Milk & Honey Lev Brodinsky Producers Yael Perlov, Alma Ben-Zeev Lab Edition 10 , 2022 SCENE PITCH Production ​ Country Israel SYNOPSIS 1993. In a government-built temporary caravan site for immigrants from the Soviet Union and Ethiopia, Roma (13) is trying to find his place in the Israeli society. Together with his family – they fight, each in his own way – to secure a better future for them towards the near dismantling of the caravan site. At the local pool, a few of Roma's classmates discover that he has not been circumcised and humiliate him. Roma is desperate. He takes a knife and tries to circumcise himself. He is taken to the hospital to be circumcised properly. There, he is offered to change his name to an Israeli one - "Rami". Just before the dismantling of the caravans, Roma celebrates his bar mitzvah at the site. The ceremony is over and the dancing begins. Roma dances. His face is sealed, without a smile or an expression. DIRECTOR'S NOTE After we immigrated to Israel and were housed in a caravan site, my biggest secret was my late circumcision. I was different and was ashamed of it. I remember the hospital, I remember the tension before the circumcision surgery, and the slow and painful recovery. A swift wave of a sharp knife, a piece of skin less and I could look up and be proud of my Judaism again. It's a story about the complexity of immigration and the price you have to pay. The loss of an old identity in order to create a new one. Sometimes at any cost. ABOUT THE FILMMAKER ​ PRODUCERS Yael Perlov, Alma Ben-Zeev Yael Perlov is a film producer and editor. She is a two-time laureate of the Israeli Film Academy Award, for editing the film Late Marriage (2001), as well as for editing & producing the film Ben-Gurion,Epilogue,(ARTE,NDR) winner as the best documentary film (2016). As well, she is the laureate of the Film Art Award of the Ministry of Education and Culture (2006). As part of the Film Department at the Tel Aviv University, where she has been teaching for two decades, she initiated and produced Water (2012) - joint projects of Israeli and Palestinian students –that opened the Critics Week at the Venice International Film Festival and won the Amnesty Prize. Yael has conducted the restoration of her father's films, the late David Perlov (1930-2003). Among them: Diary (in Cooperation with CNC and Centre Pompidou), Memories of Eichmann Trial (Centre Pompidou, MoMa). Yael has been invited to teach and instruct students in various academies: VGIK Film Academy in Moscow; UCL London (2021, ongoing), and as a resident lecturer at Duke University, USA (2022). ​PRODUCTION COMPANY PROFILE Yael Perlov, Alma Ben-Zeev, Simya Films Hateena 12, Kfar Kish 1933000. simyafilma.prod@gmail.com , +972-544821789 ​PRODUCTION BUDGET Production Budget 570,000 $ LANGUAGE Russian, Hebrew, Amharic GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

3rd Generation Screenwriters: Omri van Essen, Tehila Peter-Dansker Producer: Yoni Paran , Paran Studio Language: Hebrew Format: ​ Send PITCHDECK LOGLINE The story of Roni and Chaya, two young women who work at Yad Vashem (The World Holocaust Remembrance Center in Jerusalem), who between tours of the Hall of Remembrance and guiding at the Cattle Car Memorial to the Concentration Camp Deportees, involve themselves in what’s important to any woman her early twenties – sex, love, and self-searching. SYNOPSIS Seventy-five years after the end of World War II, two young women still carry upon their shoulders the traumatic journey of the Holocaust. They are in their twenties, bursting with young spirit and fire in their eyes. One (Roni), is completing her national service, working in the “audio guide cellar” at the Holocaust museum. She is the daughter of the Director of the Guiding Department at Yad Vashem and the granddaughter of a survivor who lost his entire family in the Holocaust. The second (Chaya) is a secretary at the film library at Yad Vashem. She is named after her grandmother’s sister, who was murdered in the Ghetto in the name of God and comes from a devout religious family which sanctifies the Holocaust and believes that everything is a “victory over the Nazis.” Between Janusz Korczak Square and the Hall of Names; between the Warsaw Ghetto Square and the Partisans’ Panorama. 3rd Generation is a deep dive into the world of two young women working at Yad Vashem, in search of love among the “corpses” and the piles of shoes. They are the “invisible” employees of the museum, (they don’t even get to wear name tags) and thus in the cafeteria, they will always sit with the cleaning and maintenance staff (their only friends…) Each afternoon, they meet at their regular bench, across from the statue of the starved skeleton. There, they nosh on snacks from the “pit,” (where they hide food) fantasize about the boys with whom they’re in love, and gawk at the tourists who bring with them a refreshing and hypnotizing scent of “abroad.” We will encounter the heroines at their Torah lectures for religious girls, at a Zumba class for Holocaust survivors, a lead role in a Yiddish musical, and romantic night tours at the Holocaust History Museum. 3rd Generation will present the colorfulness of LA LA Land and the sadness of Schindler’s List. It will provide a glimpse into the behind-the-scenes goings on at the State of Israel’s Holocaust Memorial, as never before seen on screen WRITER'S STATEMENT ​ ABOUT THE WRITERS ​ PRODUCER'S STATEMENT ​ PRODUCER PROFILE ​ PRODUCTION CONTACT DETAILS ​ Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

The Taste of Apples is Red Ehab Tarabieh Producer Jonathan Doweck Lab Edition 7 , 2018 SCENE PITCH Production ​ Country United States / Israel SYNOPSIS The story of Sheikh, whose brother disappeared during the Arab-Israeli war. Fifty years after the territory became part of Israel, the past catches up with the present when tension at the border rises again. DIRECTOR'S NOTE ​ ABOUT THE FILMMAKER ​ PRODUCER Jonathan Doweck ​ ​PRODUCTION COMPANY PROFILE ​ ​PRODUCTION BUDGET ​ LANGUAGE ​ GENRE ​ Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Swan Asa Hjorleifsdottir Producer Birgitta Bjornsdottir Lab Edition 3 , 2014 SCENE PITCH Production ​ Country Iceland SYNOPSIS A wayward nine-year-old girl is sent to the countryside to work and mature, but finds herself instead deeply entangled in a drama she can hardly grasp. DIRECTOR'S NOTE ​ ABOUT THE FILMMAKER ​ PRODUCER Birgitta Bjornsdottir ​ ​PRODUCTION COMPANY PROFILE ​ ​PRODUCTION BUDGET ​ LANGUAGE ​ GENRE ​ Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Ernesto Contreras Director: 2012 Year of lab participation: 1 Lab edition: Mexico Country: Raymond van der Kaaij Producer: I Dream in Another Language When a language dies, a unique vision of the world is lost forever. Synopsis Sundance Film Festival 2017 - Audience Award Ariel Awards, Mexico 2018 - Best Picture, Best Screenplay Written Directly for the Screen, Best Cinematography, Best Sound, Best Original Score Andrés Sánchez, Best Actor, Best Actress in a Minor Role, Best Supporting Actress, Best Supporting Actor Florida Film Festival 2017 - Audience Award for Best International Feature Guadalajara International Film Festival 2017 - Best Actor, Press Award- Best Mexican Fiction Feature Huelva Latin American Film Festival 2017 - Best Screenplay Minneapolis St. Paul International Film Festival 2017 - Audience Choice Award Oslo/Fusion International Film Festival 201 - Best Feature Film Festivals & Awards 2017 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Add a Title Add a Title Send Send Amir Ganor & Adi Bar Yossef Producers: Marc Grey , Nitai Gat I'm Afraid That's Our Time Lab Edition 3 2024 PITCH LOGLINE Terrified by the implications of their psychologist’s suicide on their own well-being, four orphaned patients set out to prove that their therapist was in fact murdered. SYNOPSIS Yotam is obsessed with thoughts of suicide, but years of therapy have convinced him that he’s not in real danger – until his therapist goes and kills himself. Terrified he’ll suffer the same fate, Yotam teams up with three other orphaned patients to prove their shrink was actually murdered. As their bumbling investigation begins to bear fruit, the danger escalates, leaving the group exposed and vulnerable – with only each other to lean on. WRITER'S STATEMENT My therapist cancels a session for health reasons, and so begets a crisis: what happens when he dies? No Hallmark card for that. I imagine furtively seeking out other clients at the funeral. Who but they would understand my loss? These are the dramatic seeds for “I’m Afraid That’s Our Time,” planted with my writing partner Nitai in the well-tilled soil of murder-mystery, watered with comedic irony and existential dread, growing now, we hope, into a story about love, death, friendship - and becoming the humans we want to be. PRODUCER'S STATEMENT What we love about "I'm Afraid That's Our Time" is its ability to tackle the painful subject of suicide in an engaging and immersive way, without losing the depth of the dramatic questions that our protagonist, Yotam, and the audience face. The series' universal themes make it relatable to viewers worldwide, and we believe it will resonate across different cultures and audiences. LOOKING FOR ​ Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Not Your Fault Screenwriters: Or Sinai, Einat Weinboim Producer: Adi Bar Yossef , BARYO Language: Hebrew Format: ​ Send PITCHDECK LOGLINE Dori, a volunteer at a help center for victims of sexual assault, has her world turned upside down when she receives an anonymous report about a rape that took place years ago. She suspects that Yonatan, her wonderful partner, and the father of her unborn child, might be the rapist in question. SYNOPSIS It seems that Dori (33) has it all. She just found out that she’s pregnant with her sweet and sensitive partner, Yonatan’s child. They have shared a life together for seven years, and they are about to purchase an apartment, in preparation for their expanding family. She has her own business – a successful vintage shop in Tel Aviv. But she spends most of her time and energy as a veteran volunteer at a help center for victims of sexual assault; this is the place where she feels the most satisfaction and meaning. One evening, while on a shift at the emergency hotline at the help center, Dori receives an anonymous call. The caller has just remembered repressed memories. She says she was drugged and raped at a music festival in the desert over a decade ago. The caller doesn’t remember what her attacker looked like, but she does remember the unique tattoo on his shoulder. She also remembers the smell of his aftershave, and the song that he played while he attacked her - the song that he went out of his way to tell her how much he loved. Dori trembles, she already knows all of this – the description of the rapist sounds horribly similar to her partner Yonatan (40). This is the same Yonatan that she is in love with, the music teacher, the former farm boy, the one who cares about the environment and animals, the man that she tied her life to, the man whose child she carries in her womb. Her Yonatan. What is she supposed to do now? To throw away all of those good years and future plans, just because of one suspicious phone call? Frightened Dori embarks on a journey, right underneath Yonatan’s nose, as she searches for clues in the case. Yonatan currently works as a music teacher at an elementary school, but he used to be a guitarist in a successful rock band from the 2000s called Primary Needs. It was precisely at the height of their success that the band unexpectedly broke up, and Yonatan decided to stay out of the spotlight. Under false pretenses, Dori meets with those who were close to Yonatan at that time, as she tries to gather information that will tip the scales, while simultaneously failing to lead a normal relationship with Yonatan. On his part, Yonatan doesn’t understand Dori’s distance and strange behavior. However, he is convinced by those around him that Dori is simply acting out due to the stress of the pregnancy and purchasing their first apartment, and “she’ll get over it”. And eventually Dori does feel immensely relieved when she discovers that the anonymous caller is Zohar (31), an emotionally unstable woman who is hospitalized in a psychiatric ward, and is known to “harass” the help center’s hotline. Suddenly Zohar’s story sounds dubious and made-up, and Dori decides to let go of her suspicions and move on with her life. But soon after, the case comes back to haunt her. When Zohar is released from the psychiatric ward, she decides to file a complaint about the rape incident, and Dori is asked by the help center to accompany Zohar to the police. Dori shows up with the intention of neutralizing the threat that Zohar poses to her life, and tries to dissuade her from filing the complaint, but she is surprised to find out that Zohar is a wise and determined woman, far from the crazy girl she imagined her to be. Zohar reveals additional details that clearly point towards Yonatan, and Dori can’t continue to deny it any longer. Zohar’s story wounds her heart, and she bravely stands alongside her. Dori and Zohar get closer and closer, developing a special bond, an almost symbiotic relationship that transcends all boundaries. During their joint investigation, they discover that Zohar’s rape is only a drop in the ocean; There was not one single rape that happened at that festival, but rather a broad manipulative, wide range of sexual assaults. They are pursuing a sophisticated, serial rapist, that none of the victims are able to identify. Could it be Yonatan? The quest for truth causes Dori’s life to turn upside down. She suffers from an inflammatory skin disease that makes her miserable and restricts her work, she moves further and further away from Yonatan, she lies to her colleagues at the help center, and she is forced to confront the unresolved abuse story from her childhood. As the investigation continues, it turns out that Yonatan is in fact not the rapist; it was Chaim (55), the lead singer of Primary Needs. Dori realizes that although Yonatan did not play an active role, he was a silent witness, and even cooperated with Chaim’s horrific actions, and kept this dark secret for years. The “gray” area in which Yonatan functioned does not make things easier for Dori. Now she is faced with an even more complex question: Is it possible to forgive someone who witnessed acts of abused but did not commit them himself? Yonatan, ashamed of his past, is determined to do everything he can to atone for his sins and receive his punishment. Meanwhile, the women at the help center, the community to which Dori has belonged to for years, criticize and boycott her over her relationship with a man who assisted in a chain of sexual assaults. Dori grapples with the question – should she stand by the man she loves, who wishes and strives for atonement? Or should she stand with the victims for whom she volunteers and fought for all her life, who are in some way also part of her identity? All the while, a small baby grows inside her, and the idea of giving birth to Yonatan’s son is becoming more and more oppressive. “Not Your Fault” is a moving, ironic, and challenging drama series that examines the broad and elusive spectrum of consent, and offers an original perspective on the harm that is caused by sexual assault even years after it has occurred, not only for the victim – but for the perpetrator and their surroundings as well. What happens when the sexually abused individual, the one that seems far away, somewhere in the news, enters your home? And what if the rapist is not an evil man who traps women in a dark alley, but rather is someone like us, who shares their life with us? And what about the identity of the woman who dedicates her life to the victims, when the victim endangers her relationship and her future? During the eight episodes of this series, Dori is faced with all of these questions, all the while fearing that she herself will turn in a silent witness to the crime before her. WRITER'S STATEMENT ​ ABOUT THE WRITERS ​ PRODUCER'S STATEMENT ​ PRODUCER PROFILE ​ PRODUCTION CONTACT DETAILS ​ Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Add a Title Add a Title Send Send Adi Bar Yosef Producers: ​ , Rachel Elitzur The Sterns Lab Edition 2 2023 PITCH LOGLINE Despite being an ultra-orthodox, unmarried young woman, Michal (19) has no intention of being passed from her father's control to her husband's authority. She dreams of becoming a successful adman at the company run by her father. SYNOPSIS Michal (19), a young girl, ultra-orthodox, unmarried, dreams of breaking free from societal norms to become an adman in her father's advertising agency. Despite her responsible nature and comedic flair, she shoulders the burden of running her home for her mother, pregnant for the ninth time, and an absent father engrossed in his ad campaigns. To pursue her dream, Michal contemplates an arranged marriage, fearing the alternative of raising her own children. She privately arranges a match with Yanki, a Yeshiva student, leading to a ""dating-less"" deal. Meanwhile, she forms a tender connection with Naomi, the daughter of the agency's cleaning lady. As Michal navigates potential husbands, her relationship with Naomi blossoms. This forbidden love threatens Michal's reputation, job, and family. Amidst the challenges, Michal rises as a brilliant copywriter, facing the clash between her orthodox upbringing and the feminist identity she develops. Balancing her father and grandfather's perspectives, Michal confronts the patriarchal norms of the ultra-orthodox advertising world. Her journey transforms her into a strong, cunning professional, challenging societal norms. In the pursuit of her dream, Michal faces a dilemma between traditional marriage and a passionate love story with Naomi. Each choice entails heartbreaking sacrifices. Ultimately, Michal emerges as a heroine who finds herself, makes her own choices, and takes decisions that are entirely her own, even if they come with pain. WRITER'S STATEMENT The Ultra-Orthodox world is highly conservative, making it challenging for women like me. As the eldest with seven siblings, I took on the responsibility of essentially raising them. Despite dreaming of becoming a filmmaker, such aspirations are forbidden in my community. The expected path involves finishing school, getting married, having numerous children, and only then, perhaps, dreaming of a career. I followed the prescribed path dutifully, adhering to societal norms. However, I chose not to have children. Determined to pursue my passion for filmmaking, I made the unconventional decision to divorce my husband. This marked a bold step towards realizing my dreams in a world where such choices are often met with resistance. PRODUCER'S STATEMENT "The Sterns" gives us a glimpse to the Jewish Ultra- Orthodox world, which is usually kept behind closed doors. The creator, who is an up-and-coming Orthodox writer and director brilliantly manages to tackle the burning and unspoken issues of feminism within her closed community, through an area of a PR advertising company. These issues are universally relevant and appeal to a wide range of viewers. LOOKING FOR Looking for co-producing partners (both broadcasters and/or producers), Distributors and world sales agents Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Baby Nikos Kyritsis Producers Maria Drandaki, Kyveli Short Lab Edition 11 , 2023 SCENE PITCH Production Kyveli Short Country Greece SYNOPSIS BABY is contemporary teen drama that is current and globally relevant, dealing with universal ideas such as family, acceptance, love, and personal needs that have a worldwide appeal. Zackarias and Sofia, a teenage couple from the countryside, wander aimlessly through the streets of Athens with their newborn baby. A pickup truck is their temporary home, and their only companion is Petros, a queer transgender kid in the early stages of transitioning to a girl. Together, the teenagers will give birth to their own atypical family. DIRECTOR'S NOTE BABY is a vibrant and revealing insight into the tumultuous lives of three teenagers who challenge traditional values to form their own family as they wander through bustling Athens, giving the film the feel of an urban road movie. The handheld camera and raw filmmaking approach will take the audience on an emotional journey, capturing intimate moments of naivety, playfulness, distress, and despair under the constant baby’s cries and city noises. ABOUT THE FILMMAKER Nikos has worked in features, commercials, and video-art installations in Greece and abroad. He took part in Berlinale Talents (2013) and Sarajevo Talents (2014) where he won the YapimLab award for Pack&Pitch. His short fiction film, King Kong, premiered at IFFR in 2014 and continued to QueerLisboa, Split, Sguardi Altrove, Pink Screens and Queersicht. His most recent short Highway of a Broken Heart is in post-production. In 2020 he received the ARTWORKS Artist Fellowship. PRODUCERS Maria Drandaki, Kyveli Short HOMEMADE FILMS is an Athens-based film production and distribution company founded in 2009. It has since produced and co-produced several successful short and feature films, with a taste for sharp, cutting-edge, innovative cinema. The films have participated and been awarded in multiple international film festivals (Cannes, Berlin, Venice, Locarno, Toronto, Rotterdam, Karlovy Vary, Palm Springs, etc.) and distributed in movie theatres, TV channels and platforms around the world. The company’s aim is to continue producing selected films by talented directors, which can be co-developed and co-produced with European and international partners and can find their audience equally inside and outside Greece, based on traditional as well as innovative production and distribution strategies. Homemade Films is a member of the EAVE and ACE producers’ networks ​PRODUCTION COMPANY PROFILE Production company: Homemade Films Address: Mnisikleous 12, Athens 105 56, Greece T: +30 210 3238327 E-mail: maria@homemadefilms.gr / kyveli@homemadefilms.gr Website: https://homemadefilms.gr ​PRODUCTION BUDGET Production budget: 1,032,280 USD Confirmed budget in USD and source: 209,600 USD - Greek Film Centre; 209,600 USD - Greek broadcaster ERT; 262,000 USD - EKOME automatic cash rebate, 47,160 USD - Creative Europe - MEDIA slate funding LANGUAGE Greek GENRE Contemporary teen drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Yehonatan Indursky Director: 2013 Year of lab participation: 2 Lab edition: Israel Country: Osnat Handelsman-Keren & Talia Kleinhendler Producer: Driver A 'Driver' in the oltra orthodox community takes his daughter on his nightly journey, exposing her to the more questionable members of this pious society in the dark alleys of Bnei Barak they each find, even if for a short moment, their lost childhoods. Synopsis Israeli Film Academy Awards 2017 - Best Costume Design Nominee Festivals & Awards 2017 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Hunter's Son Ricky Rijneke Producer Mildred Van Leeuwaarden Lab Edition 6 , 2017 SCENE PITCH Production ​ Country Netherlands SYNOPSIS ​ DIRECTOR'S NOTE ​ ABOUT THE FILMMAKER ​ PRODUCER Mildred Van Leeuwaarden ​ ​PRODUCTION COMPANY PROFILE ​ ​PRODUCTION BUDGET ​ LANGUAGE ​ GENRE ​ Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ