Ivan Marinović 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Ivan Marinovic 2014 Year of lab participation: 3 Lab edition: Country: Montenegro Serbia Producer: Mina Dukić Black Pin When misanthropic Orthodox priest Peter returns to his idyllic Montenegrin peninsula to nurse his demented mother, he quickly gets into a conflict with superstitious villagers who seek creative ways to chase him away. Lab edition: Sarajevo International Film Festival 2016 Santa Barbara International Film Festival 2016 Bosphorus Film Festival 2016 - Best Actor Valletta Film Festival 2017 - Best Actor Jerusalem Sam Spiegel Film Lab 2014 - 2nd Prize Winner Synopsis 2016 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Shtukit Shtukit Screenwriter: Merav Haddad Producer: Liat Revaya , Tedy Productions Language: Hebrew Format: Send PITCHDECK LOGLINE When Sophie's criminal ex threatens to expose a family secret that could ruin their newly religious daughter’s wedding, Sophie—an ex-con herself—and her sister Oshra, a prison teacher, try to get rid of him. But Yossi isn’t someone who disappears without a fight. SYNOPSIS WRITER'S STATEMENT ABOUT THE WRITER PRODUCER'S STATEMENT PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Plus Size PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Dado Beach 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Dado Beach Filmmaker Or Engel Producer Asaf Nawi Production Company Nawi Pro LTD Country Israel Lab Edition 13 , 2025 SCENE PITCH SHORT SYNOPSIS In Haifa, Sergeant Elia Bitton shares a tense home with her religious mother while investigating a lifeguard’s disappearance. The case pulls her into crime, past scars, and her first love- a world she knows well from her father’s ties to the underworld. Caught between duty, desire, and her mother’s warnings, a raid ends her career and finally reveals the true story of her family that she’s been seeking all along. DIRECTOR’S NOTE I return to Dado Beach, where my father died when I was 17, to explore loss, truth, and memory. The missing lifeguard mirrors my search for my vanished father. Elia’s journey uncovers buried family secrets, dismantles her idealization of her father, and confronts the shadow of masculinity. The story reveals how women navigate the ruins men leave behind, and the cost of freedom. ABOUT THE FILMMAKER Or Engel is a graduate of the Film and Television Department at Tel Aviv University. Her short films explore themes like body, alienation, and loss through an intimate female perspective. She has received development grants from the Rabinovich Foundation and Gesher Fund. Her film ”Real Beauty” screened at the Tel Aviv Cinematheque in the Women Directors Festival, and her short “Golem” was shown at the Off Courts Festival in France. ABOUT THE FILMMAKER PRODUCER Asaf Nawi NAWI PRO Ltd. is a production house based in Tel Aviv, Israel, focused on the creation and production of original content for both local and international markets. Together with our carefully built network of creatives, we develop and produce film and television projects—documentary, fiction, and entertainment formats—across a variety of genres and platforms. Among the major projects we have been involved in are the Academy Award-winning “My Nephew from Hell” (YA series), “Shlomi Six” (crime drama series), “Whatever You Say” (weekly current affairs satire), the Israeli box office hit “Saving Shuli-San” (filmed in Japan), “One More Story “(comedy feature film), “Doubtful” (drama feature film), as well as “Homeland” (parts filmed in Israel), the pilot episode of “DIG”, and more. PRODUCTION COMPANY PROFILE ○ Nawi Pro Ltd. / Tel-Aviv ○ Nawipro@gmail.com PRODUCTION BUDGET ○ Total budget: 1,000,000 USD ○ No confirmed budget source yet LANGUAGE Hebrew GENRE Thriller Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Kayis Emre Kayis Emre Director: 2018 Year of lab participation: 7 Lab edition: Ukraine / Turkey Country: Olena Yershova Producer: Anatolian Leopard Employees attempt to hide the death of a leopard to save the zoo where they work. Synopsis Toronto International Film Festival 2021 - FIPRESCI Prize Ankara International Film Festival 2021 - Best Film, Best Cinematography, Best Actor, Best Actress Antalya Golden Orange Film Festival 2021 - Best First Film, Best Art Direction Thessaloniki International Film Festival 2021 Jerusalem Film Festival 2022 Jerusalem Sam Spiegel Film Lab 2018 - 1st Prize Winner Festivals & Awards 2021 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Insignificant Insignificant Screenwriter: Mindi Ehrlich Producer: Efrat Dror , Herzliya Studios Language: Hebrew Format: Send PITCHDECK LOGLINE A legal drama television series which portrays how the ancient laws of the Halacha (the Jewish laws) constantly collide and clash with the modern Israeli everyday reality. This collusion will occur mainly through the eyes of Nechama (43), an ultra-orthodox and legal representative of women in Rabbinical courts, who feels transparent and powerless in her position. She will choose to hide behind a man, a secular lawyer, with the hope he will be able to sound her voice for her. But as things progress, Nechama will realize she is no longer willing to hide. She will get out from behind the scenes, and fight for a change. SYNOPSIS Nechama (43) is an ultra-Orthodox legal representative in the rabbinical court and a mother of nine children. She is married to Motke (45), a Torah scholar and head of a distinguished Yeshiva. Nechama belongs to a conservative community where the man is expected to study Torah, therefore the burden of providing a livelihood falls on the woman's shoulders. In order for Motke to follow this tradition, Nechama has studied to be able to represent clients in the rabbinical court and was certified as a “rabbinical litigator”, much like an attorney in civil court (She is allowed to represent clients only in the rabbinical court and not in an ordinary court). At first, the profession of rabbinical litigator (for those uncertified to practice law) was reserved only for men (yeshiva graduates). It was only in the early 90s that authorization was granted to train women as well. For the first time women were considered equal to men by the religious establishment, although they were excluded from giving testimony. Since legal representation is a masculine, extravert profession that is not mindful of the ultra-Orthodox woman whose essence centers on modesty, the profession was less adopted by the women of the ultra-Orthodox sector. But Nechama, who was determined to let her husband study Torah, decided to become a rabbinical litigator, primarily because it's what she knows best – to study and litigate. Only in recent years have a minority of ultra-Orthodox female litigators appeared in the rabbinical courts, to the dismay of the “Dayanim” (rabbinical judges) who were slowly forced to surrender to this trend. Nechama looks like a typical ultra-Orthodox woman. At the age of 18 she married the only man she ever met. Motke is water that runs deep, a conservative patriarch who rules his family and students in his quiet way. While he's busy studying Torah and heading the Yeshiva, Nechama crumbles under the burden of providing a livelihood. In the absence of a budget, she works from home. This upsets all the family members who are forced to remain in their rooms while Nechama meets clients in the living room and must maintain their privacy as well as her family's. Nechama is imprisoned in a conservative and chauvinistic world. Her chances of succeeding as a woman are close to none. But she has no alternative, this is her world and this is her family. At home, Motke is the king and Nechama isn't necessarily the queen. Being opinionated and assertive aren't sexy qualities for an ultra-Orthodox woman in a conservative community. Nechama has no choice but to supply the goods, to be a modest wife and do her husband's bidding. Deep down, Nechama knows all too well that she wasn't destined to be a homemaker; cooking and cleaning aren't her forté. She would much prefer writing statements of claims or delving into an article or innovative ruling – that is her Strength. Nechama is not the woman of valor expected of her. Though she tries her best to please her family, once she completes her boring chores, she escapes to her legal cases, and that – definitely excites her. Here she excels For all intents and purposes Nechama has the skills to become the most sought after rabbinical litigator in town. But skills are one thing, reality is another. In reality, Nechama must battle it out with chauvinistic Dayanim to whom her voice doesn’t count. This infuriates her, because it is not for lack of proficiency, but because she is a woman. Despite her vast knowledge and excellent skills, she loses cases and this frustrates her. She knows that she has what it takes to win cases but the gap between her professionalism and what happens in practice makes her great potential irrelevant. It was Nechama's extensive knowledge, sharp wit and outstanding skills in arguing and wining that first brought her to the profession. Yet she doesn’t stand a chance with these Dayanim . She is a woman who was raised from infancy to lower her eyes before men. She doesn't have the "chutzpah" or the daring required of a rabbinical litigator. WRITER'S STATEMENT ABOUT THE WRITER PRODUCER'S STATEMENT PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Oasis Oasis Screenwriters: Nur Fibak, Mae Palty Producer: Orly Arbel , SIPUR Language: Hebrew Format: Send PITCHDECK LOGLINE When the daughter of a passionate park ranger discovers her father died in an explosion in the middle of the desert, she leaves her hectic city life and returns to her hometown to uncover the real cause of his death. SYNOPSIS Maya Shushan (35) is a talented, cool journalist who wrote an article three years ago that was so powerful it was picked up by the New York Times. However, since then, her journalistic career seemed to dry up. She is burned out, her boss threatens to fire her, and her life, in general, is not really as she planned. But then, she gets informed that her father, a passionate Park Ranger, had died in an explosion in the middle of the desert. She leaves her hectic city life and returns to her deserted hometown, even though she really doesn't want to confront her past. When she gets there, it appears that police are spouting nothing but nonsense and lies about her father’s death. She discovers that shady investors with sharp snake boots are starting to build a fancy spa hotel around the beautiful Oasis of the "Ein Devora" reserve, the iconic magical reserve her father protected his entire life. Her instincts awaken: something doesn't feel right. Maya realizes that she needs to stay there a little longer before returning to her dying career in the city. There, in the heart of the desert, alongside her post-traumatic little brother and her long-time high school sweetheart, she tries to come to terms with her mother—a religious and terrifying woman by all accounts. She will do anything to investigate the real cause of her father's death. Soon, Maya finds herself taking up her father's fight in a conflict that is as old as time, the war over one small piece of land. Humanity against nature. Disparate groups fight for control— The hotel investors, the police, the nearby military base, the religious Jewish community, the desert Bedouins, and even the Nature and Parks Authorities. Maya discovers that her sense of purpose, extinguished by city life, has been reignited. After years in Tel Aviv, she discovers that her father's death brings her back to life. WRITER'S STATEMENT ABOUT THE WRITERS PRODUCER'S STATEMENT Our mission at SIPUR is first and foremost to lead great productions with global appeal, and as Israel’s biggest private investor in content, we are always looking for exciting new creators with new stories to tell. From the very first read, "Oasis" immediately caught our attention. Nur and Mae’s unique voice and fresh perspective stood out from the pack, and we’ve been thrilled to support their journey over the last year. "Oasis" is a project that blends personal experience with imaginative storytelling, all presented in a way that we believe will captivate viewers around the world and even inspire local adaptations. With "Oasis" at the front of our slate, we’re excited to continue pushing forward and leaving our mark on the industry. Together with Nur, Mae, and other amazing young voices, we’re poised to back content that will be seen by audiences everywhere. PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Last updated: December 11, 2023 This Privacy Policy describes Our policies and procedures on the collection, use and disclosure of Your information when You use the Service and tells You about Your privacy rights and how the law protects You. We use Your Personal data to provide and improve the Service. By using the Service, You agree to the collection and use of information in accordance with this Privacy Policy. This Privacy Policy has been created with the help of the Privacy Policy Generator . Interpretation and Definitions Interpretation The words of which the initial letter is capitalized have meanings defined under the following conditions. The following definitions shall have the same meaning regardless of whether they appear in singular or in plural. Definitions For the purposes of this Privacy Policy: Account means a unique account created for You to access our Service or parts of our Service. 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The Sterns The Sterns Screenwriter: Rachel Elitzur Producer: Adi Bar Yosef , Endemol Shine Language: Hebrew Format: Send PITCHDECK LOGLINE Despite being an ultra-orthodox, unmarried young woman, Michal (19) has no intention of being passed from her father's control to her husband's authority. She dreams of becoming a successful adman at the company run by her father. SYNOPSIS Michal (19), a young girl, ultra-orthodox, unmarried, dreams of breaking free from societal norms to become an adman in her father's advertising agency. Despite her responsible nature and comedic flair, she shoulders the burden of running her home for her mother, pregnant for the ninth time, and an absent father engrossed in his ad campaigns. To pursue her dream, Michal contemplates an arranged marriage, fearing the alternative of raising her own children. She privately arranges a match with Yanki, a Yeshiva student, leading to a ""dating-less"" deal. Meanwhile, she forms a tender connection with Naomi, the daughter of the agency's cleaning lady. As Michal navigates potential husbands, her relationship with Naomi blossoms. This forbidden love threatens Michal's reputation, job, and family. Amidst the challenges, Michal rises as a brilliant copywriter, facing the clash between her orthodox upbringing and the feminist identity she develops. Balancing her father and grandfather's perspectives, Michal confronts the patriarchal norms of the ultra-orthodox advertising world. Her journey transforms her into a strong, cunning professional, challenging societal norms. In the pursuit of her dream, Michal faces a dilemma between traditional marriage and a passionate love story with Naomi. Each choice entails heartbreaking sacrifices. Ultimately, Michal emerges as a heroine who finds herself, makes her own choices, and takes decisions that are entirely her own, even if they come with pain. WRITER'S STATEMENT The Ultra-Orthodox world is highly conservative, making it challenging for women like me. As the eldest with seven siblings, I took on the responsibility of essentially raising them. Despite dreaming of becoming a filmmaker, such aspirations are forbidden in my community. The expected path involves finishing school, getting married, having numerous children, and only then, perhaps, dreaming of a career. I followed the prescribed path dutifully, adhering to societal norms. However, I chose not to have children. Determined to pursue my passion for filmmaking, I made the unconventional decision to divorce my husband. This marked a bold step towards realizing my dreams in a world where such choices are often met with resistance. ABOUT THE WRITER PRODUCER'S STATEMENT "The Sterns" gives us a glimpse to the Jewish Ultra- Orthodox world, which is usually kept behind closed doors. The creator, who is an up-and-coming Orthodox writer and director brilliantly manages to tackle the burning and unspoken issues of feminism within her closed community, through an area of a PR advertising company. These issues are universally relevant and appeal to a wide range of viewers. PRODUCER PROFILE PRODUCTION CONTACT DETAILS Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Asa Hjorleifsdottir 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Asa Hjorleifsdottir 2014 Year of lab participation: 3 Lab edition: Country: Iceland Producer: Birgitta Bjornsdottir The Swan A wayward nine-year-old girl is sent to the countryside to work and mature, but finds herself instead deeply entangled in a drama she can hardly grasp. Lab edition: Toronto International Film Festival 2017 Santa Barbara International Film Festival 2018 - Best Scandinavian Film Kolkata International Film Festival 2017 - International Competition: Innovations in Moving Images Cairo International Film Festival 2017 - Cinema of Tomorrow Award for Best Film Nashville Film Festival 2018 Synopsis 2017 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Moods PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Yona Rozenkier 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Yona Rozenkier 2016 Year of lab participation: 5 Lab edition: Country: Israel Producer: Kobi Mizrahi 35 Downhill The hanged body of an old man in the middle of a small kibbutz in the north of Israel leads Albert, a war veteran, to make a drunken bet. Along with Ben, his grumpy unemployed son, the feisty odd couple will cross the entire country on an old tractor, in one week. This spontaneous 35 km\h, bitter-sweet and sour journey towards forgiveness take them through Israel's neglected backyard, where stereotypes and prejudices meet broken dreams of a better life. The trip will enable Ben to discover his fascinating father, and will give Albert the chance to be the father he never was. Lab edition: Jerusalem Film Festival 2022 - Best Israeli Feature Film, Best Actor, Best Cinematography Israeli Film Academy Awards 2022 - Best Supporting Actor Solothurn Film Festival 2023 Jerusalem Sam Spiegel Film Lab 2016 - 1st Prize Winner Synopsis 2022 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS