life, at the checkpoint, the Israeli authorities deny his entry. Determined, Khaled sneaks into Israel and embarks on a dangerous journey to the sea. Meanwhile, Ribhi, his father, is trying to trace his whereabouts, putting himself at risk of being arrested and losing his job. Synopsis Israeli Academy Awards 2025 - Best Feature Film, Best Actor, Best Supporting Actor, Best Screenwriter, Best Original Score Jerusalem Film Festival 2025 - Best Ensemble, Special Mention Mar del Plata International Film Festival 2025 - Special Mention Palm Springs International Film Festival 2025 Festivals & Awards 2025 Year of release: Trailer IMDb HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Pavel Vesnakov Pavel Vesnakov Director: 2021 Year of lab participation: 9 Lab edition: Bulgaria Country: Veselka Kiryakova Producer: Windless After years away, Kaloyan returns to Bulgaria to sell his late father's flat. Initially a routine task, it gradually becomes a journey of self-discovery, confronting distant traumas while finding a new path. Synopsis Karlovy Vary International Film Festival 2024 Thessaloniki International Film Festival 2024 Haifa Film Festival 2024 Festivals & Awards 2024 Year of release: Trailer IMDb HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Goodbye, Boys Goodbye, Boys Sacha Amaral Producers Agustin Gagliardi & Ricca Galdeano, Isabel Machado, Romain Bent Lab Edition 13 , 2025 SCENE PITCH Production Quadrophenia Films, C.R.I.M, Solal Films Country Brazil, Portugal, France SYNOPSIS After their mother’s death, Ian (12) and Noah (14) are shuffled between unwilling guardians. From their grandmother’s decaying rural home to the sterile luxury of their aunt’s estate, each stop reshapes them. Bound by a fierce loyalty, the brothers set off to find their estranged father—only to confront the deeper weight of grief, affection, and the quiet ache of not having a place to call their own. DIRECTOR'S NOTE This film was born from a childhood memory—an act of blind trust between brothers that ended in cruelty. Told through Ian’s eyes, it follows two siblings navigating grief, absence, and the quiet, often invisible violences of family life. As their bond begins to crack, they confront a world that feels increasingly unjust. Childhood here isn’t innocence, but the first brush with betrayal and beauty alike. The film lingers in that space—fragile, uncertain—where memory and emotion shape who we become. LOG LINE After losing their mother, Ian and Noah set out to find their father, drifting through broken homes and uncertain ties — not in search of rescue, but of somewhere they might finally belong. ABOUT THE FILMMAKER Sacha Amaral is a Brazilian director, screenwriter, and teacher based in Argentina. His debut feature, “The Pleasure is Mine” (2024), won the Grand Prix at BAFICI. As a writer, he made his debut with “So Long Enthusiasm” (Berlinale 2017). His short film “Billy Boy” (2021) was part of the Official Selection at Cannes. Other works include “Plurabelle" (2022), awarded at the Drama International Short Film Festival, and “Great Are the Deserts” (2019). He currently teaches screenwriting at the Film University of Buenos Aires (FUC). PRODUCERS Agustin Gagliardi & Ricca Galdeano, Isabel Machado, Romain Bent Agustín Gagliardi is an Argentine producer focused on auteur-driven projects. His credits include “The Pleasure Is Mine” by Sacha Amaral (Grand Prix, BAFICI 2024); “The Face of the Jellyfish” by Melisa Liebenthal (Berlinale Forum 2023); “Long Time No Sleep” by Agustín Godoy (Tallinn Black Nights 2022); “Atlas” by Masllorens & Gaona (Mar del Plata 2021); “Provincial City” by Rodrigo Moreno (Rotterdam 2018); and “The Gold Bug” by Alejo Moguillansky (Locarno 2014). He also worked as assistant director on “The Flower" by Mariano Llinás (Locarno 2018), “Other People’s Care” by Mariano González (Thessaloniki 2020), and “The Omission” by Sebastián Schjaer (Berlinale Panorama 2018). Quadrophenia Films is a Brazilian production company led by producer Ricca Galdeano. Born from the film “The Pleasure Is Mine”, it develops Latin American films with strong international potential. PRODUCTION COMPANY PROFILE ○ Quadrophenia Films / São Paulo, Brazil ○ +54 9 11 3517-4475, +55 11 99913-6317 ○ ricca@quadropheniafilms.com , agu.gagliardi@gmail.com PRODUCTION BUDGET ○ Total budget: 1,140,000 USD ○ Confirmed budget and source: 500,000 USD LANGUAGE Portuguese Drama GENRE Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Kimerling Add a Title Add a Title Send Send Marek Rozenbaum Producers: , Sharon Bar Ziv Kimerling Lab Edition 4 2025 PITCH LOGLINE An ultra-orthodox detective, is sent by his rabbi to solve a crime far beyond his reach - only to discover it is part of a much larger conspiracy that threatens his community and his life. SYNOPSIS One day, a mysterious, violent break-in unsettles a closed, tight-knit Orthodox Jewish neighborhood governed by strict religious codes and silence. The Rabbi rules: “No police.” He calls in Kimerling (37) and gives him the case. Everyone assumes it was a burglary gone wrong, but Kimerling senses something far bigger is at work. A beloved rabbi dies from a mysterious snakebite, a key witness vanishes, the victim remembers nothing, and the community closes ranks — until a little girl breaks the code of silence with a sketch of the suspect. As Kimerling and his assistant, Meshulam (a journalist), dig deeper, they uncover a ruthless, tightly organized gang that exploits the internal rules of the Orthodox Jewish community, ruling it through fear, obedience, and violence. At the same time, an unexpected love story with Frumi (31), a mikvah attendant, cracks Kimerling’s emotional armor, exposing his vulnerability within a world that leaves little room for intimacy. WRITER'S STATEMENT From the very first moment I read the book, I felt a deep connection—this was a story I had to turn into a television series and share with a wide audience, both in Israel and around the world. The character of Kimerling - an Orthodox Jewish detective in the closed world of Mea Shearim, an insular ultra-Orthodox neighborhood in Jerusalem - immediately captivated me. He’s a stranger in the neighborhood, but also a stranger to himself. His journey to solve mysteries is, at its core, a journey of self-discovery. The series blends suspense, sharp Jewish humor, emotional longing, and a combination of a detective story and a love story. But Kimerling is not just about the character—it's also about the world he inhabits. Jerusalem, as portrayed in this series, will be captured in a noir-inspired visual style we've never seen before: its winter light, narrow alleys, reflections in puddles, warm hidden synagogues, and the colorful figures that fill the screen. Every detail turns the city into a living character, the very soul of the series. Ziv Berkovich, my incredible DOP (who shot for Natalie Portman, Netflix, and more) will join me in bringing this vision to life. While the story is indeed a detective mystery, it is equally an intimate journey in search of truth, justice, meaning, and love. Kimerling (Jewish-American) is profoundly local and strikingly universal, touching on the questions we all ask ourselves: Where do I belong? And how far will I go for the truth? We officially acquired the rights to adapt the novel for television. I want to turn Kimerling into a successful series, because I believe deeply in its cinematic and emotional power, and because I truly feel it can—and should—resonate with audiences both in Israel and around the world, especially in these complex times. PRODUCER'S STATEMENT The series is built on a clear, recognizable high concept: a proven fusion between the classic mystery engine of Agatha Christie and the emotional, community-driven world of Shtisel — a combination that significantly reduces creative uncertainty, clearly defines its target audience, and substantially increases its commercial potential. The project is based on a bestselling existing IP: a novel by Asher Kravitz, an author whose other book has already been adapted into a Hollywood feature film. This provides strong brand equity, lowers risk, and strengthens market confidence. The series aligns with a broad international trend, supported by research, showing growing interest in distinctive Jewish content across both the United States and Europe. It offers a fresh, intelligent, and entertaining window into a closed community that has rarely been portrayed through a contemporary detective-comedy lens. Throughout my career, I have led numerous international collaborations with European and global producers and broadcasters, and Kimmerling was developed from the outset with international co-productions and global markets in mind. The show’s concentrated, insular setting enables relatively low production costs while delivering a strong identity, an intelligent entertainment tone, and high return-on-investment potential. We are seeking international partners for original, accessible, one-of-a-kind content — driven by soul, humor, and a mystery that can travel across borders. LOOKING FOR International Distributors, Sales Agents, Co-producers, Broadcasters, Platforms, Talent agent, Producers Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION

Plus Size Plus Size Screenwriters: Sharon Maymon, Erez Tadmor Producer: Chilik Michaeli , United Channels Movies (UCM) Language: Hebrew, Japanese Format: 6 Episodes x 45 Minutes Send PITCHDECK LOGLINE Four women from a run-down suburb rebel against sexism and the dictatorship of thinness, by forming a women’s sumo team, rocking their conservative town and redefining love and self-worth. SYNOPSIS Bat-El Messika - the daughter of Israel’s first sumo wrestler - is under pressure. Her parents and fiancé expect her to lose enough weight to fit into a wedding dress by undergoing gastric bypass surgery. Instead of complying, Bat-El rebels: she escapes the operating table and starts an all-female sumo wrestling group for plus-size women like herself. As Bat-El attempts to build a “normal life” with her devoted partner, Haim Bachar - a loving and dependable man - her carefully balanced world is shaken by the unexpected return of Maya, the woman who once bullied her as a child. When Maya joins the sumo group, Bat-El is forced to confront her past. What begins as unresolved tension evolves into an intense emotional and sexual attraction, pushing Bat-El toward a painful choice: social security, marriage, and conformity - or desire for another woman and a journey of self-discovery. In parallel, a second romantic storyline unfolds. Bat-El’s father, Herzl, becomes the group’s coach and clings to physical strength and honor in a desperate attempt to win back his ex-wife, Zehava - Bat-El’s mother. But Zehava is now dating Aharon, Herzl’s former sumo rival turned diet guru - and Maya’s controlling father. When the group receives an opportunity to represent Israel in an amateur sumo competition in Japan - all conflicts erupt at a boiling point - only one wrestler will earn the right to travel to Japan as Israel’s sole representative. Between wedding dress fittings that end in rips, a secret affair with Maya hidden from her fiancé Haim, extreme diets that implode, and sumo matches that end in heated ties, Bat-El realizes that a safe life is suffocating her, and like in a classic romantic comedy, just before stepping into the ring for the decisive sumo tournament, she gives up the sumo competition and runs to the airport, still in her sumo underwear, to stop Maya from leaving. WRITER'S STATEMENT “Plus Size” continues the spirit of our earlier work, this time through the form of powerful, fearless, plus-size women who break into the Israeli sumo arena. This is a romantic comedy series about liberation from the conditioning of body image. Our heroine, Bat-El, who frees herself from the dictates of body image, realizes that now it is also the time to free herself from another form of restricting conditioning- marriage, weddings, and the prescriptions of the "right life". The wrestling group is composed of four plus-size women -intelligent, humorous, sexy, and groundbreaking-just as women in the past broke into sports once reserved for men, such as soccer, basketball, boxing, freestyle wrestling, pole vaulting, weightlifting, ice hockey, and more. This time, it is sumo’s turn. The artistic intention is to combine sharp, bold humor with exposed emotion, exposed skin. The dynamic between Bat-El and Maya moves between athletic rivalry and romantic attraction, and between a wounded past and a surprising present - along a tonal axis that shifts from funny, to painful, to moving. The visual design will blend traditional Japanese aesthetics - the cleanliness and precision of a Japanese restaurant, and the delicate, matchstick-like quality of forest trees - with the vibrant colors of contemporary rural city in Israel . Sumo garments, the coach’s black attire, and traditional Japanese red will merge with forest green and shifting lighting. This visual contrast will serve the tone of this romantic comedy, where heightened color, physical presence, and moments of visual exaggeration support both humor and emotional intimacy, allowing tenderness, desire, and vulnerability to emerge through movement, touch, and the charged space of the ring. ABOUT THE WRITERS Erez Tadmor is a writer and director of several feature films, including Wounded Land that won three Israeli Academy Awards in 2015, among them Best Director. He directed the films Matchmaking and Matchmaking 2 that became amongst Israel's biggest box-office hits. In 2023 he directed Children of Nobody which won at the Kolkata International Film Festival. Amongst his other films: The Art of Waiting (2019) Home Port (2016) and Soda (2024), which premiered at the Venice Film Festival. Together with Guy Nattiv, Tadmor also co-wrote and directed Magic Men (2014) and Strangers (2007), screened at Sundance. Sharon Maymon is a writer and director. He co-wrote the Academy Award (Oscar) winning short film Skin (2019). Maymon co-wrote and directed the TV series The Worst Best Thing (Keshet 12) Together with Tal Granit. In addition, he co-wrote and directed three feature films and two short films: My Happy Ending (2023) released in theaters in the U.S.; Flawless (2018) that was screened at Tribeca Film Festival; The Farewell Party (2014) that was screened at Venice and Toronto International Film Festival; Summer Vacation (2011) screened at Sundance, and To Kill a Bumblebee (2009) screened at Locarno Film Festival (2010). Sharon also co-directed A Matter of Size (2009) with Erez Tadmor - that premiered at Tribeca Film Festival. PRODUCER'S STATEMENT Plus Size is a fresh funny romantic comedy, bold, and emotionally rich new TV series currently in development. At its heart is the story of a group of women who decide to challenge the expectations placed on their bodies, their desires, and their right to define themselves. What begins as a personal journey for each of them gradually evolves into a warm, funny, and deeply human romantic comedy, anchored by an impossible three way love story that pushes them to confront who they truly are. For us as producers, this project is both a privilege and a creative joy. It offers a rare opportunity to reconnect with the remarkable talents of Sharon Maymon and Erez Tadmor, artists we know, trust, and admire. Their ability to blend humor, heart, and authentic emotion has created a world in which the story, characters, and tone come together to form something greater than the sum of all of the parts creating it. We are genuinely excited about Plus Size and confident that it will grow into a successful, engaging, and widely loved television series. PRODUCER PROFILE United Channels Movies (UCM) Founded by Chilik Michaeli and Avraham Pirchi. UCM has produced more than 40 titles, ranging from award-winning feature films to high-end television dramas. The Producers: Avraham Pirchi (President) brings a background in economics and market leadership, having served as CEO of major media marketing and distribution firms. Chilik Michaeli (Producer) is a veteran of the international circuit, with a career spanning leadership role as CEO of Israel Studios - the nation's largest production facility - and management at Warner Brothers. UCM’s body of work is a regular presence at the world’s most prestigious international film festivals, including Sundance, Berlin, Toronto, and Locarno. Notable successes include the cult hit Big Bad Wolves (declared by Quentin Tarantino as the best film of 2013), and the Locarno-selected Vanishing Soldier. Their current TV slate includes the historical drama The Stronghold and the upcoming series Double Panther. PRODUCTION CONTACT DETAILS chilikm@ucm-film.com Back To Participants HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

‬Congratulations to Jonathan Dekel, graduate of the Sam Spiegel International Film Lab, whose film "Checkout" is screening theatrically. The film was developed as part of the 7th edition of the Lab and won first place that year. Wishing you great success! ‬Congratulations to Jonathan Dekel, graduate of the Sam Spiegel International Film Lab, whose film "Checkout" is screening theatrically. The film was developed as part of the 7th edition of the Lab and won first place that year. Wishing you great success! The film "Checkout" is out on theatres! NEWS ITEM HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION HOME FILM LAB SERIES LAB TEAM NEWS

Tsivia Barkai 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Tsivia Barkai 2012 Year of lab participation: 1 Lab edition: Country: Israel Producer: Ronen Ben-Tal Red Cow Red Cow is a coming-of-age film that takes place in the days leading up to the assassination of Rabin and depicts the life of Benny, 16, orphaned from mother at birth and the only child of Joshua - a religious, right-wing extremist, in those critical junctures when she is forming her sexual, religious and political awareness. Lab edition: Tallinn Black Nights Film Festival 2018 Transilvania International Film Festival 2018 Poitiers Film Festival 2018 Monte Carlo International Film Festival 2019 Romanian Union of Filmmakers 2019 - Best Screenplay Synopsis 2018 Year of release: PITCH Trailer HOME TEAM NEWS LABS SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB SITE MAP ACCESSIBILITY STATEMENT FILM FAQ FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION